Nacion Genizara examines the history, cultural evolution, and survival of the Genizaro people. The Contributors to this volume cover topics including ethnogenesis, slavery, Settlements, poetics, religion, gender, family history, and mestizo genetics. Fray Angelico Chavez defined Genizaro as the ethnic term given to indigenous people of mixed tribal origins living among the Hispano population in Spanish fashion. They entered colonial society as captives taken during wars with Utes, Apaches, Comanches, Kiowas, Navajos, and Pawnees. Genizaros comprised a third of the population by 1800. Many assimilated into Hispano and Pueblo society, but others in the land-grant communities maintained their identity through ritual, self-government, and kinship. Today the persistence of Genizaro identity blurs the lines of distinction between Native and Hispanic frameworks of race and cultural affiliation. This is the first study to focus exclusively on the detribalized Native experience of the Genizaro in New Mexico.

Cipriano Frederico Vigil is the most important performer of traditional Nuevomexicano folk music in the late twentieth and early twenty-first centuries. This bilingual panoramic book presents the songs that are his life's work, spanning half a century of listening, playing, composing, and singing ritual, social, and dance music.

New Mexican Folk Music includes much traditional material that has never been seen before or studied by scholars or students. Renowned as a composer, Vigil works in traditional genres such as the romance, the decima, the cuando, and corrido. Like the Mexican group Los Folkloristas with which he apprenticed in the late 1970s, his goal has been to research and master local styles, to introduce new listeners to traditional music, and to build on tradition by creating new compositions that address contemporary social themes.

An audio CD accompanies this comprehensive study on the work and music of Cipriano Frederico Vigil."

In this poignant bilingual collection, preeminent New Mexican poet E. A. "Tony" Mares posthumously shares his passionate journey into the broken heart and glimmering shadows of the Spanish Civil War, whose shock waves still resonate with the political upheavals of our own times. Mares engages in dialogue with heroes and demons, anarchists and cardinals, and beggars and poets. He takes us through the convex mirror of history to the blood-stained streets of Madrid, Guernica, and Barcelona. He interrogates the assassins of Federico Garcia Lorca for their crimes against poetry and humanity. Throughout the collection the narrator is participant and commentator, and his language is both lyrical and direct. In addition to Mares's parallel Spanish and English poems, the book includes a prologue by Enrique Lamadrid, an introduction by Fernando Martin Pescador, and an epilogue by Susana Rivera. Lovingly shepherded and completed by friends and family, this book will appeal to Mares enthusiasts and readers interested in poetry and history, who will be glad to have this unexpected gift from a master's voice.

During the Chicano Movement in the 1960s and 1970s, the idea of Aztlan, homeland of the ancient Aztecs, served as a unifying force in an emerging cultural renaissance. Does the term remain useful? This expanded new edition of the classic 1989 collection of essays about Aztlan weighs its value. To encompass new developments in the discourse the editors have added six new essays.

Jade is a young girl who lives in a village next to a towering volcano. On its peak lives a Mountain Spirit who makes his presence known by rumbling the earth, filling the sky with smoke, and pouring lava down the mountainside. Angered by those who forget to honor him for providing their harvest, the Mountain Spirit has stopped sending rain to Jade's village and the people are faced with the possibility of having to abandon their homes and land.

As Jade collects water from the near-dry lake, a blue hummingbird--a messenger from the Mountain Spirit--tells Jade she must take a gift to the Mountain Spirit and ask for rain. Guided by the hummingbird, Jade presents her food offering to the Mountain Spirit. Pleased, the spirit offers the brave girl corn kernels that she takes back to her village and uses to create the first tortilla.

Water for the People features twenty-five essays by world-renowned acequia scholars and community members that highlight acequia culture, use, and history in New Mexico, northern Mexico, Chile, Peru, Argentina, Spain, the Middle East, Nepal, and the Philippines, situating New Mexico's acequia heritage and its inherent sustainable design within a global framework. The lush landscapes of the upper Rio Grande watershed created by acequias dating from as far back as the late sixteenth century continue to irrigate their communities today despite threats of prolonged drought, urbanization, private water markets, extreme water scarcity, and climate change. Water for the People celebrates acequia practices and traditions worldwide and shows how these ancient irrigation systems continue to provide arid regions with a model for water governance, sustainable food systems, and community traditions that reaffirm a deep cultural and spiritual relationship with the land year after year.

In this book, award-winning photographer Miguel Gandert records the sacred rituals and dances of the mestizo peoples of the upper Rio Grande in 130 exquisite black-and-white photographs. Included are images of the two great Indo-Hispano regional traditions, the Matachines conquest dance drama, complete with monsters and bull, and the multifaceted Comanches celebration, with its equestrian victory play and boisterous dances. The image and story of Our Lady of Guadalupe are in evidence everywhere in a sacred landscape criss-crossed with procession and pilgrimage. Four essays provide the background for viewing Gandert's work. Enrique R Lamadrid presents the folkloric context for the rituals and dances, tracing the mixture of Indian and Hispanic elements in the public celebrations performed today in towns and villages all along the Rio Grande. Ramon A Gutierrez examines how the Rio Grande culture travelled up and down the river, defying international borders. Lucy R Lippard discusses the social relations among participants in Gandert's photographs-the subjects, the viewers, and the photographer himself. Chris Wilson provides biographical information on Gandert and traces the development of his aesthetic.

Second Place Winner of the 2020 International Latino Book Award for Best History Book Nacion Genizara examines the history, cultural evolution, and survival of the Genizaro people. The contributors to this volume cover topics including ethnogenesis, slavery, settlements, poetics, religion, gender, family history, and mestizo genetics. Fray Angelico ChAvez defined Genizaro as the ethnic term given to indigenous people of mixed tribal origins living among the Hispano population in Spanish fashion. They entered colonial society as captives taken during wars with Utes, Apaches, Comanches, Kiowas, Navajos, and Pawnees. Genizaros comprised a third of the population by 1800. Many assimilated into Hispano and Pueblo society, but others in the land-grant communities maintained their identity through ritual, self-government, and kinship. Today the persistence of Genizaro identity blurs the lines of distinction between Native and Hispanic frameworks of race and cultural affiliation. This is the first study to focus exclusively on the detribalized Native experience of the Genizaro in New Mexico.