As humans re-negotiate their boundaries with the nonhuman world of animals, inanimate entities and technological artefacts, new identities are formed and a new epistemological and ethical approach to reality is needed. Through twelve thought-provoking, scholarly essays, this volume analyzes works by a range of modern and contemporary Italian authors, from Giacomo Leopardi to Elena Ferrante, who have captured the shift from anthropocentrism and postmodernism to posthumanism. Indeed, this is the first academic volume investigating narrative configurations of posthuman identity in Italian literature and film.

As humans re-negotiate their boundaries with the nonhuman world of animals, inanimate entities and technological artefacts, new identities are formed and a new epistemological and ethical approach to reality is needed. Through twelve thought-provoking, scholarly essays, this volume analyzes works by a range of modern and contemporary Italian authors, from Giacomo Leopardi to Elena Ferrante, who have captured the shift from anthropocentrism and postmodernism to posthumanism. Indeed, this is the first academic volume investigating narrative configurations of posthuman identity in Italian literature and film.

Domingo Notaro's poems struggle to fix an innocent gaze on a contemporary world that appears more and more fraught with inhumanity and cruelty. They explore themes of exile, fertility, the human body's connection to the wider cosmos, and the corrupting influence of power. Often literally scattered across the page, the poems compel the reader to become an active participant in a quest for sense and meaning. "Halfway between lucid vision and prophetic hallucination, Notaro's poems seem to lean over the edge of an infinite vacuum-terrifying, at times, like the undifferentiated darkness of an Hegelian night, or overwhelmingly beautiful like the azure depth of a blue sky."