Until the 1960s, little was known inside or outside Iran about the tribes living in the country. The anthropological research of Erika Friedl is now renowned for presenting comprehensive data collected over a 50-year period from her time among the Boir Ahmad tribal people living in the Zagros Mountains of Iran. In this new book, Friedl turns her attention to the subject of religion, which she had only touched upon in her previous work. About ninety percent of people in Iran and nearly everybody in Boir Ahmad are Muslims of the Twelver Shia group. However, studies of tribal people’s religiosity, beliefs and rituals are scarce, and many researchers have discounted their views and experience, regarding the tribes as only “nominally religious” because their practices do not fit in with the mainstream practices and ideas in Iran. Religion and Daily Life in the Mountains of Iran corrects this view and provides a hallmark study of tribal people’s religiosity. Demonstrating the great diversity of their philosophical and religious ideas, the book reveals the ways in which the tribes choose and express their religion, define their communities and understand their world. From conversations about God and his relationships with people, to observations on ageing and death, and research into the tribe’s use of spells, amulets and sacrifices, to their beliefs about saints, health and well-being, the book is an original ethnographic exploration of religion and daily life.

In Iran, folksongs are part of folklore and offer an intimate portrait of a vanishing era. They are also 'the voice' of ordinary people, providing a medium to express emotions, opinions and concerns. This book is based on folksongs collected over a 50-year period among the Boir Ahmad tribal people in the Zagros Mountains of West Iran. Erika Friedl has recorded, transcribed and translated more than 600 lyrics from a Lur community, and her analysis of the folksongs provides an intimate portrait of local people's attitudes, attachments, fears and desires. From songs of love, sex and mourning, to lyrics discussing beauty, infatuation and the community's violent tribal history, Friedl's solid understanding of the cultural background, lifestyle and worldview of these people lets her add ethnographic details that illuminate the deep meaning of the texts. In this way, Friedl goes far beyond a translation of words: she sheds light on a culture where beliefs, critical evaluation of circumstances and philosophical tenets are shown to be integral to each song's message. Based on fieldwork that began in 1965, Erika Friedl's research on the folklore in Boir Ahmad represents the best-documented modern folklore compendium on an Iranian tribe. This new book will be important for future generations of scholars, including ethnographers, Iranists, linguists, ethnomusicologists and those researching Persian literature and cultures of the Middle East.

Until the 1960s, little was known inside or outside Iran about the tribes living in the country. The anthropological research of Erika Friedl is now renowned for presenting comprehensive data collected over a 50-year period from her time among the Boir Ahmad tribal people living in the Zagros Mountains of Iran. In this new book, Friedl turns her attention to the subject of religion, which she had only touched upon in her previous work. About ninety percent of people in Iran and nearly everybody in Boir Ahmad are Muslims of the Twelver Shia group. However, studies of tribal people’s religiosity, beliefs and rituals are scarce, and many researchers have discounted their views and experience, regarding the tribes as only “nominally religious” because their practices do not fit in with the mainstream practices and ideas in Iran. Religion and Daily Life in the Mountains of Iran corrects this view and provides a hallmark study of tribal people’s religiosity. Demonstrating the great diversity of their philosophical and religious ideas, the book reveals the ways in which the tribes choose and express their religion, define their communities and understand their world. From conversations about God and his relationships with people, to observations on ageing and death, and research into the tribe’s use of spells, amulets and sacrifices, to their beliefs about saints, health and well-being, the book is an original ethnographic exploration of religion and daily life.

What are the myths and stories that penetrate a society's everyday practices? What are the un-questioned 'truths' that hold the keys to understanding both the concept of self-perception and group identity? Here, Erika Friedl highlights the role of the fairytale and folklore in the creation, transmission and manipulation of regional and national identities. Having carried out anthropological research in Iran since 1965, Friedl is uniquely placed to analyse the ways in which the folklore and fairy tales - both the stories themselves and the telling of the stories - have an impact on the idea of what it means to be 'Iranian'. Friedl approaches the relationship between nation and mythology at an ethnographic level, attempting to unite folktale texts with life as lived by the storytellers and listeners. This approach grounded in lived experience allows Friedl to detail the ways in which Iranians think about their lives and their culture by investigating the folktales that articulate, confirm and affirm the philosophical tenets upon which the Iranian people base their values on actions. Folktales are often vehicles through which both the narrators and audiences are able to express shared beliefs, ethics, concerns, experiences, behaviour patterns and assumptions. And it is with this in mind that the folktales provide here a key as to how people position themselves within their culture and society. As Friedl shows, Iranian folktales are documents of a philosophy, logic, ethics and theology, and express what choices the Iranian culture provides for how people may live and what to expect as they are making their days. Folktales and Storytellers of Iran explores the key ideas of cultural identity, self-knowledge and understanding, and how these are represented and developed through a rich literary tradition of folklore and storytelling in what was for a long time an oral-based culture.