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The Reformation of the sixteenth century shattered the unity of
medieval Christendom, and the resulting fissures spread to the
corners of the earth. No scholar of the period has done more than
Carlos M.N. Eire, however, to document how much these ruptures
implicated otherworldly spheres as well. His deeply innovative
publications helped shape new fields of study, intertwining social,
intellectual, cultural, and religious history to reveal how, lived
beliefs had real and profound implications for social and political
life in early modern Europe. Reflecting these themes, the volume
celebrates the intellectual legacy of Carlos Eire's scholarship,
applying his distinctive combination of cultural and religious
history to new areas and topics. In so doing it underlines the
extent to which the relationship between the natural and the
supernatural in the early modern world was dynamic, contentious,
and always urgent. Organized around three sections - 'Connecting
the Natural and the Supernatural', 'Bodies in Motion: Mind, Soul,
and Death' and 'Living One's Faith' - the essays are bound together
by the example of Eire's scholarship, ensuring a coherence of
approach that makes the book crucial reading for scholars of the
Reformation, Christianity and early modern cultural history.
The Reformation of the sixteenth century shattered the unity of
medieval Christendom, and the resulting fissures spread to the
corners of the earth. No scholar of the period has done more than
Carlos M.N. Eire, however, to document how much these ruptures
implicated otherworldly spheres as well. His deeply innovative
publications helped shape new fields of study, intertwining social,
intellectual, cultural, and religious history to reveal how, lived
beliefs had real and profound implications for social and political
life in early modern Europe. Reflecting these themes, the volume
celebrates the intellectual legacy of Carlos Eire's scholarship,
applying his distinctive combination of cultural and religious
history to new areas and topics. In so doing it underlines the
extent to which the relationship between the natural and the
supernatural in the early modern world was dynamic, contentious,
and always urgent. Organized around three sections - 'Connecting
the Natural and the Supernatural', 'Bodies in Motion: Mind, Soul,
and Death' and 'Living One's Faith' - the essays are bound together
by the example of Eire's scholarship, ensuring a coherence of
approach that makes the book crucial reading for scholars of the
Reformation, Christianity and early modern cultural history.
A new investigation that shows how conversionary preaching to Jews
was essential to the early modern Catholic Church and the Roman
religious landscape Starting in the sixteenth century, Jews in Rome
were forced, every Saturday, to attend a hostile sermon aimed at
their conversion. Harshly policed, they were made to march en masse
toward the sermon and sit through it, all the while scrutinized by
local Christians, foreign visitors, and potential converts. In
Catholic Spectacle and Rome's Jews, Emily Michelson demonstrates
how this display was vital to the development of early modern
Catholicism. Drawing from a trove of overlooked manuscripts,
Michelson reconstructs the dynamics of weekly forced preaching in
Rome. As the Catholic Church began to embark on worldwide missions,
sermons to Jews offered a unique opportunity to define and defend
its new triumphalist, global outlook. They became a point of
prestige in Rome. The city's most important organizations invested
in maintaining these spectacles, and foreign tourists eagerly
attended them. The title of "Preacher to the Jews" could make a
man's career. The presence of Christian spectators, Roman and
foreign, was integral to these sermons, and preachers played to the
gallery. Conversionary sermons also provided an intellectual veneer
to mask ongoing anti-Jewish aggressions. In response, Jews mounted
a campaign of resistance, using any means available. Examining the
history and content of sermons to Jews over two and a half
centuries, Catholic Spectacle and Rome's Jews argues that
conversionary preaching to Jews played a fundamental role in
forming early modern Catholic identity.
Italian preachers during the Reformation era found themselves in
the trenches of a more desperate war than anything they had ever
imagined. This war-the splintering of western Christendom into
conflicting sects-was physically but also spiritually violent. In
an era of tremendous religious convolution, fluidity, and danger,
preachers of all kinds spoke from the pulpit daily, weekly, or
seasonally to confront the hottest controversies of their time.
Preachers also turned to the printing press in unprecedented
numbers to spread their messages. Emily Michelson challenges the
stereotype that Protestants succeeded in converting Catholics
through superior preaching and printing. Catholic preachers were
not simply reactionary and uncreative mouthpieces of a monolithic
church. Rather, they deftly and imaginatively grappled with the
question of how to preserve the orthodoxy of their flock and
maintain the authority of the Roman church while also confronting
new, undeniable lay demands for inclusion and participation. These
sermons-almost unknown in English until now-tell a new story of the
Reformation that credits preachers with keeping Italy Catholic when
the region's religious future seemed uncertain, and with fashioning
the post-Reformation Catholicism that thrived into the modern era.
By deploying the pulpit, pen, and printing press, preachers in
Italy created a new religious culture that would survive in an
unprecedented atmosphere of competition and religious choice.
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