Triple bill of classic suspense thrillers from director Alfred Hitchcock. In 'Dial M for Murder' (1954), adapted from the stage play by Frederick Knott, former tennis pro Tony Wendice (Ray Milland) hatches a cunning plot to get rid of his socialite wife, Margot (Grace Kelly), when he discovers that she has been unfaithful. Wendice blackmails a corrupt former schoolmate into murdering her but the fellow bungles the job and Margot, having killed her would-be assailant in self-defence, then finds herself under suspicion of premeditated murder. In 'Strangers On a Train' (1951), based on Patricia Highsmith's novel, tennis star Guy Haines (Farley Granger) meets Bruno Antony (Robert Walker) by chance in a train carriage. After some idle chat in which it transpires that each man has someone in their lives they would like to dispose of, Bruno proposes that he kills Guy's wife, in return for Guy murdering Bruno's father. Guy is appalled, but when his wife is murdered he realises that Bruno is intent on carrying out the 'deal', whether Guy wants to or not. In 'North By Northwest' (1959) advertising executive Roger Thornhill (Cary Grant) is lunching in a restaurant with his mother when he mistakenly answers a page for one George Kaplan. He soon finds himself on the run across the country, being pursued by enemies of the government who are convinced that he is a secret agent. He finds a friend in Eve Kendall (Eve Marie Saint), who helps conceal him during a perilous train journey, but soon discovers she is not all that she seems...

Collection of four classic film dramas starring Elizabeth Taylor. In 'Who's Afraid of Virginia Woolf?' (1966), adapted from Edward Albee's controversial stage play, George (Richard Burton) is a foul-mouthed, drunken university professor married for two decades to the equally foul-mouthed, drunken Martha (Taylor), whose father is the president of George's college. When younger married couple Nick (George Segal) and Honey (Sandy Dennis) are invited round for a nightcap, they witness a marathon of bickering and verbal abuse. The film won five Oscars, including Best Actress for Elizabeth Taylor and Best Supporting Actress for Sandy Dennis. 'Cat On a Hot Tin Roof' (1958), based on the Tennesse Williams play, follows the events which transpire one long, hot Southern evening when the family of plantation patriarch Big Daddy (Burl Ives) gathers to celebrate his birthday. Both of the big man's sons are there for the party, but only one of them - Gooper (Jack Carson) - is keen to inherit the family fortune; the other, Brick (Paul Newman), a former high school athlete who now drinks constantly and refuses to sleep with his wife, Maggie (Taylor), couldn't care less. Nevertheless, Maggie would like to see some of the money, believing that it might offer some recompense for the coldness of her marriage, and Big Mama (Judith Anderson), the boys' mother, has always favoured Brick out of the two. As the night wears on, the temperature rises, skeletons emerge from closets, and the family tensions get closer and closer to breaking point. 'Giant' (1956) follows Bick Benedict (Rock Hudson), a Texas cattle baron who takes a non-Texan wife, Leslie (Taylor). The story traces two generations of his family, alongside the life of disreputable ranch-hand Jett Rink (James Dean), who strikes it rich on an oil well and falls in love with Leslie. Director George Stevens won an Oscar for his work, and the film garnered nine more nominations, including one for James Dean, who was killed in a car crash soon after filming. In 'Lassie Come Home' (1943) the Carraclough family are struggling financially and have no choice but to sell their pet collie, Lassie. Her new owner's granddaughter, Priscilla (Taylor), realises how unhappy Lassie is away from her family and helps her to escape so she can begin her long journey home.

Classic 1960s musical starring Julie Andrews and Christopher Plummer. Former nun Maria (Andrews) becomes the governess for a family of seven children who live in the shadow of their domineering and repressed widower father Captain Von Trapp (Plummer). Along with the required discipline Maria brings love, music and excitement into the children's lives and also eventually begins to have an effect on their father. But just when things are looking up, the rise of Nazism and the threat of the coming war darkens all their futures. The cast also includes Charmian Carr, Nicholas Hammond and Eleanor Parker.

When nineteenth century English schoolteacher Anna Leonowens (Deborah Kerr) is employed by the King of Siam (Yul Brynner) to educate his many children, she takes her son, Louis (Rex Thompson), along with her. Anna, a strong-willed woman, soon clashes with the king, who is used to having his every wish adhered to without question. However, Anna's refusal to bow to his will wins his respect and, eventually, his love. Rodgers and Hammerstein numbers include 'Hello Young Lovers' and 'Getting To Know You'.

Musical comedy of romantic errors set in 1920s New York. Dolly Gallagher Levi (Barbra Streisand), recently widowed and living in Yonkers, New York, is something of a society matchmaker. Hired to find the perfect beau for the also just widowed millionaire Horace Vandergelder (Walther Matthau), Dolly can't help but conclude that it is she whom he should be marrying. Horace has his eye on Irene Molloy, a pretty young thing that Dolly simply must get out of the way if her plan is to succeed. Meanwhile two of Horace's young employees Cornelius (Michael Crawford) and Barnaby decide to take advantage of the boss's romantic mission to the city and follow him for a glimpse of the urban high-life. Through a series of coincidences the pair have to escape being discovered by Horace, only to take refuge in Irene Molloy's hat emporium, with Cornelius immediately falling in love with the owner, and Barnaby with her assistant Minnie. The young lovers end up at a very expensive restaurant with Dolly desperately trying to make sure that everyone ends up with the right partner, and to claim Horace for her own.

Sidney Falco (Tony Curtis) is a New York press agent caught up in a complex relationship with the powerful newspaper columnist J.J. Hunsecker (Burt Lancaster). Falco needs to get his showbiz clients placed in the newspapers, and hangs around Hunsecker hoping to garner a mention in his column. Hunsecker is obsessively protective towards his sister Susan (Susan Harrison), and his only apparent desire is to see an end to her budding romance with jazz musician Steve Dallas (Martin Milner). Thus with Falco growing increasingly desperate, Hunsecker lets him know that the one way he can secure access to the column is to break up Susan and Steve, thereby setting in motion a chain of events which will tear them all apart.