Artistic Bedfellows is an international interdisciplinary collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the growing field of collaborative art. This collection examines the field of collaborative art broadly, while asking specific questions with regard to the issues of interdisciplinary and cultural difference, as well as the psychological and political complexity of collaboration. The diversity of approach is needed in the current multimedia and cross disciplinarily world of art. This reader is designed to stimulate thought and discussion for anyone interested in this growing field and practice.

In folklore, pelican mothers feed their young on their own blood. Today, four sisters are trying to come to terms with their mother's death - and divide their mother's house between them. Joy wants a baby, Storm wants to be seen, Sage wants to be paid, Maya doesn't want anyone to find out her secret. Granny's in a wheelchair on day release - and Mum's presence still seeps through the ceiling and the floors. The Pelican Daughters are home for the last time. The Wardrobe Ensemble's play The Last of the Pelican Daughters is a comedy about four sisters trying to come to terms with their mother's death. It combines the company's trademark irreverent humour and lovable characters to tackle the idea of what it means for young people to grapple with inheritance, loss and justice. The Last of the Pelican Daughters was first staged at the Edinburgh Fringe Festival in 2019. In addition to the full script of the play, this published edition includes an extensive oral history of The Wardrobe Ensemble by its members, and a workshop plan for two people of different generations to communicate and collaborate in person or online.

It's 1972. An era of possibility and polyester and pubic hair. While Ziggy Stardust is on Top of the Pops, Penny is writing an essay on Lady Chatterley's Lover, Christine is watching Deep Throat and Brian is confused. Devised by The Wardrobe Ensemble, 1972: The Future of Sex incorporates the company's trademark theatricality, irreverent humour and ensemble ingenuity to tell the story of three couples having sex for the first time - and a country on the brink of a sexual awakening. Commissioned by Shoreditch Town Hall, the play was first seen there in 2014, before a UK tour in 2015, including performances at Bristol Old Vic and the Edinburgh Festival Fringe. It was revived at the Bristol Old Vic in 2019.

It's May 1997. Tony Blair has won the election and Katrina and the Waves have won Eurovision. Channel 5 is a month old. No one knows who Harry Potter is. Britain is the coolest place in the world. At the local secondary school it's a different story. Miss Belltop-Doyle can't control her Year 10s, Mr Pashley has been put in charge of a confiscated Tamagotchi, and Miss Turner is hoping that this muck-up day goes smoother than the last. Tobias, the German language assistant, watches on. Things can only get better. Education, Education, Education is The Wardrobe Ensemble's love letter to the schools of the 1990s and asks big questions about a country in special measures, exploring what we are taught and why, and where responsibility lies. Inventively theatrical and irreverently funny, Education, Education, Education was co-produced with Royal & Derngate Northampton and Shoreditch Town Hall. It premiered at the Edinburgh Festival Fringe in 2017, where it won a Fringe First Award, before touring the UK.

Womb transplant babies 'within three years.''If implantable wombs become a reality in humans, they need not be confined to women. Some men might also be keen.' Guardian, July 2003Having exhausted the possibilities for geographic colonial expansion, as well as reaching the fiscal limitations of virtual space, capital is now concentrated on exploiting a new frontier -- organic molecular space. Critical Art Ensemble began mapping this development in Flesh Machine (Autonomedia, 1998) by examining the use of reproductive technologies and their promise for achieving an intensified degree of control over worker and citizen. The Molecular Invasion acts as a companion to this first book by mapping the politics of transgenics, and offering a model for the creation of a contestational biology, as well as providing direct interventionist tactics for the disruption of this new assault on the organic realm. The Molecular Invasion is an indispensable user's guide for anyone interested in the critical thinking and practice of biotech as a social, scientific, and political phenomenon.