Fresh approaches to one of the most important poems from medieval Scotland. John Barbour's Bruce, an account of the deeds of Robert I of Scotland (1306-29) and his companions during the so-called wars of independence between England and Scotland, is an important and complicated text. Composed c.1375 during the reign of Robert's grandson, Robert II, the first Stewart king of Scotland (1371-90), the poem represents the earliest surviving complete literary work of any length produced in "Inglis" in late medieval Scotland, andis usually regarded as the starting point for any worthwhile discussion of the language and literature of Early Scots. It has also been used as an essential "historical" source for the career and character of that iconic monarch Robert I. But its narrative defies easy categorisation, and has been variously interpreted as a romance, a verse history, an epic or a chivalric biography. This collection re-assesses the form and purpose of Barbour's great poem. It considers the poem from a variety of perspectives, re-examining the literary, historical, cultural and intellectual contexts in which it was produced, and offering important new insights. Steve Boardman is a Reader in History at the University of Edinburgh. Susan Foran, currently an independent scholar, researches chivalry, war and the idea of nation in late medieval historical writing. Contributors: Steve Boardman, Dauvit Broun, Michael Brown, Susan Foran, Chris Given-Wilson, Theo van Heijnsbergen, Rhiannon Purdie, Bioern Tjallen, Diana B. Tyson, Emily Wingfield.

The popular genre of medieval romance explored in its physical, geographical, and literary contexts. The essays in this volume take a representative selection of English and Scottish romances from the medieval period and explore some of their medieval contexts, deepening our understanding not only of the romances concerned but also of the specific medieval contexts that produced or influenced them. The contexts explored here include traditional literary features such as genre and rhetorical technique and literary-cultural questions of authorship, transmission and readership; but they also extend to such broader intellectual and social contexts as medieval understandings of geography, the physiology of swooning, or the efficacy of baptism. A framing context for the volume is provided by Derek Pearsall's prefatory essay, in which he revisits his seminal 1965 article on the development of Middle English romance. Rhiannon Purdie is Senior Lecturer in English, University of St Andrews; Michael Cichon is Associate Professor of English at St Thomas More College in the University of Saskatchewan. Contributors: Derek Pearsall, Nancy Mason Bradbury, Michael Cichon, Nicholas Perkins, Marianne Ailes, John A. Geck, Phillipa Hardman, Siobhain Bly Calkin, Judith Weiss, Robert Rouse, Yin Liu, Emily Wingfield, Rosalind Field

First full-length treatment of the Trojan legend in medieval Scottish literature, showing the various uses for, and the ways in, which it was deployed. The Trojan legend became hot property during the Anglo-Scots Wars of Independence. During the late thirteenth and early fourteenth centuries, the English traced their ancestry to Brutus and the Trojans and used this origin myth tobolster their claims to lordship and ownership of Scotland; while in a game of political one-upmanship, and in order to prove Scotland's independence and sovereignty, Scottish historians instead traced their nation's origins to aGreek prince, Gaythelos, and his Egyptian wife, Scota. Despite the wealth of scholarship on the Trojan legend in English and European literature, very little has been done on Scotland's literary response to the same legend,even though a mere glance at the canonical material of late medieval Scotland indicates that it remained equally current north of the Border, a gap which this book fills. Through a detailed analysis of a range of Older Scots textsfrom c. 1375 to c. 1513, notably The Scottish Troy Book, Henryson's Testament of Cresseid, and Douglas' Eneados, it provides the first comprehensive assessment of the Scottish response to the Trojan legend. It considers the way in which Scottish texts interact with English counterparts, such as Geoffrey of Monmouth's Historia, Chaucer's Troilus, Lydgate's Troy Book, and Caxton's Eneydos, and demonstrates how despite - or perhaps because of - its use in the Anglo-Scots Wars of Independence, the Trojan legend was for the most part neither neglected nor pejoratively treated in Older Scots literature. Rather, the Matter of Troy and related Matter of Greece were used not just as an origin myth, but also as a metaphor for Anglo-Scots political relations, guide to good governance, and locus through which poets might explore broader issues of literary tradition, authority, and the nature of poetic truth. Emily Wingfield is a lecturer in English at the University of Birmingham.

Premodern Scotland: Literature and Governance 1420-1587 brings together original essays by a group of international scholars to offer fresh and ground-breaking research into the 'advice to princes' tradition and related themes of good self- and public governance in Older Scots literature, and in Latin literature composed in Scotland in the fifteenth, sixteenth, and early seventeenth centuries. The volume brings to the fore texts both from and about the royal court in a variety of genres, including satire, tragedy, complaint, dream vision, chronicle, epic, romance, and devotional and didactic treatise, and considers texts composed for noble readers and for a wider readership able to access printed material. The writers and texts studied include Bower's Scotichronicon, Henryson's Testament of Cresseid, and Gavin Douglas's Eneados. Lesser known authors and texts also receive much-needed critical attention, and include Richard Holland's, The Buke of the Howlat, chronicles by Andrew of Wyntoun, Hector Boece, and John Bellenden, and poetry by sixteenth-century writers such as Robert Sempill, John Rolland of Dalkeith, and William Lauder. Non-literary texts, such as the Parliamentary 'Aberdeen Articles' further deepen the discussion of the volume's theme. Writing from south of the Border, which provoked creative responses in Scots authors, and which were themselves inflected by the idea of Scotland and its literature, are also considered and include the Troy Book by John Lydgate, and Malory's Le Morte Darthur. With a focus on historical and material context, contributors explore the ways in which these texts engage with notions of the self and with advisory subjects both specific to particular Stewart monarchs and of more general political applicability in Scotland in the late medieval and early modern periods.