Rethinking Fashion Globalization is a timely call to rewrite the fashion system and push back against Eurocentric dominance within fashion histories by presenting new models, approaches and understandings of fashion from critical thinkers at the forefront of decolonial fashion discourse. This edited collection draws together original, diverse, and richly reflective critiques of the fashion system from both established and emerging fashion scholars, researchers and creative practitioners. Chapters straddle current calls for decolonization and inclusion, as well as reflections on de-westernization, post-colonialism, sustainability, transnationalism, national identities, social activism, global fashion narratives, diversity, and more. The volume is divided into three key themes, 'Disruptions in Time and Space', 'Nationalism and Transnationalism' and 'Global Design Practices'. These themes re-map fashion's origins, practices and futures, to present alternatives for reclaiming and rethinking fashion globalization in the 21st century.

A timely and splendidly illustrated global exploration of the complex intersections of fashion and politics from the mid-19th century to the present day

Taking a multifaceted look at a topic of widespread fascination, this pioneering book presents new research on the intersection of fashion and politics through incisive essays by the field's leading voices, including both renowned and emerging fashion scholars. The texts unpack fashion between the mid-19th century and today as expressions of nationalism, terrorism, surveillance, and individualism, as well as a symbol of capitalism.

The first section explores the political potential of fashion despite its immutable status as a commodity. The second section offers a historical account of the political nature of dress, such as the fashion of dissent within Mao's Cultural Revolution and the Black Panther movement. The ways bodies are defined by dress-the entanglement of oppression and expression-is the theme of the third section. A fourth and final section explores contemporary issues in the practice and theory of dress, from the processes of decolonizing museum collections to the recent sartorial styles of Europe's political Left. The book's incisive and beautifully illustrated essays provide a timely investigation of an underdeveloped topic through a variety of historical and current formats, including public and personal archives, fashion magazines, political newspapers, museum displays, art, and social media.