|
Showing 1 - 19 of
19 matches in All Departments
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
++++ The below data was compiled from various identification fields
in the bibliographic record of this title. This data is provided as
an additional tool in helping to ensure edition identification:
++++ Ciclopedia Ovvero Dizionario Universale Delle Arti E Delle
Scienze, Che Contiene Una Esposizione De' Termini, Ed Una Relazione
Delle Cose Significate Da' Medesimi Nelle Arti Liberali E
Meccaniche, E Nelle Scienze Umane E Divine ... Ephraim Chambers
Giuseppe Maria Secondo per Giuseppe De Bonis, 1748
The 18th century was a wealth of knowledge, exploration and rapidly
growing technology and expanding record-keeping made possible by
advances in the printing press. In its determination to preserve
the century of revolution, Gale initiated a revolution of its own:
digitization of epic proportions to preserve these invaluable works
in the largest archive of its kind. Now for the first time these
high-quality digital copies of original 18th century manuscripts
are available in print, making them highly accessible to libraries,
undergraduate students, and independent scholars.Western literary
study flows out of eighteenth-century works by Alexander Pope,
Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann
Gottfried Herder, Johann Wolfgang von Goethe, and others.
Experience the birth of the modern novel, or compare the
development of language using dictionaries and grammar discourses.
++++The below data was compiled from various identification fields
in the bibliographic record of this title. This data is provided as
an additional tool in helping to insure edition identification:
++++British LibraryT136237Vols. 1, 2, 3 and 5 are dated 1788, vol.
4 1786. Vol. 5 contains "addenda, index, arrangement of the plates,
and the plates." The editions of this work revised by Abraham Rees
all appear to have been issued in parts and individual volumes in
all sets ofLondon: printed for J. F. and C. Rivington, A. Hamilton,
T. Payne and Son, W. Owen, B. White and Son and 24 others in
London], 1786-88. 5v., plates; 2
The 18th century was a wealth of knowledge, exploration and rapidly
growing technology and expanding record-keeping made possible by
advances in the printing press. In its determination to preserve
the century of revolution, Gale initiated a revolution of its own:
digitization of epic proportions to preserve these invaluable works
in the largest archive of its kind. Now for the first time these
high-quality digital copies of original 18th century manuscripts
are available in print, making them highly accessible to libraries,
undergraduate students, and independent scholars.The
eighteenth-century fascination with Greek and Roman antiquity
followed the systematic excavation of the ruins at Pompeii and
Herculaneum in southern Italy; and after 1750 a neoclassical style
dominated all artistic fields. The titles here trace developments
in mostly English-language works on painting, sculpture,
architecture, music, theater, and other disciplines. Instructional
works on musical instruments, catalogs of art objects, comic
operas, and more are also included. ++++The below data was compiled
from various identification fields in the bibliographic record of
this title. This data is provided as an additional tool in helping
to insure edition identification: ++++National Library of
ScotlandT136232Titlepages in red and black. The tail piece in
vol.2, sig. 10F reads: Carolus Jephson imprim. Register is
continuous through the two vols.London: printed for D. Midwinter,
A. Bettesworth and C. Hitch, J. Senex, R. Gosling and 12 others in
London], 1738. 2v., plates; 2
The 18th century was a wealth of knowledge, exploration and rapidly
growing technology and expanding record-keeping made possible by
advances in the printing press. In its determination to preserve
the century of revolution, Gale initiated a revolution of its own:
digitization of epic proportions to preserve these invaluable works
in the largest archive of its kind. Now for the first time these
high-quality digital copies of original 18th century manuscripts
are available in print, making them highly accessible to libraries,
undergraduate students, and independent scholars.The
eighteenth-century fascination with Greek and Roman antiquity
followed the systematic excavation of the ruins at Pompeii and
Herculaneum in southern Italy; and after 1750 a neoclassical style
dominated all artistic fields. The titles here trace developments
in mostly English-language works on painting, sculpture,
architecture, music, theater, and other disciplines. Instructional
works on musical instruments, catalogs of art objects, comic
operas, and more are also included. ++++The below data was compiled
from various identification fields in the bibliographic record of
this title. This data is provided as an additional tool in helping
to insure edition identification: ++++British
LibraryT136233Titlepages in red and black. Register is continuous
through both vols.London: printed for D. Midwinter, J. Senex, R.
Gosling, W. Innys, C. Rivington and 12 others in London], 1741.
2v., plates; 2
The 18th century was a wealth of knowledge, exploration and rapidly
growing technology and expanding record-keeping made possible by
advances in the printing press. In its determination to preserve
the century of revolution, Gale initiated a revolution of its own:
digitization of epic proportions to preserve these invaluable works
in the largest archive of its kind. Now for the first time these
high-quality digital copies of original 18th century manuscripts
are available in print, making them highly accessible to libraries,
undergraduate students, and independent scholars.The
eighteenth-century fascination with Greek and Roman antiquity
followed the systematic excavation of the ruins at Pompeii and
Herculaneum in southern Italy; and after 1750 a neoclassical style
dominated all artistic fields. The titles here trace developments
in mostly English-language works on painting, sculpture,
architecture, music, theater, and other disciplines. Instructional
works on musical instruments, catalogs of art objects, comic
operas, and more are also included. ++++The below data was compiled
from various identification fields in the bibliographic record of
this title. This data is provided as an additional tool in helping
to insure edition identification: ++++National Library of
ScotlandT136232Titlepages in red and black. The tail piece in
vol.2, sig. 10F reads: Carolus Jephson imprim. Register is
continuous through the two vols.London: printed for D. Midwinter,
A. Bettesworth and C. Hitch, J. Senex, R. Gosling and 12 others in
London], 1738. 2v., plates; 2
This is an EXACT reproduction of a book published before 1923. This
IS NOT an OCR'd book with strange characters, introduced
typographical errors, and jumbled words. This book may have
occasional imperfections such as missing or blurred pages, poor
pictures, errant marks, etc. that were either part of the original
artifact, or were introduced by the scanning process. We believe
this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing
commitment to the preservation of printed works worldwide. We
appreciate your understanding of the imperfections in the
preservation process, and hope you enjoy this valuable book.
This is an EXACT reproduction of a book published before 1923. This
IS NOT an OCR'd book with strange characters, introduced
typographical errors, and jumbled words. This book may have
occasional imperfections such as missing or blurred pages, poor
pictures, errant marks, etc. that were either part of the original
artifact, or were introduced by the scanning process. We believe
this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing
commitment to the preservation of printed works worldwide. We
appreciate your understanding of the imperfections in the
preservation process, and hope you enjoy this valuable book.
The 18th century was a wealth of knowledge, exploration and rapidly
growing technology and expanding record-keeping made possible by
advances in the printing press. In its determination to preserve
the century of revolution, Gale initiated a revolution of its own:
digitization of epic proportions to preserve these invaluable works
in the largest archive of its kind. Now for the first time these
high-quality digital copies of original 18th century manuscripts
are available in print, making them highly accessible to libraries,
undergraduate students, and independent scholars.This collection
reveals the history of English common law and Empire law in a
vastly changing world of British expansion. Dominating the legal
field is the Commentaries of the Law of England by Sir William
Blackstone, which first appeared in 1765. Reference works such as
almanacs and catalogues continue to educate us by revealing the
day-to-day workings of society.++++The below data was compiled from
various identification fields in the bibliographic record of this
title. This data is provided as an additional tool in helping to
insure edition identification: ++++British LibraryT135707Titlepages
in red and black. The names of C. Rivington, E. Symon and I. Clarke
are omitted from the imprint of vol.2 and T. Osborn, J. Rivington
and the executors of J. Darby are added.London: printed for D.
Midwinter, W. Innys, C. Rivington, A. Ward, J. and P. Knapton, and
12 others all in London], 1741-43. 2v., plates; 2
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
++++ The below data was compiled from various identification fields
in the bibliographic record of this title. This data is provided as
an additional tool in helping to ensure edition identification:
++++ Ciclopedia Ovvero Dizionario Universale Delle Arti E Delle
Scienze, Che Contiene Una Esposizione De' Termini, Ed Una Relazione
Delle Cose Significate Da' Medesimi Nelle Arti Liberali E
Meccaniche, E Nelle Scienze Umane E Divine ... Ephraim Chambers
Giuseppe Maria Secondo per Giuseppe De Bonis, 1748
|
You may like...
Albertina Sisulu
Sindiwe Magona, Elinor Sisulu
Paperback
R200
R172
Discovery Miles 1 720
|