This anthology has been compiled to celebrate a community of poets who have gathered over the past 21 years at the Torriano Meeting House. This is a small but internationally known cultural space in Kentish Town, North London, where Sunday evening readings have been held since 1982. Contributors include: Christopher Hampton, John Heath-Stubbs, John Hegley, Judith Kanzantzis, Jeremy Reed, Labi Siffre and Sarah Lawson.

An illustrated collection of poetry by the British poet John Heath-Stubbs. Prolific during the 1940s and 1950s, Heath-Stubbs received the Queen's Gold Medal for poetry in 1958, and later the O.B.E for services to literature.

Sahara: An account in verse of a journey by four intrepid travellers - including George - through the interior of Libya to the Akakus, in search of ancient rock drawings. Skilfully composed stanzas combine traditional form with modern sensibility, comedy, literary allusion and descriptions of desert history in an absorbing fast-moving narrative.

This anthology covers a broad span of writing, from a poet's vision of the biological process to protest songs such as Designer Kidz.

Award-winning poet and author Helen Mort describes the collection of poetry, paintings, artwork, and ideas found in The Quiet Woman as, "life-changing and affirming, alive to grief but full of defiance". The comedy screen-writer Maggie Rowe describes the book and its author as, "a miracle". Emily's 40 poems and 40 pieces of art grapple openly with and embrace questions of womanhood, faith, doubt, motherhood, radical theology, suicide, embodiment, female empowerment, abuse, domesticity, mysticism, ecology, love, loss, religion, inclusion, imperfection, spirituality, pain, deconstruction, self-love, and surrender. The Quiet Woman is for anyone who is reaching for words that bring comfort and hope. It's for anyone seeking to redefine the traditional image of a Quiet Woman. A woman who is Quiet because she's breathing in, filling her lungs, ready to roar. A woman who is Quiet because she doesn't need to ask for outside validation. A woman who is Quiet because she's busy getting the rest she needs in order to thrive. A woman who is Quiet because she's focused on listening intently to her own voice.

This title records the story of a wandering German cleric's encounter with the limited hospitality of a 10th-century Parisian monastery. It was originally written in Latin and Old High German.