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The Representation of the Struggling Artist in America, 1800-1865
analyzes how American painters, sculptors, and writers, active
between 1800 and 1865, depicted their response to a democratic
society that failed to adequately support them financially and
intellectually. Without the traditional European forms of patronage
from the church or the crown, American artists faced unsympathetic
countrymen who were unaccustomed to playing the role of patron and
less than generous in rewarding creativity. It was in this
unrewarding landscape that American artists in the first half of
the nineteenth century employed the "struggling" or "starving
artist" image to satirize the country's lack of patronage and
immortalize their own struggles. Through an examination of artists'
journals, letters, and biographies as well as the development of
art academies and exhibition venues, this study traces the
evolution of a young nation that went from considering artists as
mere craftsmen to recognizing them as important members of a
civilized society.
Inwieweit koennen Management und Unternehmensleitung durch den
Aufbau von "starken" Unternehmenskulturen Burnout in ihrem
Unternehmen reduzieren? Welche Eigenverantwortung kann jeder
Mitarbeiter fur sich ubernehmen, um den psychischen Belastungen am
Arbeitsplatz wirksam entgegenzutreten? Wie koennen sich diese
beiden Wirkfaktoren gegenseitig stutzen und was haben Unternehmen
davon, sich aktiv um die psychische Gesundheit ihrer Mitarbeiter zu
kummern? Diesen Fragen geht Erika Schneider auf der Basis
theoretischer Grundlagen zu den Themen Burnout, Unternehmenskultur
und Organizational Burnout auf den Grund. Die Autorin fuhrt
Gesprache mit wieder in Unternehmen tatigen ehemaligen Burnout
Betroffenen und Experten zum Thema Firmenkulturprozesse und
entwickelt Antworten, die sowohl fur Unternehmen als auch moegliche
Betroffene hilfreich sind.
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