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The authors of religious scriptures have rarely had difficulty
enhancing sacred narratives with the rhetoric of violence. The
phenomenon continues in the easy cohabitation of violence and
religion in film, music and literature, and this raises a number of
important questions: To what degree does violent rhetoric shape
belief and values? How might we understand the social function of
violence in popular discourses? How might we understand audience
empathy with violent protagonists in popular narratives? What is
the significance of violence being associated with particular
religious groups or ideas in the media? Reflecting on these issues
in depth and with striking originality, scholars of religious
studies, biblical studies, film studies and sociology have analysed
a range of phenomena, from the discourse of terrorism to the
spectacle of World Wrestling Entertainment. The result is a vital
contribution to understanding an area of religious and cultural
discourse that is relevant to us all.
Personifications of evil in the form of demons, devils, spirits,
vampires, and other malign entities can be found across the popular
cultural spectrum. One only has to peruse the shelves of music and
book stores or view the content of some of the most successful
films and television series to discover evidence for the phenomenal
popular fascination with the demonic other. However, rather
surprisingly, this is not an area in which much research has been
done. The aim of this volume is to examine the demonic foil within
popular culture. Moreover, it will bring together an international
team of some of most important and creative scholars in the areas
of Biblical Studies, Religious Studies, and Christian Theology
currently exploring the religious significance of popular culture.
The authors of religious scriptures have rarely had difficulty
enhancing sacred narratives with the rhetoric of violence. The
phenomenon continues in the easy cohabitation of violence and
religion in film, music and literature, and this raises a number of
important questions: To what degree does violent rhetoric shape
belief and values? How might we understand the social function of
violence in popular discourses? How might we understand audience
empathy with violent protagonists in popular narratives? What is
the significance of violence being associated with particular
religious groups or ideas in the media? Reflecting on these issues
in depth and with striking originality, scholars of religious
studies, biblical studies, film studies and sociology have analysed
a range of phenomena, from the discourse of terrorism to the
spectacle of World Wrestling Entertainment. The result is a vital
contribution to understanding an area of religious and cultural
discourse that is relevant to us all.
Personifications of evil in the form of demons, devils, spirits,
vampires, and other malign entities can be found across the popular
cultural spectrum. One only has to peruse the shelves of music and
bookstores or view the content of some of the most successful films
and television series to discover evidence for the phenomenal
popular fascination with the demonic other. However, rather
surprisingly, this is not an area in which much research has been
done. The aim of this volume is to examine the demonic foil within
popular culture. Moreover, it will bring together an international
team of some of most important and creative scholars in the areas
of Biblical Studies, Religious Studies, and Christian Theology
currently exploring the religious significance of popular culture.
This book is a veritable cornucopian feast for anyone interested in
film. From case studies of key directors to discussions of
cinematic classics, from explorations of time-honoured genres to
investigations of the theological heart of many contemporary
favourites, there is something for everyone's tastes here. This
will help put to rest any suggestion that religion, theology and
the Bible have nothing to do with the cinema -rather, these studies
demonstrate that such matters are at the centre of our modern
love-affair with the moving image."Dr Larry J Kreitzer, Tutor of
New Testament and Tutor for Graduates, Regents Pak College, Oxford
University, UK "From this fascinating collection, readers will
learn that "biblical" movies reflect not only the biblical stories
they tell but also the issues and trends that are important to the
filmmakers who created them, while films that are not explicitly
about the Bible may nonetheless be built around biblical themes,
characters and stories. A stimulating and far-ranging addition to
the growing literature on the intersections among the Bible,
theology and cinema, this book is a must-read for all who love
watching movies and talking about them." Dr Adele Reinhartz, Dean
Graduate Studies and Research, Wilfrid Laurier University, Ontario
The interdisciplinary study of theology and film requires a
responsible engagement on the part of religious studies experts,
biblical scholars and theologians, with film studies. Cinema
Divinite first of all sets out various critical approaches to the
study of film and theology such as formalism, expressionism,
realism, textual analysis, contextual analysis, postmodern
eclecticism, narrative criticism and cultural studies. The early
chapters also look at the major concepts in film studies such as
cinema spectatorship and the nature and application of film theory
to theology.The book takes a case-study approach as it examines
specific films, including The Godfather, Blade Runner, 0 Brother
Where Art Thou?, specific filmmakers such as Woody Allen, Stanley
Kubrik and Luis Bunuel, and finally genre, including everything
from film noir to animantion and the western.The book closes with a
lively and often far-sighted discussion of the recently released
The Passion of Christ. Eric S. Christianson is Senior Lecturer in
Biblical Studies, University College Chester. Peter Francis is
Warden of the St Deiniol's Library. William R Telford is Senior
Lecturer in Religious Studies at the University of Durham.
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