..".the result of an exciting oral history project...this rich edited volume offers a compelling look at the meanings of the feminization of intra-European migration...One of the primary strengths of the volume is its effective approach to the collection and transmission of oral histories." - Oral History

"Women Migrants from East to West" documents the contemporary phenomenon of the feminisation of migration through an exploration of the lives of women who have moved from Bulgaria and Hungary to Italy and the Netherlands. The research is based on the oral histories of eighty migrant women and thirty additional interviews with 'native' women in the 'receiving' countries. The research assumes migrants to be active subjects, creating possibilities and taking decisions in their own lives, as well as being subject to legal and political regulation, and the book analyses the new forms of subjectivity that come about through mobility. Part I is a largely conceptual exploration of subjectivity, mobility and gender in Europe. The chapters in Part II focus on love, work, home, communication, and food, themes which emerged from the migrant women's accounts. In Part III, based on the interviews with 'native' women - employers, friends, or in associations relevant to migrant women - the chapters analyse their representations of migrants, and the book goes on to explore forms of intersubjectivity between European women of different cultural origins. A major contribution of this book is to consider how the movement of people across Europe is changing the cultural and social landscape with implications for how we think about what Europe means.

Luisa Passerini is Professor of Cultural History at the University of Turin, and External Professor of History of the Twentieth Century at the European University Institute, Italy. She is author of, amongst other books, Europe in Love, Love in Europe. Imagination and Politics Between the Wars (London: I.B. Tauris and New York: New York University Press, 1999).

Dawn Lyon is Lecturer in Sociology at the University of Kent, UK, and has published in the field of gender, work and employment in comparative perspective.

Enrica Capussotti is Research Fellow in the Department of History, University of Siena, Italy, and is author of Gioventu perduta. Gli anni cinquanta dei giovani e del cinema in Italia (Florence: Giunti, 2004).

Ioanna Laliotou is Assistant Professor in Contemporary History, University of Thessaly, Greece, and is author of Transatlantic Subjects: Acts of Migration and Culture of Transnationalism between Europe and America (Chicago: Chicago University Press, 2004)."

Based on the oral histories of eighty migrant women and thirty additional interviews with 'native' women in the 'receiving' countries, this volume documents the contemporary phenomenon of the feminisation of migration through an exploration of the lives of women, who have moved from Bulgaria and Hungary to Italy and the Netherlands. It assumes migrants to be active subjects, creating possibilities and taking decisions in their own lives, as well as being subject to legal and political regulation, and the book analyses the new forms of subjectivity that come about through mobility. Part I is a largely conceptual exploration of subjectivity, mobility and gender in Europe. The chapters in Part II focus on love, work, home, communication, and food, themes which emerged from the migrant women's accounts. In Part III, based on the interviews with 'native' women - employers, friends, or in associations relevant to migrant women - the chapters analyse their representations of migrants, and the book goes on to explore forms of intersubjectivity between European women of different cultural origins. A major contribution of this book is to consider how the movement of people across Europe is changing the cultural and social landscape with implications for how we think about what Europe means. Cover image: Painting by Carla Accardi. Reproduced with the kind permission of Luca Barsi of the Galleria Accademia, Via Accademia Albertina 3/e, 10123 Torino.

This book examines the transformation of the Italian city from the 1950s to the present with particular attention to questions of identity, migration and changes in urban culture. It focuses on two phases of that transformation: the years of accelerated industrialisation in the late 1950s and early 1960s, and the period of de-industrialisation and postmodernity beginning in the 1980s. It shows how major demographic movements and cultural shifts threw into relief new conceptions of the city in which old boundaries had become problematic. Design, fine art, literature, youth culture, film and social history all provide focal points. The contributions bring specialist expertise to each area while the extensive illustrations give a vivid picture of the contemporary visual culture for which Italian cities are famed. This is a genuinely interdisciplinary approach by Italian and English-speaking historians and scholars of urban studies, literature, architecture and design which introduces new debates and research to an English-speaking audience for the first time. Extensive illustrations provide a vivid picture of contemporary Italian visual culture.