An Unabridged Edition from the Translation by Ernest Dowson -

"Les Liaisons Dangereuses," by Peirre Choderlos de Laclos, is part of the ""Barnes & Noble Classics" "series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of "Barnes & Noble Classics": New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. "Barnes & Noble Classics "pulls together a constellation of influences-biographical, historical, and literary-to enrich each reader's understanding of these enduring works. Love . . . sex . . . seduction. Of the three, only the last matters. Love is a meaningless word, and sex an ephemeral pleasure, but seduction is an amusing game in which victory means power and the ability to humiliate one's enemies and revel with one's friends. So it is for the Vicomte de Valmont and the Marquise de Merteuil, two supremely bored aristocrats during the final years before the French Revolution. Together they concoct a wildly wicked wager: If Valmont can successfully seduce the virtuous wife of a government official, Madame deTourvel, then Madame Merteuil will sleep with him again. But Madame Merteuil also wants Valmont to conquer the young and innocent former convent schoolgirl, Cecile Volanges. Can he do both?
When "Les Liaisons Dangereuses" was first published in 1782, it both scandalized and titillated the aristocracy it was aimed against, who publicly denounced it and privately devoured it. Today we still recognize its relevance, for what could be more contemporary than its appalling image of everyday evil - small, selfish, manipulative, and mean. Alfred Mac Adam, Professor at Barnard College-Columbia University, teaches Latin American and comparative literature. He is a translator of Latin American fiction and writes extensively on art.

The poems collected in this volume are exquisite and languorous expressions of a spirit of self-indulgence, eroticism and moral rebelliousness that emerged in the late Victorian age. They deal with eternal themes of transition, artifice and, above all, the cruel ravages of time - often depicting flowers, with their heady, perfumed beauty, as the embodiment of decay and desire. Decadent Poetry brings together the works of many fascinating writers - Oscar Wilde on tainted love and the torments of the human spirit, Arthur Symons on an absinthe-induced stupor and the mysteries of the night, Rosamund Marriott Watson on disenchantment and memory, W. B. Yeats on waning passion and faded beauty, Ernest Dowson on lust and despair and Lord Alfred Douglas on shame and secret love, among many others of this exhilarating poetic movement.

This is a new release of the original 1929 edition.

"The whole show is dreadful," she cried coming out of the menagerie of M. Martin. She had just been looking at that daring speculator "working with his hyena,"-to speak in the style of the programme. "By what means," she continued, "can he have tamed these animals to such a point as to be certain of their affection for--" "What seems to you a problem," said I, interrupting, "is really quite natural." "Oh " she cried, letting an incredulous smile wander over her lips. "You think that beasts are wholly without passions?" I asked her. "Quite the reverse; we can communicate to them all the vices arising in our own state of civilization." She looked at me with an air of astonishment. "But," I continued, "the first time I saw M. Martin, I admit, like you, I did give vent to an exclamation of surprise. I found myself next to an old soldier with the right leg amputated, who had come in with me. His face had struck me. He had one of those heroic heads, stamped with the seal of warfare, and on which the battles of Napoleon are written. Besides, he had that frank, good-humored expression which always impresses me favorably. He was without doubt one of those troopers who are surprised at nothing, who find matter for laughter in the contortions of a dying comrade, who bury or plunder him quite light-heartedly, who stand intrepidly in the way of bullets;-in fact, one of those men who waste no time in deliberation, and would not hesitate to make friends with the devil himself. After looking very attentively at the proprietor of the menagerie getting out of his box, my companion pursed up his lips with an air of mockery and contempt, with that peculiar and expressive twist which superior people assume to show they are not taken in. Then, when I was expatiating on the courage of M. Martin, he smiled, shook his head knowingly, and said, 'Well known.'

This classic book contains the poems and prose of the well-known Ernest Dawson, and would make an excellent addition to the bookshelf of anyone with a passion for poetry and short literature. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

In your mother's apple-orchard, When the world was left behind: You were shy, so shy, Yvonne! But your eyes were calm and kind.

1929. Part One of Two Volumes. Embellished with photogravure portraits of Cardinal Dubois and the Duc d'Orleans, together with twelve full page drawings by Lui Trugo. This is one of the more important memoirs of court life in 17th Century France. The Memoirs of Cardinal Dubois, French statesman and cardinal of the Roman Catholic Church, has been sensitively translated by the English Nineties poet Ernest Dowson. Dubois became secretary of state for foreign affairs. Reversing the foreign policy of King Louis XIV, he concluded the Triple Alliance of 1717 with England and the Netherlands, and negotiated marriage contracts between the royal houses of France and Spain. In 1721 he was made a cardinal and in 1722 became chief minister.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!