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Showing 1 - 11 of 11 matches in All Departments
A Beautiful Mess is one of the most popular DIY style blogs in the world, with more than 1 million readers. Co-creators (and sisters) Emma Chapman and Elsie Larson share their unique and approachable diet with fans and healthy eaters in this, their first cookbook. Their philosophy involves eating responsibly during the week—avoiding refined flours, sugars, alcohol, and dairy—and indulging on weekends. Vetted by nutritionists and divided into four parts (breakfast, meals, snacks and sweets, and drinks), each containing a weekday and weekend chapter. Featuring an attractive textured case vibrant photographs, this one-of-a-kind book makes a special gift for yourself or a friend looking for a lifestyle change—or simply more healthy and delicious go-to recipes!
This inspirational guide is bursting with invaluable know-how on Scotland's wild harvest, covering what, where, when and how you can use your bounty in sustainable ways - from the most useful and widespread of species to the less well-known, and from leaves and berries to saps, seeds, seaweeds, mosses and wood. Learn how to begin or extend a repertoire of wild foods and materials that can be used as dyes, remedies and around the home.
Women at Work: 1900 to Now reveals the sometimes overlooked stories of women from 1900 to the present day who have shaped history and culture in Britain and beyond. Women at Work: 1900 to Now celebrates over 100 influential and inspiring women and their achievements in fields including science, activism, photography and design. Their fascinating and sometimes untold stories are illustrated with artworks from the National Portrait Gallery’s Collection, new acquisitions and commissions supported by the CHANEL Culture Fund, and rare archival images. Sitters include Bernardine Evaristo, Margot Fonteyn, Mo Mowlam, Beatrix Potter, Zadie Smith, Amy Winehouse, Virginia Woolf and Malala Yousafzai.
This book provides an insight into the life of a professional lighting designer, through interviews with lighting designers at different stages of their careers plus a group interview with the designer and lighting team of the hit musical Billy Elliot. The designers featured are Neil Austin, Natasha Chivers, Jon Clark, Paule Constable, Rick Fisher, Richard Howell, Howard Hudson, Jessica Hung Han Yun, Mark Jonathan, Amy Mae, Ben Ormerod, Bruno Poet, Jackie Shemesh and Johanna Town. Between them, they have worked all over the world on shows of every genre – collecting many awards for their work along the way. They share inspiration and practical advice, useful to anyone embarking on a career in lighting, fascinating to anyone who enjoys going to the theatre, offering insights into: > approaching a new design; > dealing with the challenges each new show brings, from working with a new director to being part of a creative team in realising a piece; > the use of light and dark, colour and texture; > managing collaborations, with directors, designers and their own team of associate and assistant lighting designers, programmers and electricians. > and beyond the art and craft of lighting, the practicalities of a lighting career – moving from just getting enough work to pay the bills, to lighting the world’s biggest shows.
Astronomers have successfully observed a great deal of the Universe's history, from recording the afterglow of the Big Bang to imaging thousands of galaxies, and even to visualising an actual black hole. There's a lot for astronomers to be smug about. But when it comes to understanding how the Universe began and grew up we are literally in the dark ages. In effect, we are missing the first one billion years from the timeline of the Universe. This brief but far-reaching period in the Universe's history, known to astrophysicists as the 'Epoch of Reionisation', represents the start of the cosmos as we experience it today. The time when the very first stars burst into life, when darkness gave way to light. After hundreds of millions of years of dark, uneventful expansion, one by the one these stars suddenly came into being. This was the point at which the chaos of the Big Bang first began to yield to the order of galaxies, black holes and stars, kick-starting the pathway to planets, to comets, to moons, and to life itself. Incorporating the very latest research into this branch of astrophysics, this book sheds light on this time of darkness, telling the story of these first stars, hundreds of times the size of the Sun and a million times brighter, lonely giants that lived fast and died young in powerful explosions that seeded the Universe with the heavy elements that we are made of. Emma Chapman tells us how these stars formed, why they were so unusual, and what they can teach us about the Universe today. She also offers a first-hand look at the immense telescopes about to come on line to peer into the past, searching for the echoes and footprints of these stars, to take this period in the Universe's history from the realm of theoretical physics towards the wonder of observational astronomy.
He walks into the living room and June is dead. He centres her, checking the light. Focusing, he clicks the shutter. He'll ask himself later, if he knew. It's easy to say that he had acted without thinking, out of instinct. Rook Henderson is an award-winning photographer, still carrying the hidden scars of war. Now, suddenly, he is also a widower. Leaving his son Ralph to pick up the pieces, Rook flies to Vietnam for the first time in fifty years, escaping to the landscape of a place he once knew so well. But when Ralph follows him out there, seeking answers from the father he barely knows, Rook is forced to unwind his past: his childhood in Yorkshire, his life in London in the 1960s and his marriage to the unforgettable June - and to ask himself what price he has paid for a life behind the lens . . . Gripping, evocative and unforgettable, The Last Photograph is a story of a life shaped by trauma and love - and the secrets that make us who we are.
This book provides an insight into the life of a professional lighting designer, through interviews with lighting designers at different stages of their careers plus a group interview with the designer and lighting team of the hit musical Billy Elliot. The designers featured are Neil Austin, Natasha Chivers, Jon Clark, Paule Constable, Rick Fisher, Richard Howell, Howard Hudson, Jessica Hung Han Yun, Mark Jonathan, Amy Mae, Ben Ormerod, Bruno Poet, Jackie Shemesh and Johanna Town. Between them, they have worked all over the world on shows of every genre – collecting many awards for their work along the way. They share inspiration and practical advice, useful to anyone embarking on a career in lighting, fascinating to anyone who enjoys going to the theatre, offering insights into: > approaching a new design; > dealing with the challenges each new show brings, from working with a new director to being part of a creative team in realising a piece; > the use of light and dark, colour and texture; > managing collaborations, with directors, designers and their own team of associate and assistant lighting designers, programmers and electricians. > and beyond the art and craft of lighting, the practicalities of a lighting career – moving from just getting enough work to pay the bills, to lighting the world’s biggest shows.
How to Be a Good Wife is an original, haunting and unforgettable literary thriller by Emma Chapman. I know what my husband would say: that I have too much time on my hands; that I need to keep myself busy. That I need to take my medication. Empty nest syndrome, he tells his friends at the pub, his mother. He's always said I have a vivid imagination. Marta has been married to Hector for longer than she can remember. She has always tried hard to be a good wife. But now Hector has come home with a secret. And Marta is beginning to imagine - or revisit - a terrifying truth . . . 'The unnamed Scandinavian setting has all the familiar elements of contemporary northern lights noir . . . a ruthless examination of the many layers of marriage, and a woman's opaque role with it.' - Guardian
Astronomers have successfully observed a great deal of the Universe's history, from recording the afterglow of the Big Bang to imaging thousands of galaxies, and even to visualising an actual black hole. There's a lot for astronomers to be smug about. But when it comes to understanding how the Universe began and grew up we are literally in the dark ages. In effect, we are missing the first one billion years from the timeline of the Universe. This brief but far-reaching period in the Universe's history, known to astrophysicists as the 'Epoch of Reionisation', represents the start of the cosmos as we experience it today. The time when the very first stars burst into life, when darkness gave way to light. After hundreds of millions of years of dark, uneventful expansion, one by the one these stars suddenly came into being. This was the point at which the chaos of the Big Bang first began to yield to the order of galaxies, black holes and stars, kick-starting the pathway to planets, to comets, to moons, and to life itself. Incorporating the very latest research into this branch of astrophysics, this book sheds light on this time of darkness, telling the story of these first stars, hundreds of times the size of the Sun and a million times brighter, lonely giants that lived fast and died young in powerful explosions that seeded the Universe with the heavy elements that we are made of. Emma Chapman tells us how these stars formed, why they were so unusual, and what they can teach us about the Universe today. She also offers a first-hand look at the immense telescopes about to come on line to peer into the past, searching for the echoes and footprints of these stars, to take this period in the Universe's history from the realm of theoretical physics towards the wonder of observational astronomy.
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