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In May 1968, France teetered on the brink of revolution as a series
of student protests spiraled into the largest general strike the
country has ever known. In the forty years since, May '68 has come
to occupy a singular place in the modern political imagination, not
just in France but across the world. Eric Drott examines the
social, political, and cultural effects of May '68 on a wide
variety of music in France, from the initial shock of 1968 through
the "long" 1970s and the election of Mitterrand and the socialists
in 1981. Drott's detailed account of how diverse music communities
developed in response to 1968 and his pathbreaking reflections on
the nature and significance of musical genre come together to
provide insights into the relationships that link music, identity,
and politics.
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