The largest Satie collection of piano works yet published, 17 in all, reprinted from the original French editions.

This is the largest selection, in any language, of the writings of Erik Satie (1866-1925). Although once dismissed as an eccentric, Satie has come to be seen as a key influence on modern music, and his writings reveal him as one of the most beguiling of absurdists, in the mode of Lewis Carroll or Edward Lear--but with a strong streak of Dadaism (a movement in which he participated). The nonconformism of Satie's private life seems deliberately calculated: he assumed various personae at different periods of his life, from the mystical "velvet gentleman" to the Dadaist disguised as quizzical bureaucrat. His poignant, sly and witty writings embody all of his contradictions. Included here are his "autobiographical" "Memoirs of an Amnesic"; gnomic annotations to his musical scores ("For the Shrivelled and the Dimwits, I have written a suitably ponderous chorale I dedicate this chorale to those who do not like me"); the publications of his private church; his absurdist play "Medusa's Snare"; advertising copy for his local suburban newspaper; and the mysterious, calligraphed "private advertisements" found stuffed behind his piano after his death. Satie referred to himself as "a man in the manner of Adam (he of Paradise)" and added: "My humor is reminiscent of Cromwell's.I am also indebted to Christopher Columbus, as the American spirit has sometimes tapped me on the shoulder, and I have joyfully felt its ironically icy bite." He died as he lived: "without quite ceasing to smile."

(Schirmer Performance Editions). Six short pieces from Satie's early years, which capture the composer's graceful unconventionality. With historical and performance notes. Intermediate Level.

This album brings together three groups of pieces, all written in 1913 by the eccentric French composer, Erik Satie. They are ingeniously devised to make full and basic use of the five fingers of each hand and display the characteristic simplicity of Satie's music and, in the text sprinkled across the music, his quirky humour.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Though originally composed for piano four-hands, Satie was persuaded to orchestrate these pieces for a concert staged by Jean Cocteau presented on 21 February 1920 featuring works by Milhaud, Poulenc, and Auric. This digitally-enhanced study score is an unabridged reprint of the first edition issued in 1921 by Editions de la Sirene, Paris.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This wonderful work by Erik Satie contains a score for the solo piano. It is a fine example of the composer s work and a fantastic addition to any classical musician s repertoire. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This wonderful collection by Erik Satie contains scores for the solo piano. It is a fine example of the composer s work and a fantastic addition to any classical musician s repertoire. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Debussy orchestrated two of the three Gymnopedies composed by his friend Erik Satie after giving an impromptu performance of the piano originals at the home of conductor Gustave Doret, who was so taken with them that he commissioned Debussy to prepare an orchestral setting for an upcoming concert, which was given on Feb. 20, 1897. Though Satie's piano originals are easily his most famous and beloved work now, they were virtually unknown in 1897. Debussy's orchestration of the first and last, presented in reverse order, did much to establish the younger composer's reputation. This newly engraved, critical edition makes these exquistite orchestral miniatures available in an affordable, easy-to-read score for the first time.

Erik Satie's "drame symphonique" was composed on a commission from the Princess Edmond de Polignac. Satie based his text on selections from the Plato works Symposium, Phaedrus, and Phaedo which mention the Greek philospher in the French translation by Victor Cousin. The work was first performed at the salon of Pricess de Polignac in April of 1918 with soprano Jane Bathori singing all four roles and the composer at the piano. This new vocal score, produced in an easy-to-read format, is a digitally enhanced reprint of the one first issued in 1919 by Editions de la Sirene in Paris. Also included is an English translation of the relevant sections from Plato prepared by Benjamin Jowett.