Re-thinking religion and literature in a series of chapters by leading international scholars, "Reading the Abrahamic Faiths" opens up a four-way dialogue between Jewish, Islamic, Christian and Post-Secular literary traditions. The field of literary studies has absorbed religion as another interdisciplinary mode of inquiry without fully exploring the potential of their relationship to explore material questions of culture, politics and globalization as well as immaterial concerns such as faith, consciousness and affect. In response, "Reading the Abrahamic Faiths" addresses religion and literature from a number of global perspectives equip to reflect on the material and immaterial through contemporary theory and world politics. Each section - Judaism, Christianity, Islam and Post-Secularism - is introduced by specialist to help anchor the reader unfamiliar with these debates in the close readings of the literary texts and traditions that follow.

Harold Godwineson was king of England from January 1066 until his death at Hastings on 14th October of that year. Although he was not the only candidate for the succession to the childless King Edward the Confessor, Harold had a far stronger claim than William of Normandy to the throne. For much of the reign of Edward the Confessor, who was married to Harold's sister Edith, the Godwine family, led by Earl Godwine, had dominated English politics. In The House of Godwine Emma Mason tells the turbulent story of a remarkable family which, until Harold's unexpected defeat, looked far more likely than the dukes of Normandy to provide the long-term rulers of England. But for the Norman conquest, an Anglo-Saxon England ruled by the Godwine dynasty would have developed very differntly from that dominated by the Normans.

William Wordsworth is the most influential of the Romantic poets, and remains widely popular, even though his work is more complex and more engaged with the political, social and religious upheavals of his time than his reputation as a 'nature poet' might suggest. Outlining a series of contexts - biographical, historical and literary - as well as critical approaches to Wordsworth, this Introduction offers students ways to understand and enjoy Wordsworth's poetry and his role in the development of Romanticism in Britain. Emma Mason offers a completely up-to-date summary of criticism on Wordsworth from the Romantics to the present and an annotated guide to further reading. With definitions of technical terms and close readings of individual poems, Wordsworth's experiments with form are fully explained. This concise book is the ideal starting point for studying Lyrical Ballads, The Prelude, and the major poems as well as Wordsworth's lesser known writings.

The authors in this collection join an animated debate on the persistence of Romanticism. Even as dominant twentieth-century cultural movements have contested Romantic ""myths"" of redemptive Nature, individualism, perfectibility, the transcendence of art, and the heart's affections, the Romantic legacy survives as a point of tension and of inspiration for modern writers. Rejecting the Bloomian notion of anxious revisionism, ""The Monstrous Debt"" argues that various kinds of influences, inheritances, and indebtedness exist between well-known twentieth-century authors and canonical Romantic writers. Among the questions asked by this volume are: How does Blake's graphic mythology submit to ""redemptive translations"" in the work of Dylan Thomas? How might Ted Hughes' strong readings of a ""snaky"" Coleridge illuminate the ""mercurial"" poetic identity of Sylvia Plath? How does Shelley ""sustain"" the work of W. B. Yeats and Elizabeth Bishop with supplies of ""imaginative oxygen""? In what ways does Keats enable Bob Dylan to embrace influence? How does Keats prove inadequate for Tony Harrison as he confronts contemporary violence? How does ""cockney"" Romanticism succeed in shocking John Betjeman's poetry out of kitsch into something new and strange? ""The Monstrous Debt"" seeks to broaden our sense of what ""influence"" is by defining the complex of relations that contribute to the making of the modern literary text. Scholars and students of the Romantic era will enjoy this informative volume.

This rhetorical study of the persuasive practice of English Puritan preachers and writers demonstrates how they appeal to both reason and imagination in order to persuade their hearers and readers towards conversion, assurance of salvation and godly living. Examining works from a diverse range of preacher-writers such as William Perkins, Richard Sibbes, Richard Baxter and John Bunyan, this book maps out continuities and contrasts in the theory and practice of persuasion. Tracing the emergence of Puritan allegory as an alternative, imaginative mode of rhetoric, it sheds new light on the paradoxical question of how allegories such as John Bunyan's The Pilgrim's Progress came to be among the most significant contributions of Puritanism to the English literary canon, despite the suspicions of allegory and imagination that were endemic in Puritan culture. Concluding with reflections on how Milton deploys similar strategies to persuade his readers towards his idiosyncratic brand of godly faith, this book makes an original contribution to current scholarly conversations around the textual culture of Puritanism, the history of rhetoric, and the rhetorical character of theology.

This engaging volume provides readers with the essential criticism on nineteenth-century poetry, organised around key areas of debate in the field. The critical texts included in this volume reflect both a traditional and modern emphasis on the study of poetry in the long nineteenth century. These are then tied up by a newly written essay summarising the ideas and encouraging further study and debate. The book includes: sections on Periodization; 'What is Poetry?'; Politics; Prosody; Forms; Emotion, feeling, affect; Religion; Sexuality; and Science work by writers such as William Wordsworth, S. T. Coleridge, Percy Shelley, Christina Rossetti, Matthew Arnold and Gerard Manley Hopkins critics and historians including Isobel Armstrong, Richard Cronin, Jason Rudy, Joseph Bristow and Gillian Beer Detailed introductions and critical commentary by Francis O'Gorman, Rosie Miles, Stefano Evangelisto, Natalie Hoffman, Martin Dubois, Gregory Tate Providing both the essential criticism along with clear introductions and analysis, this book is the perfect guide to students who wish to engage in the exciting criticism and debates of nineteenth-century poetry.

In recent decades, reception history has become an increasingly important and controversial topic of discussion in biblical studies. Rather than attempting to recover the original meaning of biblical texts, reception history focuses on exploring the history of interpretation. In doing so it locates the dominant historical-critical scholarly paradigm within the history of interpretation, rather than over and above it. At the same time, the breadth of material and hermeneutical issues that reception history engages with questions any narrow understanding of the history of the Bible and its effects on faith communities.
The challenge that reception history faces is to explore tradition without either reducing its meaning to what faith communities think is important, or merely offering anthologies of interesting historical interpretations. This major new handbook addresses these matters by presenting reception history as an enterprise (not a method) that questions and understands tradition afresh.
The Oxford Handbook of the Reception History of the Bible consciously allows for the interplay of the traditional and the new through a two-part structure. Part I comprises a set of essays surveying the outline, form, and content of twelve key biblical books that have been influential in the history of interpretation. Part II offers a series of in-depth case studies of the interpretation of particular key biblical passages or books with due regard for the specificity of their social, cultural or aesthetic context.
These case studies span two millennia of interpretation by readers with widely differing perspectives. Some are at the level of a group response (from Gnostic readings of Genesis, to Post-Holocaust Jewish interpretations of Job); others examine individual approaches to texts (such as Augustine and Pelagius on Romans, or Gandhi on the Sermon on the Mount). Several chapters examine historical moments, such as the 1860 debate over Genesis and evolution, while others look to wider themes such as non-violence or millenarianism. Further chapters study in detail the works of popular figures who have used the Bible to provide inspiration for their creativity, from Dante and Handel, to Bob Dylan and Dan Brown.

Great literature is more often praised for compelling depictions of conflict and tragedy than for moving portrayals of harmony and well-being. This collection of verse brings together poems of felicity, capturing what it means to be well in the fullest sense. Presented in 14 thematic sections, these works offer inspiring readings on wisdom, self-love, ecstasy, growth, righteousness, love and lust, inspiration, oneness with nature, hope, irreverence, awe, the delights of the senses, gratitude and compassion, relation to the sacred, justice, and unity. At times elegant, at others blunt, these poems reflect on what it means to live a rich, fulfilling life.

Recent scholarship in nineteenth-century literary studies consistently recognizes the profound importance of religion, even as it marginalizes the topic. There are few, if any, challenging yet manageable introductions to religion and literature in the long-nineteenth century, a factor that serves to fuel scholars' neglect of theological issues. This book aims to show how religion, specifically Christianity, is integral to the literature and culture of this period. It provides close readings of popular texts and integrates these with accessible explanations of complex religious ideas. Written by two scholars who have published widely on religion and literature, the book offers a detailed grounding in the main religious movements of the period 1750-1914. The dominant traditions of High Anglicanism, Tractarianism, Evangelicalism, and Roman Catholicism are contextualized by preceding chapters addressing dissenting culture (primarily Presbyterianism, Methodism, Unitarianism and Quakerism), and the question of secularization is considered in the light of the diversity and capacity for renewal within the Christian faith. Throughout the book the authors untangle theological and church debates in a manner that highlights the privileged relationship between religion and literature in the period. The book also gives readers a language to approach and articulate their own "religious" readings of texts, texts that are often concerned with slippery subjects, such as the divine, the non-material and the nature of religious experience. Refusing to shut down religious debate by offering only narrow or fixed definitions of Christian traditions, the book also questions the demarcation of sacred materialfrom secular, as well as connecting the vitality of religion in the period to a broader literary culture.

The dynamics of medieval societies in England and beyond form the focus of these essays on the Anglo-Norman world. Over the last fifty years Ann Williams has transformed our understanding of Anglo-Saxon and Norman society in her studies of personalities and elites. In this collection, leading scholars in the field revisit themes that have beencentral to her work, and open up new insights into the workings of the multi-cultural communities of the realm of England in the early Middle Ages. There are detailed discussions of local and regional elites and the interplay between them that fashioned the distinctive institutions of local government in the pre-Conquest period; radical new readings of key events such as the crisis of 1051 and a reassessment of the Bayeux Tapestry as the beginnings of theHistoria Anglorum; studies of the impact of the Norman Conquest and the survival of the English; and explorations of the social, political, and administrative cultures in post-Conquest England and Normandy. The individualessays are united overall by the articulation of the local, regional, and national identities that that shaped the societies of the period. Contributors: S.D. Church, William Aird, Lucy Marten, Hirokazu Tsurushima, Valentine Fallan, Judith Everard, Vanessa King, Pamela Taylor, Charles Insley, Simon Keynes, Sally Harvey, K.S.B. Keats-Rohan, David Bates, Emma Mason, David Roffe, Mark Hagger.

A richly valuable source of knowledge. MEDIUM AEVUM By the time of the Conquest, the Normans had been established in Normandy for over a hundred and fifty years. They had transformed themselves from pagan Northmen into Christian princes; their territories extended from England, southern Italy and Sicily to distant Antioch, and their influence had spread throughout western Europe and the Mediterranean. Duke William's victory at Hastings and the resulting Anglo-Norman union brought England into the mainstreamof European history and culture, with far-reaching consequences for Western civilisation. These specially commissioned studies are concerned with the achievements of the cross-Channel realm. They make a major contribution toan understanding of the hundred years that witnessed great change and major developments in English and Norman government and society. There are surveys of the two constituent parts, of Normandy under the Angevin kings, of the place of kingdom and duchy in the politics and culture of the North Sea, and of the parallel Norman achievement in the Mediterranean. There are overviews both of secular administration and of the church, and a study of "feudalism" and lordship. Within the broad field of cultural history, there are discussions of language, literature, the writing of history, and ecclesiastical architecture. Contributors: LESLEY ABRAMS, MATTHEW BENNETT, MARJORIE CHIBNALL, CHRISTOPHER HARPER-BILL, ELISABETH VAN HOUTS, EMMA MASON, RICHARD PLANT, CASSANDRA POTTS, DANIEL POWER, IAN SHORT, ANN WILLIAMS

This engaging volume provides readers with the essential criticism on nineteenth-century poetry, organised around key areas of debate in the field. The critical texts included in this volume reflect both a traditional and modern emphasis on the study of poetry in the long nineteenth century. These are then tied up by a newly written essay summarising the ideas and encouraging further study and debate. The book includes: sections on Periodization; 'What is Poetry?'; Politics; Prosody; Forms; Emotion, feeling, affect; Religion; Sexuality; and Science work by writers such as William Wordsworth, S. T. Coleridge, Percy Shelley, Christina Rossetti, Matthew Arnold and Gerard Manley Hopkins critics and historians including Isobel Armstrong, Richard Cronin, Jason Rudy, Joseph Bristow and Gillian Beer Detailed introductions and critical commentary by Francis O'Gorman, Rosie Miles, Stefano Evangelisto, Natalie Hoffman, Martin Dubois, Gregory Tate Providing both the essential criticism along with clear introductions and analysis, this book is the perfect guide to students who wish to engage in the exciting criticism and debates of nineteenth-century poetry.

This new title outlines the lives and works of three popular and influential women poets of the nineteenth century: Felicia Hemans, Dora Greenwell and Adelaide Anne Procter. All three sought to forge a Christian and emotive poetics in order to educate and sensitise their readership, offering a gentle and benevolent reading experience grounded in interpersonal feeling and religious love. This study investigates both the radical potential and possible limits of such a project, one inflected by the poets' relationships to feeling and religion, whether dissenting, Anglican, Methodist, Evangelical or Roman Catholic. The study also seeks to situate the poets in their historical and aesthetic moment, examining their diverse interest in figures such as Schiller, Coleridge, Germaine de Stael and Dickens. Underlying all three poets' work, however, is the profound influence of Wordsworth, figured by them as a literary as well as spiritual guide anchoring their explorations of religion, feeling and poetry.

Recent scholarship in nineteenth-century literary studies consistently recognizes the profound importance of religion, even as it marginalizes the topic. There are few, if any, challenging yet manageable introductions to religion and literature in the long-nineteenth century, a factor that serves to fuel scholars' neglect of theological issues. This book aims to show how religion, specifically Christianity, is integral to the literature and culture of this period. It provides close readings of popular texts and integrates these with accessible explanations of complex religious ideas. Written by two scholars who have published widely on religion and literature, the book offers a detailed grounding in the main religious movements of the period 1750-1914. The dominant traditions of High Anglicanism, Tractarianism, Evangelicalism, and Roman Catholicism are contextualized by preceding chapters addressing dissenting culture (primarily Presbyterianism, Methodism, Unitarianism and Quakerism), and the question of secularization is considered in the light of the diversity and capacity for renewal within the Christian faith. Throughout the book the authors untangle theological and church debates in a manner that highlights the privileged relationship between religion and literature in the period. The book also gives readers a language to approach and articulate their own "religious" readings of texts, texts that are often concerned with slippery subjects, such as the divine, the non-material and the nature of religious experience. Refusing to shut down religious debate by offering only narrow or fixed definitions of Christian traditions, the book also questions the demarcation of sacred materialfrom secular, as well as connecting the vitality of religion in the period to a broader literary culture.

Reviewing the first volume in this series, Christopher Allmand, writing in English Historical Review, said: Once again, a volume of papers published by the Boydell Press has made a useful interdisciplinary contribution to an important and difficult subject. Historians may read this book with profit.' But not only historians, for the contributions to these volumes are wide-ranging, and cover all aspects of culture in the middle ages, with a strong emphasis on continental literature.

A series which is a model of its kind EDMUND KING, HISTORY The contemporary historians of Anglo-Norman England form a particular focus of this issue. There are contributions on Henry of Huntingdon's representation of civil war; on the political intent of the poems in the anonymous Life ofEdward the Confessor; on William of Malmesbury's depiction of Henry I; and on the influence upon historians of the late antique history attributed to Hegesippus. A paper on Gerald of Wales and Merlin brings valuable literary insights to bear. Other pieces tackle religious history (northern monasteries during the Anarchy, the abbey of Tiron) and politics (family history across the Conquest, the Norman brothers Urse de Abetot and Robert Dispenser, the friendship network of King Stephen's family). The volume begins with Judith Green's Allen Brown Memorial Lecture, which provides a wide-ranging account of kingship, lordsihp and community in eleventh-century England. CONTRIBUTORS: Judith Green, Janet Burton, Catherine A.M. Clarke, Sebastien Danielo, Emma Mason, Ad Putter, Kathleen Thompson, Jean A. Truax, Elizabeth M. Tyler, Bjoern Weiler, Neil Wright

No single recent enterprise has done more to enlarge and deepen our understanding of one of the most critical periods in English history. ANTIQUARIES JOURNAL Anglo-Norman Studies, published annually and containing the papers presented at the Battle conference, is established as the single most important publication in the field, covering not only matters relating to pre- and post-Conquest England and France, but also the activities and influences of the Normans on the wider European, Mediterranean, and Middle Eastern stage; it celebrates its twenty-first anniversary with this volume. This year there is an emphasis on the examination of sources: translation-narratives, the Life of Hereward, the Book of Llandaf, a Mont Saint Michel cartulary, Benoit de Sainte-Maure and Roger of Howden. Secular topics include Anglo-Flemish relations and the origins of an important family; ecclesiastical matters considered are the Breton church in the late eleventh century, William Rufus's monastic policy, the patrons of the great abbey of Bec, and, for the first time in this series, the life of St Thomas of Canterbury.

Detailed investigation into a transitional period of the Abbey's history, covering the whole community. This book surveys the monastic community at Westminster from the time when Edward the Confessor [1042-1066] adopted it as his burial church down to the end of the reign of king John. Originating according to legend during the Roman occupation, the West Minster was converted from a little collegiate church into a Benedictine monastery around 970. However, the growth of its significance largely dates from its massive endowment by king Edward, who commissioned a lavish rebuilding of the abbey church, a focal point in his programme of monarchical propaganda. Dr Mason covers every aspect of the abbey community in detail examining the careers of the abbots and priors, whilst ensuring that lesser figures are not neglected: monks; craftsmen; lay servants; the personnel of the royal court who were closely associated with the abbey. The author also considers the community's dealings with the growing ecclesiastical bureaucracy; the management of its properties, including its parochial churches; and its relationship with other religious houses. Dr EMMA MASON teaches in the Department of History, Birkbeck College.

Christina Rossetti (1830-94) is regarded as one of the greatest Christian poets to write in English. While Rossetti has firmly secured her place in the canon, her religious poetry was for a long time either overlooked or considered evidence of a melancholic disposition burdened by faith. Recent scholarship has redressed reductive readings of Christian theology as repressive by rethinking it as a form of compassionate politics. This shift has enabled new readings of Rossetti's work, not simply as a body of significant nineteenth-century devotional literature, but also as a marker of religion's relevance to modern concerns through its reflections on science and materialism, as well as spirituality and mysticism. Emma Mason offers a compelling study of Christina Rossetti, arguing that her poetry, diaries, letters, and devotional commentaries are engaged with both contemporary theological debate and an emergent ecological agenda. In chapters on the Catholic Revival, Pre-Raphaelite Brotherhood, contemporary debates on plant and animal being, and the relationship between grace and apocalypse, Mason reads Rossetti's theology as an argument for spiritual materialism and ecological transformation. She ultimately suggests that Rossetti's life and work captures the experience of faith as one of loving intimacy with the minutiae of creation, a divine body in which all things, material and immaterial, human and nonhuman, divine and embodied, are interconnected.

In recent decades, reception history has become an increasingly important and controversial topic of discussion in biblical studies. Rather than attempting to recover the original meaning of biblical texts, reception history focuses on exploring the history of interpretation. In doing so it locates the dominant historical-critical scholarly paradigm within the history of interpretation, rather than over and above it. At the same time, the breadth of material and hermeneutical issues that reception history engages with questions any narrow understanding of the history of the Bible and its effects on faith communities. The challenge that reception history faces is to explore tradition without either reducing its meaning to what faith communities think is important, or merely offering anthologies of interesting historical interpretations. This major new handbook addresses these matters by presenting reception history as an enterprise (not a method) that questions and understands tradition afresh. The Oxford Handbook of the Reception History of the Bible consciously allows for the interplay of the traditional and the new through a two-part structure. Part I comprises a set of essays surveying the outline, form, and content of twelve key biblical books that have been influential in the history of interpretation. Part II offers a series of in-depth case studies of the interpretation of particular key biblical passages or books with due regard for the specificity of their social, cultural or aesthetic context. These case studies span two millennia of interpretation by readers with widely differing perspectives. Some are at the level of a group response (from Gnostic readings of Genesis, to Post-Holocaust Jewish interpretations of Job); others examine individual approaches to texts (such as Augustine and Pelagius on Romans, or Gandhi on the Sermon on the Mount). Several chapters examine historical moments, such as the 1860 debate over Genesis and evolution, while others look to wider themes such as non-violence or millenarianism. Further chapters study in detail the works of popular figures who have used the Bible to provide inspiration for their creativity, from Dante and Handel, to Bob Dylan and Dan Brown.

Rethinking religion and literature in a series of chapters by leading international scholars, Reading the Abrahamic Faiths opens up a dialogue between Jewish, Christian, Islamic and Post-Secular literary cultures. Literary studies has absorbed religion as another interdisciplinary mode of inquiry without always attending to its multifacted potential to question ideologically neutral readings of culture, belief, emotion, politics and inequality. In response, Reading the Abrahamic Faiths contributes to a reevaluation of the nexus between religion and literature that is socially, affectively and materially determined in its sensitivity to the expression of belief. Each section - Judaism, Christianity, Islam and Post-Secularism - is introduced by a specialist in these respective areas to introduce the critical readings of the texts and discourses that follow.

This title illuminates the importance of the inter-relationship between emotion and religion in women's poetry of the Romantic and Victorian eras.