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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Explore the essence of life, love, nature, and time in exquisite verse with this elegantly designed edition of Emily Dickinson’s finest poems. Born in 1830 in Amherst, Massachusetts, to a prominent New England family and educated at Amherst Academy and Mt. Holyoke Female Seminary, Emily Elizabeth Dickinson lived most of her life in seclusion, devoted to writing. She scarcely left home, nor did she have many visitors. Only ten of her poems were published in her lifetime, submitted without her permission by friends. It was only after her death in 1886 that the scope of her work as a poet came to light—over 1,700 poems were discovered in a dresser drawer by her sister, Lavinia. Emily Dickinson’s poems reflect her loneliness, as well as her love of nature, the influence of the Metaphysical poets of seventeenth century England, and her strong Puritan religious beliefs. Yet, it is her use of language, form, and the deceptive simplicity of her verse that categorize her as an important force in nineteenth century American letters and, along with Walt Whitman, a founder of a distinctly American voice in modern poetry. PRELUDE THIS is my letter to the world, That never wrote to me,— That simple news that Nature told, With tender majesty. Her message is committed To hands I cannot see; For love of her, sweet countrymen, Judge tenderly of me! The Timeless Classics series from Rock Point brings together the works of classic authors from around the world. Complete and unabridged, these elegantly designed gift editions feature luxe, patterned endpapers, ribbon markers, and foil and deboss details on vibrantly colored cases. Celebrate these beloved works of literature as true standouts in your personal library collection.
The startling originality of Emily Dickinson's style condemned her poetry to obscurity during her lifetime, but her bold experiments in prosody, her tragic vision, and the range of her intellectual and emotional explorations have since won her international recognition as a poet of the highest order. The Complete Poems is the only one-volume edition containing all of Emily Dickinson's verse. In this landmark edition, the editor, Thomas H. Johnson, has presented the poems in their original contexts; and where alternate readings were suggested, he has chosen only those which the poet evidently preferred. His introduction includes a brief explanation of his selection of texts as well as an outline of Emily Dickinson's career.
With an Introduction by Emma Hartnoll. Initially a vivacious, outgoing person, Emily Dickinson (1830-1886) progressively withdrew into a reclusive existence. An undiscovered genius during her lifetime, only seven out of her total of 1,775 poems were published prior to her death. She had an immense breadth of vision and a passionate intensity and awe for life, love, nature, time and eternity. Originally branded an eccentric, Emily Dickinson is now recognised as a major poet of great depth, startling originality and courage for as she wrote: 'Assent and you are sane; /Demure you're straightaway dangerous / And handled with a chain'.
The Emily Dickinson Collection (2021) compiles some of the best-known works of an icon of American poetry. Out of nearly two-thousand poems discovered after her death, less than a dozen appeared in print during Dickinson's lifetime. Drawn from such influential posthumous volumes as Poems (1902) and The Single Hound (1914), The Emily Dickinson Collection captures the spiritual depths, celebratory heights, and impenetrable mystery of Dickinson's poetic gift. "Fame is a fickle food / Upon a shifting plate, / Whose table once a Guest, but not / The second time, is set." Deeply aware of the fleeting nature of fame, Dickinson-whose reputation in life was as a lonely eccentric who rarely, if ever, left home-seems to provide some clarity as to why publication so often eluded her. Having published just ten poems in her lifetime, Dickinson continued to write in solitude until her final years. Her final word on fame is a warning, perhaps, for poets whose fate would differ from her own: "Men eat of it and die." Despite her admonishing tone, she found space elsewhere to muse on the nature of literary achievement, recognizing that obscurity could incidentally produce the conditions for a poet to produce their most vital work: "Success is counted sweetest / By those who ne'er succeed. / To comprehend a nectar / Requires sorest need." Throughout her life, Emily Dickinson showed a profound respect for the mysteries of worldly existence. In her poems, this creates an atmosphere of prayer and contemplation, a search for something beyond the simple answers: "Some things that fly there be, - / Birds, hours, the bumble-bee: / Of these no elegy." Amid such fleeting things, she catches a glimpse of eternity. With a beautifully designed cover and professionally typeset manuscript, this edition of The Emily Dickinson Collection is a classic of American poetry reimagined for modern readers.
For the first time, selections from Emily Dickinson's thirty-six
year correspondence to her neighbor and sister-in-law, Susan
Huntington Dickinson, are compiled in a single volume. "Open Me
Carefully" invites a dramatic new understanding of Emily
Dickinson's life and work, overcoming a century of censorship and
misinterpretation.
"This is my letter to the world . . ." - Emily Dickinson The Poetry of Emily Dickinson is a collection of pieces by 19th-century American poet Emily Dickinson, who insisted that her life of isolation gave her an introspective and deep connection with the world. As a result, her work parallels her life-misunderstood in its time, but full of depth and imagination, and covering such universal themes as nature, art, friendship, love, society, mortality, and more. During Dickinson's lifetime, only seven of her poems were published, but after her death, her prolific writings were discovered and shared. With this volume, readers can dive into the now widely respected poetry of Emily Dickinson.
Published in 1924, The Life and Letters of Emily Dickinson is a biography by her niece Martha Dickinson Bianchi. Featuring detailed biographical essays and her letters, for the first time arranged chronically, the book stands as a retelling of her aunt's life from the perspective of family in an attempt to challenge the image of Emily Dickinson as a cold, isolated woman of mystery. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Life and Letters of Emily Dickinson is a must-read biography reimagined for modern readers.
The only select volume of Emily Dickinson's poetry that truly represents the complete range of her work: 576 poems selected by the pre-eminent Dickinson scholar in America from the 1,1775 poems that form the body of her work.
'It's coming - the postponeless Creature' Electrifying poems of isolation, beauty, death and eternity from a reclusive genius and one of America's greatest writers. One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.
American poet Emily Dickinson is revered around the world, and influenced many feminist artists and writers. Her work is some of the best known and most quoted or adapted: 'Hope is the thing with feathers, that perches in the soul, and sings the tune without the words, and never stops at all' Emily Dickinson Dickinson received a very good education, but chose to return home to Amherst, Massachusetts, where she spent the rest of her life, writing more than a poem a day until her death. Her refusal to compromise her highly condensed expression meant that only a tiny fraction of her work was published in her lifetime. Even today, her work feels startlingly modern: 'Dogs are better than human beings because they know but do not tell' Emily Dickinson 'The dearest ones of time, the strongest friends of the soul - BOOKS' This is a superb collection from a truly iconic poet.
The Emily Dickinson Collection (2021) compiles some of the best-known works of an icon of American poetry. Out of nearly two-thousand poems discovered after her death, less than a dozen appeared in print during Dickinson's lifetime. Drawn from such influential posthumous volumes as Poems (1902) and The Single Hound (1914), The Emily Dickinson Collection captures the spiritual depths, celebratory heights, and impenetrable mystery of Dickinson's poetic gift. "Fame is a fickle food / Upon a shifting plate, / Whose table once a Guest, but not / The second time, is set." Deeply aware of the fleeting nature of fame, Dickinson-whose reputation in life was as a lonely eccentric who rarely, if ever, left home-seems to provide some clarity as to why publication so often eluded her. Having published just ten poems in her lifetime, Dickinson continued to write in solitude until her final years. Her final word on fame is a warning, perhaps, for poets whose fate would differ from her own: "Men eat of it and die." Despite her admonishing tone, she found space elsewhere to muse on the nature of literary achievement, recognizing that obscurity could incidentally produce the conditions for a poet to produce their most vital work: "Success is counted sweetest / By those who ne'er succeed. / To comprehend a nectar / Requires sorest need." Throughout her life, Emily Dickinson showed a profound respect for the mysteries of worldly existence. In her poems, this creates an atmosphere of prayer and contemplation, a search for something beyond the simple answers: "Some things that fly there be, - / Birds, hours, the bumble-bee: / Of these no elegy." Amid such fleeting things, she catches a glimpse of eternity. With a beautifully designed cover and professionally typeset manuscript, this edition of The Emily Dickinson Collection is a classic of American poetry reimagined for modern readers.
Published in 1924, The Life and Letters of Emily Dickinson is a biography by her niece Martha Dickinson Bianchi. Featuring detailed biographical essays and her letters, for the first time arranged chronically, the book stands as a retelling of her aunt's life from the perspective of family in an attempt to challenge the image of Emily Dickinson as a cold, isolated woman of mystery. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Life and Letters of Emily Dickinson is a must-read biography reimagined for modern readers.
Let your children discover the works of poet Emily Dickinson in Emily Dickinson. As the premier title in the Poetry for Kids series, Emily Dickinson introduces children to the works of poet Emily Dickinson. Poet, professor, and scholar Susan Snively has carefully chosen 35 poems of interest to children and their families. Each poem is beautifully illustrated by Christine Davenier and thoroughly explained by an expert. The gentle introduction, which is divided into sections by season of the year, includes commentary, definitions of important words, and a foreword.
In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets in our literature. Emily Dickinson (1830-86) was born in Amherst, Massachussetts, where she lived most of her life as a recluse, seldom leaving the house or receiving visitors. She published just a handful of poems in her lifetime, her first collection appearing posthumously in 1890.
Emily Dickinson, poet of the interior life, imagined words/swords, hurling barbed syllables/piercing. Nothing about her adult appearance or habitation revealed such a militant soul. Only poems, written quietly in a room of her own, often hand-stitched in small volumes, then hidden in a desk drawer, revealed her true self. She did not live in time, as did that other great poet of the day, Walt Whitman, but in universals. As she knowingly put it: "There is one thing to be grateful for--that one is one's self and not somebody else." Dickinson lived and died without fame: she saw only a few poems published. Her great legacy was later rescued from her desk drawer--an astonishing body of work revealing her acute, sensitive nature reaching out boldly from self-referral to a wider, imagined world. Her family sought publication of Dickinson's poetry over the years, selecting verses, often altering her words or her punctuation, until, in 1955, the first important attempt was made to collect and publish Dickinson's work, edited by Thomas H. Johnson for the Belknap Press of Harvard University Press. Now, after many years of preparation by Ralph Franklin, the foremost scholar of Dickinson's manuscripts, a new comprehensive edition is available. This three-volume work contains 1,789 poems, the largest number ever assembled. The poems, arranged chronologically, based on new dating, are drawn from a range of archives, most frequently from holographs, but also from various secondary sources representing lost manuscripts. The text of each manuscript is rendered individually, including, within the capacity of standard type, Dickinson's spelling, capitalization, and punctuation. Franklin gives Dickinson's alternative readings for the poems, her revisions, and the line and page, or column, divisions in the source. Each entry identifies Franklin's editorial emendations and records the publication history, including variants. Fourteen appendices of tables and lists give additional information, including poems attributed to Emily Dickinson. The poems are indexed by numbers from the Johnson edition, as well as by first lines. Franklin has provided an introduction that serves as a guide to this edition and surveys the history of the editing of Dickinson's poems. His account of how Dickinson conducted her workshop is a reconstruction of a remarkable poetic life. |
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