In contemporary fashion photography, Erik Madigan Heck is something of an anomaly - a very successful anomaly who steers his own path. His work is elegant and unashamedly beautiful, exploring the intersections of fashion, painting and classical portraiture. Working with natural light and combining in-camera effects with digital post-production, he produces evocative and seductive images that are simultaneously timeless and futuristic. His work stands alongside that of the greats, yet he is a true original and no mere impersonator. Erik Madigan Heck: Old Future presents more than 100 photographs in a flowing, chromatic sequence. With essays by Susan Bright and Justine Picardie that look at Heck's place within the realms of both art photography and fashion, and with an index to the photographs captioning the piece, model, designer, collection or publication in which each image appeared, this book is the essential introduction to a future master of fashion photography.

For the second installment of Nomenus, a limited edition arts publication, Erik Madigan Heck has curated a special issue titled The Language of Flowers, that seamlessly weaves together a curated selection of floral and figurative contemporary paintings and photographic studies from Anselm Kiefer, Rita Ackermann, Helen Frankenthaler, Gabriel Orozco, Nick Knight, Mircea Suciu, Miranda Lichtenstein, Ida Applebroog, Emily Mason, Christophe Yvore, Ben Sledsens, Martina Hoogland Ivanow, Brigitte Lustenberger, Alex Foxton, Kaye Donachie, Jesse Willenbring, Aubrey Levinthal, Erik Madigan Heck, and Tomo Campbell.