Medea, the sorceress of Greek myth and Euripides' vengeful heroine, is famed for the murder of her children after she is banished from her own family and displaced by a new wife. Her reputation as a wronged 'Everywoman' of Greek tragedy has helped engender her lasting appeal to the modern age. However, this firmly rooted status has also caused many of the intricacies of her timeless tale to be overlooked.
Emma Griffiths brings into focus previously unexplored themes of the Medea myth, along with providing an incisive introduction to the story and its history. Viewed within its context, the tale reveals fascinating insights into ancient Greece and its ideology, the importance of children, the role of women, and the position of the outsider and barbarian.
The critically sophisticated analysis, expressed in clear and accessible terms, proceeds to examine the persistence of the Medea myth through ancient Rome to the modern day. Placing the myth within a modern context and into analytical frameworks such as psychoanalysis, Griffiths highlights Medea's position in current classical study, as well as her lasting appeal. A vivid portrait of a woman empowered by her exclusion from society, alive with passion and the suffering of wounded love, this book is an indispensable guide to a fascinating mythical figure.

School nerd Martin helps three school friends, Mike, Geoff and Frankie avoid a school field trip to Wales by taking all three of them, along with his dream-girl Liz (Thora Birch), to an old underground bunker. Together the teenagers party non-stop for three days in their sound-proof shelter, but when Martin doesn't return to let them out, the party atmosphere changes quickly into a living nightmare. Liz is found a few days later walking towards the school, covered in blood and traumatised. She is taken to a police psychologist where she tells her story; but when Martin is later picked up, he gives a very different account.

Giving access to the latest critical thinking on the subject, Medea is a comprehensive guide to sources that paints a vivid portrait of the Greek sorceress Medea, famed in myth for the murder of her children after she is banished from her own home and replaced by a new wife. Emma Griffiths brings into focus previously unexplored themes of the Medea myth, and provides an incisive introduction to the story and its history.

Studying Medea 's everywoman status one that has caused many intricacies of her tale to be overlooked Griffiths places the story in ancient and modern context and reveals fascinating insights into ancient Greece and its ideology, the importance of life, the role of women and the position of the outsider.

In clear, user-friendly terms, the book situates the myth within analytical frameworks such as psychoanalysis, and Griffiths highlights Medea 's position in current classical study as well as her lasting appeal.

Award-winning teen poet Carter Rogers has made a lot of bad choices in her life, one of which led to losing her hand to frostbite. After a failed suicide attempt, Carter wakes up and takes a hard look at the person she's become. As her disappointment over her botched effort fades, she begins to accept herself and look forward. Righting past wrongs won't be easy, but armed with the support of her mother and her friends, and with a new perspective on life, Carter sets out to fix her relationships with the people she cares about and the world of poetry.

In Euripides' play we see a very different figure from the Herakles of popular imagination. In his account of Herakles' maddened killing of his children, Euripides emphasises the human to the hero's character, presenting him as a loving father. Herakles is an ideal text for those new to ancient drama, raising many central issues of Greek tragedy. Emma Griffiths analyses the key themes and characters while situating the drama in the wider context of Greek tragedy and mythology. Euripides' approach to drama is illustrated through consideration of the hero's self-awareness, and the reception of the play in later art and literature is discussed as part of an exploration of the 'universality' of tragedy.