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Cixous' work as a playwright - working mainly with Theatre du
Soleil and their director Ariane Mnouchkine - establishes her as a
participant in some of the most adventurous European theatre making
of the last 40 years.
Cixous' work as a playwright - working mainly with Theatre du
Soleil and their director Ariane Mnouchkine - establishes her as a
participant in some of the most adventurous European theatre making
of the last 40 years.
In Archive Fever, Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology--fruitfully occasioned by a deconstructive analysis of the notion of archiving. Intrigued by the evocative relationship between technologies of inscription and psychic processes, Derrida offers for the first time a major statement on the pervasive impact of electronic media, particularly e-mail, which threaten to transform the entire public and private space of humanity. Plying this rich material with characteristic virtuosity, Derrida constructs a synergistic reading of archives and archiving, both provocative and compelling. Judaic mythos, Freudian psychoanalysis, and e-mail all get fused into another staggeringly dense, brilliant slab of scholarship and suggestion.--The Guardian [Derrida] convincingly argues that, although the archive is a public entity, it nevertheless is the repository of the private and personal, including even intimate details.--Choice Beautifully written and clear.--Jeremy Barris, Philosophy in Review Translator Prenowitz has managed valiantly to bring into English a difficult but inspiring text that relies on Greek, German, and their translations into French.--Library Journal
This major new collection of texts by Helene Cixous brings together a range of important untranslated as well as four previously unpublished essays. These essays deal with literature, politics, history, Algeria, and the university and include works from Cixous' most significant contributions to literary criticism (Joyce, Kleist, Stendhal, Kafka, Shakespeare) as well as her contemporary writing on human rights and geo-politics. They are all informed by Cixous' unique gift for combining a writer's love of idiom and life with a scholar's acute deconstructive reading. These texts present an extended account of what Cixous calls here 'autobibliography' in which writing, theory, politics and life combine to open up the world through critical reading and self-reflection. 'I am on the side of life', says Cixous. These essays affirm Cixous' reputation as one of our greatest readers and sources of critical light in the world today. Key Features *Author is a leading French theorist and writer *Essays cover a wide range of topics and contemporary issues
This book considers the different ways psychoanalysis is of immense importance to the work of Helene Cixous and Jacques Derrida. Psychoanalysis is of immense importance in different ways to Helene Cixous and Jacques Derrida. Bringing together original essays by leading contemporary thinkers in literary theory and continental philosophy, including a contribution by Cixous herself, this volume explores the place of psychoanalysis in their work. It has a double focus: both on the complex 'treatment' to which psychoanalysis is subjected by Jacques Derrida and Helene Cixous, and on the role of psychoanalytical concepts and insights in the extraordinary intellectual dialogue that united these two groundbreaking authors over several decades. Psychoanalysis remains an enigmatic discourse for the humanities: on the one hand inextricable from and in many ways constitutive of much of modern thinking, yet on the other hand violently contested, from within and without. The essays in this volume consider this situation through two thinkers whose work challenges and radicalises psychoanalytic thinking in unprecedented ways.
In his latest work, Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology - all fruitfully occasioned by a deconstructive analysis of the notion of archiving. The archival concept has of late played a pivotal role in critical debate. A place of origin, yet of perpetuity, a place of stasis and order, yet of discovery, the notion of archive houses a fascinating complex of diverse, and often disparate, meanings. As a depository of civic record and social history whose very name derives from the Greek word for town hall, the archive would seem to be a public entity, yet it is stocked with the personal, even intimate, artifacts of private lives. It is this inherent tension between public and private which inaugurates, for Derrida, an inquiry into the human impulse to preserve, through technology as well as tradition, both a historical and a psychic past. What emerges is a marvelous expansive work, engaging at once Judaic mythos, Freudian psychoanalysis, and Marxist materialism in a profound reflection on the real, the unreal, and the virtual. Intrigued by the evocative relationship between technologies of inscription and psychic processes, Derrida offers for the first time a major statement on the pervasive impact of electronic media, particularly e-mail, which threaten to transform the entire public and private space of humanity. Plying this rich material with characteristic virtuosity, Derrida constructs a synergistic reading of archives and archiving, both provocative and compelling.
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