This book explores how photography and recorded music act as vehicles or catalysts in processes of remembering, and how they are regarded, treated, valued and drawn upon as resources connecting past and present in everyday life. It does so via two key concepts: vernacular memory and the mnemonic imagination.

This book shows how the mnemonic imagination creatively uses the resources of photography and music in the registering and management of change. Looking in particular at major transitions and turning points, it covers key issues of identity for the remembering subject and key scales of remembering in vernacular milieus. The book explores the connections of memory and remembering with transformations in intimate relationships, migration and spatial mobilities, loss and bereavement involving loved ones or those with whom close affinities are felt, resulting in a volume that helps fill the gap in memory studies caused by lack of sustained ethnographic work. Drawing on extensive fieldwork on the processes and practices of remembering in everyday life, it demonstrates how the mnemonic imagination is central to the management of change and transition, and how its cross-temporal interanimations of past, present and future are fostered and facilitated by the visual and sonic resources of photography and recorded music.

This collected volume is the first to study the interface between contemporary social movements, cultural memory and digital media. Establishing the digital memory work practices of social movements as an important area of research, it reveals how activists use digital media to lay claim to, circulate and curate cultural memories. Interdisciplinary in scope, its contributors address mobilizations of mediated remembrance in the USA, Germany, Sweden, Italy, India, Argentina, the UK and Russia.

This collected volume is the first to study the interface between contemporary social movements, cultural memory and digital media. Establishing the digital memory work practices of social movements as an important area of research, it reveals how activists use digital media to lay claim to, circulate and curate cultural memories. Interdisciplinary in scope, its contributors address mobilizations of mediated remembrance in the USA, Germany, Sweden, Italy, India, Argentina, the UK and Russia.

This book shows how the mnemonic imagination creatively uses the resources of photography and music in the registering and management of change. Looking in particular at major transitions and turning points, it covers key issues of identity for the remembering subject and key scales of remembering in vernacular milieus. The book explores the connections of memory and remembering with transformations in intimate relationships, migration and spatial mobilities, loss and bereavement involving loved ones or those with whom close affinities are felt, resulting in a volume that helps fill the gap in memory studies caused by lack of sustained ethnographic work. Drawing on extensive fieldwork on the processes and practices of remembering in everyday life, it demonstrates how the mnemonic imagination is central to the management of change and transition, and how its cross-temporal interanimations of past, present and future are fostered and facilitated by the visual and sonic resources of photography and recorded music.

This is the first practical guide to research methods in memory studies. The 12 chapters provide students and researchers with clear descriptions of particular methods of research for: investigating community remembering and memory in personal narratives; exploring national memory and commemoration, and cultural memory and heritage; attending to disrupted memory; examining how memory is communicated in everyday life, and how it is manifested in emergent and resurgent ethnicities; focusing on the production of social memory in the media; and analysing the dynamics of remembering in public apologies, and in testimonies offered by Holocaust survivors. It provides expert appraisals of a range of techniques and approaches in memory studies. It focuses on methods and methodology as a way to help bring unity and coherence to this new field of study.

This is the first practical guide to research methods in memory studies. The 12 chapters provide students and researchers with clear descriptions of particular methods of research for: investigating community remembering and memory in personal narratives; exploring national memory and commemoration, and cultural memory and heritage; attending to disrupted memory; examining how memory is communicated in everyday life, and how it is manifested in emergent and resurgent ethnicities; focusing on the production of social memory in the media; and analysing the dynamics of remembering in public apologies, and in testimonies offered by Holocaust survivors. It provides expert appraisals of a range of techniques and approaches in memory studies. It focuses on methods and methodology as a way to help bring unity and coherence to this new field of study.