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Bob Dylan's cultural production in the second half of the twentieth
century, his songs, but also his changing images and
self-fashionings have informed and productively re/shaped certain
images of America from outside and within. Refractions of Bob Dylan
collects scholarly essays which thoroughly investigate the routes
of Bob Dylan's cultural appropriations. The collection looks at how
Dylan has been used and interpreted by others, and how his work has
been reworked into cultural expressions in culturally and
regionally divergent spaces. Additionally, a number of essays look
at what Dylan has appropriated and incorporated in his own work,
focusing on questions of plagiarism, tribute, allusion, love and
theft. Some of the essays originate from the Refractions of Bob
Dylan conference in Vienna (www.dylanvienna.at) which took place
around the 70th birthday of Bob Dylan, and included Dylan experts
such as Clinton Heylin, Stephen Scobie and Michael Gray. -- .
Bob Dylan's cultural production in the second half of the twentieth
century, his songs, but also his changing images and
self-fashionings have informed and productively re/shaped certain
images of America from outside and within. Refractions of Bob Dylan
collects scholarly essays which thoroughly investigate the routes
of Bob Dylan's cultural appropriations. The collection looks at how
Dylan has been used and interpreted by others, and how his work has
been reworked into cultural expressions in culturally and
regionally divergent spaces. Additionally, a number of essays look
at what Dylan has appropriated and incorporated in his own work,
focusing on questions of plagiarism, tribute, allusion, love and
theft. Some of the essays originate from the Refractions of Bob
Dylan conference in Vienna (www.dylanvienna.at) which took place
around the 70th birthday of Bob Dylan, and included Dylan experts
such as Clinton Heylin, Stephen Scobie and Michael Gray. -- .
Almighty Dollar brings together papers and lectures from the 35th
International Annual Conference of the Austrian Association for
American Studies (AAAS). The conference took place at the very time
that the United States and world economies were plunging downward.
However, money has never been simply an economic issue; it has also
always been a cultural one, conveying complex historical, social
and political meanings. Contributions consider people's engagements
with the "Almighty Dollar" from the most ordinary, mundane daily
practices to the most extra-ordinary, life-changing ones. They deal
with these engagements in literature, the arts, film, and popular
culture.
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