New digitally-enhanced reprint of the classic vocal score issued by Breitkopf & Hartel in the early 20th century edited by the eminent musicologist Eusebius Mandyczewski.

Contents: Sonata No. 1 in C, Op. 1 * Sonata No. 2 in F Sharp Minor, Op. 2 * Sonata No. 3 in F Minor, Op. 5 * Variations on a Theme by Robert Schumann, Op. 9 * Variations on an Original Theme, Op. 21, No. 1 * Variations on a Hungarian Song, Op. 21, No. 2 * Variations and Fugue on a Theme by Handel, Op. 24 * Variations on a Theme by Paganini, Op. 35.

In Three Volumes. Schirmer's Library Of Musical Classics. In Three Volumes. Volume 1, Sonata In C Major, Op. 1; Sonata In F Minor, Op. 2; Sonata In E Minor, Op. 4; Sonata In F Minor, Op. 5 Variations On A Theme By Robert Schulman, Op. 9; Ballads, Op. 10; Variations, Op. 21; Variations And Fugue On A Theme By Handle; Volume 2, Piano Pieces, Op. 76; Two Rhapsodies, Op. 79; Fantasies, Op. 116; Three Intermezzi, Op. 117; Piano Pieces, Op. 118; Piano Pieces Op. 119; 5 Studies; Volume 3, Piano Concerto No. 1, Op. 15; Waltzes, Op. 39; Paginate Variations, Op. 35; Piano Concerto No. 2, Op. 83.

In Three Volumes. Schirmer's Library Of Musical Classics. In Three Volumes. Volume 1, Sonata In C Major, Op. 1; Sonata In F Minor, Op. 2; Sonata In E Minor, Op. 4; Sonata In F Minor, Op. 5 Variations On A Theme By Robert Schulman, Op. 9; Ballads, Op. 10; Variations, Op. 21; Variations And Fugue On A Theme By Handle; Volume 2, Piano Pieces, Op. 76; Two Rhapsodies, Op. 79; Fantasies, Op. 116; Three Intermezzi, Op. 117; Piano Pieces, Op. 118; Piano Pieces Op. 119; 5 Studies; Volume 3, Piano Concerto No. 1, Op. 15; Waltzes, Op. 39; Paginate Variations, Op. 35; Piano Concerto No. 2, Op. 83.

Having been inspired by performances of Handel oratorios while visiting London in 1791-92 and 1794-95, Joseph Haydn determined to write one of his own and was given an English libretto entitled "The Creation," which had originally been offered to Handel years before. This libretto, whose author is still not known, was loosely based upon Biblical sources (Genesis, Pslams) and John Milton's epic "Paradise Lost." Haydn presented it to Baron Gottfried van Swieten, who adapted and translated the work into the German libretto used for the composition of the new oratorio. "Die Sch pfung" occupied Haydn from 1796-98 and was given its first performance in Vienna's Schwarzenberg Palace on April 30, 1798 before an invited audience of nobles, government officials, prominent musicians. The public crowded outside in an attempt to hear the work in such number that a police detachment was needed to keep order, and the first public performance (March 19, 1799) was sold out months in advance. The authoritative vocal score reissued here, first published by Breitkopf und H rtel of Leipzig in the early 20th century, features the original German text with English and French beneath, and a playable piano reduction by Paul Klengel. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

Schubert's twelve movement work is a setting of a German paraphrase of the Latin sequence by F.G. Klopstock (1724-1803). It contains some of his finest choral writing. Unabridged digitally enhanced reprint of a vocal score prepared by Georg Gohler first issued in 1910 by Breitkopf & Hartel, Leipzig. Now with measure numbers and a very readable large A4 format.