***Longlisted for the CWA Crime in Translation Dagger 2023*** "If there's an entry point into the work of the enduring, award-winning Italian writer Erri De Luca, then N.S. Thompson's excellent translation is surely it ... Thoughtful and wise about life and landscape, it's the most cerebral of whodunnits" Ben East, Observer Two men go walking in the Dolomites, but not together; one falls to his death, the other reports the body. Is it coincidence that they knew each other in earlier years, and that one had betrayed the other? Impossible is at once a game of cat-and-mouse in which the prisoner, a survivor of a left-wing cadre now long dispersed, holds his own. Nor is he crushed by his solitary confinement from which he communicates with his distant beloved. This novel is a brilliant hymn to the lure of the mountains, an engrossing illumination of political brotherhood, and also the subtlest of detective stories.

This book is addressed to “lovers of paradoxes� and we have done our utmost to assemble a stellar cast of Neapolitan and American scholars, intellectuals, and artists/writers who are strong and open-minded enough to wrestle with and illuminate the paradoxes through which Naples presents itself. Naples is a mysterious metropolis. Difficult to understand, it is an enigma to outsiders, and also to the Neapolitans themselves. Its very impenetrableness is what makes it so deliriously and irresistibly attractive. The essays attempt to give some hints to the answer of the enigma, without parsing it into neat scholastic formulas. In doing this, the book will be an important means of opening Naples to students, scholars and members of the community at large who are engaged in “identity-work.� A primary goal has been to establish a dialogue with leading Neapolitan intellectuals and artists, and, ultimately, ensure that the “deliriously Neapolitan� dance continues.

'Mine is an experimental case. It's pushing a man to confess to a political crime, the last instalment of a forgotten era.' In this taut novella set in the Dolomites, a cat-and-mouse interview opens between a young magistrate and an older suspect. It becomes an examination of perception versus truth and of the group protection afforded in a moment of collective action versus the echoing responsibility of the individual over 'the leprosy of time'. Without evidence, an experienced hiker is held in solitary confinement under suspicion of murdering a man who fell to his death on a mountain path. In a series of tense, metered interviews, the political causes of the suspect's past emerge. The men knew each other decades earlier, were brothers-in-arms against a greater social injustice until the victim turned state's evidence and the accused was sent to prison. Climb the mountain yourself, the old man urges the young magistrate. Not for confirmation, but to find out the truth. His past guilt and the suspense surrounding his guilt now become corollaries to De Luca's central drama of discovery: the real character of a man and his integrity in the impossibility of the moment.

This book is addressed to "lovers of paradoxes" and we have done our utmost to assemble a stellar cast of Neapolitan and American scholars, intellectuals, and artists/writers who are strong and open-minded enough to wrestle with and illuminate the paradoxes through which Naples presents itself. Naples is a mysterious metropolis. Difficult to understand, it is an enigma to outsiders, and also to the Neapolitans themselves. Its very impenetrableness is what makes it so deliriously and irresistibly attractive. The essays attempt to give some hints to the answer of the enigma, without parsing it into neat scholastic formulas. In doing this, the book will be an important means of opening Naples to students, scholars and members of the community at large who are engaged in "identity-work." A primary goal has been to establish a dialogue with leading Neapolitan intellectuals and artists, and, ultimately, ensure that the "deliriously Neapolitan" dance continues.

'Happiness - was it right to name it without knowing it? It sounded shameless in my mouth, like when someone shows off about knowing a celebrity and just uses their first name, saying Marcello when they really mean Mastroianni ...' A young orphan boy grows up in Naples, playing football, roaming the city's streets and hidden places. The older boys call him 'monkey' because he can climb anywhere. He is alone, apart from Don Gaetano, the apartment caretaker, who feeds him, teaches him to play scopa, and tells him stories about women, history and the dark secrets of Naples' past. Then one day the boy sees a young girl standing at a window. It is an encounter that will haunt his life for years and, eventually, shape his destiny. Lyrical and exuberant, told with the simplicity of a fairy tale and the intensity of a memory, The Day Before Happiness is the story of friendship, a city and what makes us who we are.

This is a story told by a boy in his thirteenth year, recorded in his secret diary. His life is about to change; his world, about to open.

He lives in Montedidio—God’s Mountain—a cluster of alleys in the heart of Naples. He brings a paycheck home every Saturday from Mast’Errico’s carpentry workshop where he sweeps the floor. He is on his way to becoming a man—his boy’s voice is abandoning him. His wooden boomerang is neither toy nor tool, but something in between. Then there is Maria, the thirteen-year-old girl who lives above him and, like so many girls, is wiser than he.  She carries the burden of a secret life herself. She’ll speak to him for the first time this summer. There is also his friendship with a cobbler named Rafaniello, a Jewish refugee who has escaped the horrors of the Holocaust, who has no idea how long he’s been on this earth, and who is said to sprout wings for a blessed few.

It is 1963, a young man’s summer of discovery. A time for a boy with innocent hands and a pure heart to look beyond the ordinary in everyday things to see the far-reaching landscape, and all of its possibilities, from a rooftop terrace on God’s Mountain.

The eruption of Vesuvius in the year AD 79 signified a collective trauma; it revealed the fragility of the civilized world. Contemporaries explained the catastrophe from the perspective of the natural sciences or mythology; the later Christian population made attempts to interpret it from the viewpoint of religion. With the eruptions since the 17th century, a unique culture of piety developed in Naples, while, the natural science conducted as of the 18th century led to the erection of the first Vesuvius Observatory in the world. The people of Naples today find themselves in a field of tension between religion and science due to the ongoing threat. This volume is dedicated to the search for explanations, meaning, and hope-despite the uncontrollable threat-based on the example of numerous works of painting, sculpture, and craft.