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The present book deals with Sarah Kane's dramatic text Cleansed to
show a specific negotiation of violence, pain, life and death - one
that is not necessarily causal or dichotomous. Instead, a new mode
of reading, based on Bruno Latour's take on Actor-Network-Theory,
helps to make fictional worlds simultaneously intelligible in a
mediate and in an immediate way. This results in an unprecedented
understanding of how language can influence and modify ontological
configurations. Eventually, this allows for a re-evaluation of
political problems that occur in the 20th and 21st century.
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