First published in 1986, this text brings together the work of artists who were gay, lesbian or bisexual. It freely discusses and analyzes painting, sculpture and photography which reflects the artist's sexual orientation, placing the work within its artistic, social and historical context, and challenging the view that issues of sexual identity have no place within art. This edition traces the influence of Renaissance artists on later generations of artists; it also looks at the way photography was appropriated to express a range of sexual interests, and scrutinizes the codes used to convey feelings which could not be openly shown. Artists discussed include: Duncan Grant, Ethel Walker, Francis Bacon, David Hockney, Andy Warhol, Robert Mapplethorpe, Harmony Hammond and Jody Pinto. It also covers the lives of artists in order to illuminate their work, particularly in the view of social and legal constraints. Other themes include the limitations of representation and the role of art in defining and shaping attitudes.

An essential book for potters and ceramicists of all abilities who are interested in creating their own glazes. This new, revised edition of Emmanuel Cooper's classic book is your complete guide to making glazes. Along with an introductory section on glaze materials; colouring, mixing and applying glazes, and information on health and safety issues, the book gives you over 400 glaze recipes - organised according to the different temperature ranges - which cover everything from opaque, matt and transparent glazes to crystalline and black iron glazes. Illustrated with coloured glaze tiles, this reference book is a must for the bookshelves of all potters whatever their level of expertise.

First published in 1986 to wide critical acclaim, The Sexual Perspective broke new ground by bringing together and discussing the painting, sculpture and photography of artists who were gay/lesbian/queer/bisexual. The lavishly illustrated new edition discusses the greater lesbian visibility within the visual arts and artist's responses to the AIDS epidemic. Emmanuel Cooper places the art in its artistic, social and legal contexts, making it a vital contribution to current debates about art, gender, identity and sexuality.

An exceptionally thoughtful and well-written biography of one of the most influential studio potters in Britain Widely recognized as the father of studio pottery, Bernard Leach (1887-1979) played a pioneering role in creating an identity for artist potters in Britain and around the world. Born in the East (Hong Kong) and educated in the West (England), throughout his life Leach perceived himself as a courier between the disparate cultures. His exquisite pots reflect the inspiration he drew from East and West as well as his response to the basic tenets of modernism-truth to materials, the importance of function to form, and simplicity of decoration. This outstanding biography provides for the first time a vivid and detailed account of Leach's life and its relation to his art. Emmanuel Cooper, himself a potter of international reputation, explores Leach's working methods, the seams of his pottery, his writings and philosophy, his recognition in Japan and Britain, and his continuing legacy, bringing into sharp focus a complex man who captured in his work as a potter the "still center" that always eluded him in his tumultuous personal life. Distributed for the Paul Mellon Centre for Studies in British Art

The life and legacy of brilliant but elusive potter Lucie Rie is investigated through interviews, letters and the analysis of her elegant, modernist vessels Lucie Rie (1902–1995), one of the 20th century's most celebrated and iconic potters, combined an acute understanding of modernism with the skills of her chosen craft. Emmanuel Cooper, a distinguished potter who knew Rie, interviewed many of her friends and acquaintances to produce this complete and detailed account of Rie's life and work. The author was given unrestricted access by the Rie estate to previously unpublished letters and other material, which provide fascinating new insights into her life and work and allowed him to reevaluate Rie's creative output within the broader context of modernism and the emergence of the studio pottery movement in Britain. ‘It [is] unlikely that this biography of Rie will ever be surpassed.’ —Frances Spalding, Literary Review ‘A precious gift, from the only man who could have written it.’ —Glenn Adamson, Crafts Magazine Distributed for the Paul Mellon Centre for Studies in British Art