The Bristol and Bath Art Book portrays two very different cities. The beautiful images in the book capture the breath-taking landscape of rivers, hills and gorges which they share, but also the cities’ sights that are so unique. Bristol is painted as busy, quirky and vibrant, where Bath glows in more tranquil hues. These important cities in the history of the world are intimately connected. The river Avon that flows through both cities, gouges the spectacular Avon Gorge at Bristol, which is where its international maritime connections begin. The regenerated old docks (the ’floating harbour’), Wapping Wharf and the quayside are lovingly depicted by various artists. Now that the main docks are outside the city, the harbour-side now bustles with shops, bars and offices, but there are still cranes to be seen at the M shed. Underfall boatyard remains a home to maritime businesses and is also pictured in this lovely book, along with pleasure craft and houseboats in the harbour. John Cabot’s The Matthew is the ship that put America on the map. The reconstruction is depicted in drawings and paintings. She may have been a pirate ship at one time, too, as Bristol was the birthplace of Blackbeard and had a thriving piracy business. From this Atlantic connection, the list of items traded expanded from wool, wine and grain to tobacco and alas, to slaves. The profits from this trade endowed many of the fine public monuments drawn and painted here. Like many places, Bristol is undertaking a new reckoning with its history. The great engineer Isambard Kingdom Brunel designed the Clifton Suspension Bridge to span the deep Avon Gorge. In the book, there are many images of this vertiginous bridge: ringed by balloons, luminous in the gloaming, stark in the snow, or painted to resemble a cathedral arch from below. It is a much-loved, living monument to the great man. His Great Western Railway terminus at Temple Meads features here in drawings and prints, along with his pioneering Bristol-built steamship, the SS Great Britain. Crossing Brunel’s famous bridge over the Avon, you will find yourself in the tranquil Leigh woods, painted as a hotspot for bluebells in spring. The old Railway Path, flat, traffic-free and lined with greenery, takes you from Bristol to Bath, where you will find more gorgeous parks: the Georgian garden in the town centre, Alexandra Park with panoramas of the city and the Botanical Gardens with its aerial walkway. Bath is a UNESCO world heritage site because of its Roman remains and exquisite Georgian architecture. Its famous Roman Baths were built around a hot spring the Romans believed sacred to the Goddess Sulis and the city became a centre for health and an inspiration for artists. Its 18th-century architecture: The Royal Crescent, The Circus, Pulteney Bridge and Assembly Rooms, are all examples of Bath’s heyday as a Georgian spa town and are featured in the art book in stunning paintings, drawings and collages. They capture the Bath that Jane Austen would have known from her time in the city. Here, movies of some of her novels have been filmed, along with many other Regency era series e.g. the record-breaking series Bridgerton.

The Birmingham Art Book is a tribute to a unique city whose visionary scientists and inventors made it famous as a manufacturing powerhouse. From heavy metal industry - here is where the first steam trains were built- to heavy metal music - Black Sabbath made their mark here, this is a place with a proud heritage. Its handsome university is the original of the 'Redbrick' universities, founded by a farsighted mayor in 1900 as a civic place of learning, open to all, now with many world famous alumni and staff, 10 of whom have won Nobel prizes. Local artists convey the architectural glory of Victoria Square and the city centre Museum and Art Gallery (which holds a sumptuous collection of Pre-Raphaelite art). In their drawings, they echo the modern vibrancy of buildings such as the iconic Selfridges department store and the REP theatre. Collages and sketches depict a city buzzing with vitality -from the world-renowned Hippodrome theatre, to the shopping centres and legendary nightlife that are national attractions. Quirky nooks like the Jewellery Quarter, the Electric Cinema or the tranquil Botanic gardens hidden so close to the centre are reflected in this lovely book. The green city with 8000 acres of public parks and many miles of canal paths dating from its heyday in the Industrial Revolution is lovingly drawn and painted by its artists. The Birmingham Art Book is where local artists shine a light on the grand and the humdrum with equal affection. Their love for the modern city is evident and their pride in its heritage comes to the fore in this lovely book.

This book gathers papers presented and discussions held at the Conference on Wind Energy and Wildlife Impacts in Melbourne, Australia on 9th October 2012. The purpose of the conference was to bring together researchers, industry, consultants, regulators and Non-Government Organizations to share the results of studies into wind farm and wildlife investigations in Australia and New Zealand. The aim was to further networking and communication between these groups. The conference discussed key issues and areas for future investigation, with the intention of developing consistencies in research and management. Like the Conference, the book showcases current research and management in the field of wind farms and wildlife in Australia and New Zealand; establishes consistencies in research and management; and highlights areas in need of further examination. The papers in these Proceedings are presented in two session topics. The first covers "Investigations and assessment of new wind farms" and the second, "Monitoring, mitigation and offsets." The Proceedings then summarize the panel discussions held at the end of the conference. The themes include improving pre- and post-construction survey design; identifying key knowledge gaps and research priorities; uncertainties and errors in data sets and analysis; creating opportunities to share knowledge; and assessing cumulative impacts across multiple sites.

A colourful showcase of one of the most beautiful cities in the world. Inspired by Oxford’s unique architecture and historic university, over 50 artists have produced a unique collection of contemporary images illustrating all aspects of the city and surrounding area. Oxford is both a thriving city and a byword for one of the world’s best universities. Its ancient buildings are the wonder of the world, still used and inhabited by an energetic and passionate student community. From tightly-packed Cornmarket street catering for the shoppers of the busy city to Oxford’s lush riverside walks that provide an asylum from the bustle of everyday life, to traditional St Giles’s Fair and May Day that attract visitors from across Oxfordshire and beyond, this book represents them all, including: - Quirky hidden gems such as The Eagle and Child (the pub frequented by J.R.R. Tolkien and C.S. Lewis) and the many cafes of the Covered Market - Innovative representations of classic tourist sites: the Bodleian Library, the Radcliffe Camera, the Sheldonian Theatre, Christ Church College, Magdalen College and many more... - The Mini Car Plant and Cowley Road transformed into artworks There is so much to wonder at in this lovely book. Its enthusiasm reveals a passion for both contemporary art and the lovely city of Oxford. It will renew memories and inspire visits and revisits to all its haunts.

This book gathers papers presented and discussions held at the Conference on Wind Energy and Wildlife Impacts in Melbourne, Australia on 9th October 2012. The purpose of the conference was to bring together researchers, industry, consultants, regulators and Non-Government Organizations to share the results of studies into wind farm and wildlife investigations in Australia and New Zealand. The aim was to further networking and communication between these groups. The conference discussed key issues and areas for future investigation, with the intention of developing consistencies in research and management. Like the Conference, the book showcases current research and management in the field of wind farms and wildlife in Australia and New Zealand; establishes consistencies in research and management; and highlights areas in need of further examination. The papers in these Proceedings are presented in two session topics. The first covers "Investigations and assessment of new wind farms" and the second, "Monitoring, mitigation and offsets." The Proceedings then summarize the panel discussions held at the end of the conference. The themes include improving pre- and post-construction survey design; identifying key knowledge gaps and research priorities; uncertainties and errors in data sets and analysis; creating opportunities to share knowledge; and assessing cumulative impacts across multiple sites.

The Edinburgh Art Book showcases one of the most beautiful cities in the world. Inspired by Edinburgh's unique architecture, over 50 artists have produced a unique collection of contemporary images illustrating all aspects of the city and surrounding area. The city is shown in a new light through a range of media, from screen print and computer aided design to hand-cut collage.

The Cambridge Art Book contains a unique collection of contemporary images of this most beautiful city, from the grand architecture of its historic university to its more intimate corners. Alongside the drama of its fine buildings, the tranquillity of its green spaces, the city's artists uncover the quirks that make it an unending delight.

This book is a tribute to Dublin, an impressive artistic collection taking the reader on a tour through this most vibrant city. From historic Trinity College and the iconic Ha'penny Bridge to the lively pub scene and secret hidden corners, Dublin's artists highlight its beauties in the most unique way.

The Liverpool Art Book is a tribute to one of the UK's most iconic cities. An impressive artistic collection taking the reader on a tour through the colourful spirit of Liverpool and its history: inspired by its vibrant, modern buildings and imposing symbols of commence, its statues of icons such as the Beatles and Cilla Black, and its majestic skyline, Liverpool's very own artists highlight its beauties in the most unique way.

The twentieth volume in the acclaimed paperback series . . . the only county series that can legitimately claim to represent the past and present of a nation. Cornish Studies has consistently - and successfully - sought to investigate and understand the complex nature of Cornish identity, as well as to discuss its implications for society and governance in contemporary Cornwall. Publication of Cornish Studies: Twenty marks two decades of this internationally acclaimed paperback series The volume discusses Cornish medieval and early modern studies, examines the efforts of Cornish language revivalists past and present, and considers the relation between Cornish folk tradition and Cornish identity, as well as evaluating Cornish literature in Cornwall and Australia, investigating the distinctive features of Cornish politics in the first half of the twentieth century, analysing the separation of wives and husbands during Cornwall's 'Great Emigration, and reviewing Cornish mine accidents. "For the past twenty years, Cornish Studies has stood at the very heart of the ongoing scholarly conversation over what it means - and what is has meant - to be Cornish. Interdisciplinary and internationalist in its approach, the series adopts a wide variety of perspectives in order to set the people of Cornwall - and the wider Cornish diaspora - in a truly global context". Mark Stoyle, Professor of History, University of Southampton