A definitive new biography, deftly interweaving an account of Turner's early life with profound scholarly and aesthetic appreciation of his work A complex figure, and divisive during his lifetime, Joseph Mallord William Turner (1775-1851) has long been considered Britain's greatest painter. An artist of phenomenal invention, complexity, and industry, Turner is now one of the world's most popular painters. This comprehensive new account of his early life draws together recent scholarship, corrects errors in the existing literature, and presents a wealth of new findings. In doing so, it furnishes a more detailed understanding than ever before of the connections between Turner's life and art. Taking a strictly chronological approach, Eric Shanes addresses Turner's intellectual complexity and depth, his technical virtuosity, his personal contradictions, and his intricate social and cultural relations. Shanes draws on decades of familiarity with his subject, as well as newly discovered source material, such as the artist's principal bank records, which shed significant light on his patronage and sales. The result, written in a warm, engaging style, is a comprehensive and magnificently illustrated volume which will fundamentally shape the future of Turner studies.

An examination of what dialogues and direct speech in Old Norse literature can convey and mean, beyond their immediate face-value. The vast and diverse corpus of Old Norse literature preserves the language spoken not only by the Vikings, kings, and heroes of medieval Scandinavia but also by outlaws, missionaries, and farmers. Scholars have long recognized that the wealth of verbal exchanges in Old Norse sagas presents the modern reader with the opportunity to speak face-to-face, as it were, with these great voices of the past. However, despite the importance of verbal exchanges in the sagas, there has been no book-length study of discourse in Old Norse literature since 1935. This book meets the need for such a study by offering a literary analysis based on the adjacent field of pragmatic linguistics, which recognizes that speakers often rely upon cultural, situational, and interpersonal context to communicate their meaning. The resulting, context-dependent meaning often deviates from the base semantic and syntactical components of an utterance: speakers hedge, imply, deflect to save face, or obscure meaning to damage an opponent's self-worth. Saga writers, this book argues, were masters of this type of indirectness in speech. It aims therefore to unlock the depth and subtlety of discourse in Old Norse literature and to leave readers with an understanding of how principles of pragmatics were employed throughout the sagas. A wide body of Old Norse materials is examined, including some of the best examples of Íslendingasögur (sagas of Icelanders), such as Brennu-Njáls saga, Laxdœla saga, and Gísla saga Súrssonar, while also giving due attention to Konungasögur (kings' sagas), fornaldarsögur (legendary sagas), and other literature from the medieval North.

This volume brings together examinations of pragmatic meaning and proverbs of the Medieval North. Pragmatic meaning, which relies upon cultural and interpersonal context to go beyond the simple semantic and grammatical meaning of an utterance, has a fundamental connection with proverbs, which also communicate a deeper meaning than what is actually said. Essays in this volume explore this connection by examining the language of generosity, conversion, friendship, debate, dragon proverbs, and saints' lives. These essays are inspired by the works of Thomas A. Shippey, who has been a pioneer in the study of wisdom poetry and pragmatics in medieval literature.