Africa: An Introduction invites you into Africa: a continent rich with culture and history, with diverse populations stretching from the dense tropical rain forest of the Congo basin, right up to the Sahara Desert in the north, and down to the Mediterranean climates of the far south. Containing fifty-five countries, and covering over 20 percent of the world's landmass, Africa is the birthplace of humanity, yet the image of Africa in the West is often negative, that of a continent riddled with endemic problems. This accessible and engaging guide to the African continent guides the reader through the history, geography, and politics of Africa. It ranges from the impact of slavery and imperialism through to the rise of African nationalism and the achievement of independence, and up to the present moment. Key topics covered include literature, art, technology, religion, the condition of African women, health, education, and the mounting environmental concerns faced by African people. As Africa moves beyond the painful legacies of slavery and imperialism, this book provides an engaging, uplifting, and accessible introduction to a rapidly modernizing and diverse continent. Suitable for high school and undergraduate students studying Africa, this book will also serve as the perfect introduction for anyone looking to understand the history of Africa and the Africa of today.

Brings together experiences of teachers of African literature from around the world in the context of technological change. Focuses on theoretical and pedagogical approaches to the teaching of African Literature on both sides of the Atlantic and beyond. The publication of Chinua Achebe's Things Fall Apart in 1958 drew universal attention not only to contemporary African creative imagination, but also established the art of the modern African novel. In 1986, Wole Soyinka became the first African to win the Nobel Prize for Literature, and opened the 'gate' for other African writers. By the close of the 20th century, African Literature had gained world-wide acceptance and legitimacy in the academy and featured on the literature curriculum of schools and colleges across the globe. This specialissue of African Literature Today, examines the diverse experiences of teachers of African Literature across regional, racial, cultural and national boundaries. It explores such issues as student responses, productive pedagogical innovations, the impact of modern technology, case studies of online teaching, teaching Criticism of African Literature, and teaching African Literature in an age of multiculturalism. It is intended as an invaluable teacher's handbook and essential student companion for the effective study of African Literature. Ernest Emenyonu is Professor of Africana Studies at the University of Michigan-Flint, USA; the editorial board is composed of scholars from US, UK and African universities Nigeria: HEBN

Africa: An Introduction invites you into Africa: a continent rich with culture and history, with diverse populations stretching from the dense tropical rain forest of the Congo basin, right up to the Sahara Desert in the north, and down to the Mediterranean climates of the far south. Containing fifty-five countries, and covering over 20 percent of the world's landmass, Africa is the birthplace of humanity, yet the image of Africa in the West is often negative, that of a continent riddled with endemic problems. This accessible and engaging guide to the African continent guides the reader through the history, geography, and politics of Africa. It ranges from the impact of slavery and imperialism through to the rise of African nationalism and the achievement of independence, and up to the present moment. Key topics covered include literature, art, technology, religion, the condition of African women, health, education, and the mounting environmental concerns faced by African people. As Africa moves beyond the painful legacies of slavery and imperialism, this book provides an engaging, uplifting, and accessible introduction to a rapidly modernizing and diverse continent. Suitable for high school and undergraduate students studying Africa, this book will also serve as the perfect introduction for anyone looking to understand the history of Africa and the Africa of today.

The re-issue of archival volumes ALT 1 to ALT 14 makes the complete series available and provides the historical perspective of these early contributions to the literature and its criticism. In his Editorial to African Literature Today 12, first published in 1982, Eldred Jones laments the death of Camara Laye and gives tribute to him as one of the pioneers of African literature. The volume celebrates new writers whose works "have not received much critical attention either because they are relatively new, or because not being what might be described as mainstream they may unintentionally, perhaps, have been damned with faint praise or neglect." There are contributions on the works of Gabriel Okara, Robert Serumaga, Hamidou Kane and John Munonye, and emerging as significant new voices are playwrights Femi Osofisan and Ola Rotimi, and feminist writer Mariama Ba.

The re-issue of archival volumes ALT 1 to ALT 14 makes the complete series available and provides the historical perspective of these early contributions to the literature and its criticism. First published in 1983, this volume looks at new developments in the African novel and also at those aspects of more established works that received less critical attention, such as writing from southern Africa, to which censorship and war restricted access. Eldred Jones in his Editorial also cites the "searing impact of the Nigerian Civil War, on the consciousness, not just on Nigerians, but on Africans as a whole". There are also contributions on Nigerian populist Kole Omotoso and Dambudzo Marechera's prize-winning House of Hunger. One of the most significant trends is the emergence of the powerful feminist talents of Buchi Emecheta, Flora Nwapa, Bessie Head, Ama Ata Aidoo and Rebeka Njau. Articles by Eustace Palmer and Femi Ojo-Ade examine the depth and intensity with which some new novelists present the female point of view.

The re-issue of archival volumes ALT 1 to ALT 14 makes the complete series available and provides the historical perspective of these early contributions to the literature and its criticism. This volume, first published in 1984, studies the attraction of Africa for non-African writers and the widespread and differing outside influences on African writers. This relationship raises complex problems such as which language to write in, and the representation or misrepresentation of the continent. Kole Omotoso gives a trans-Saharan view of Africa, Funso Aiyejina a West Indian perspective highlighting the work of George Lamming and Denis Williams, and Katherine Frank examines the relevance of feminist criticism to the African novel. Other contributors compare and contrast the works of European, American, Caribbean and African writers: Graham Greene and Dadie; Soyinka and Beckett; Laye, Lamming and Wright; Camus and Cesaire; Yeats and J.P. Clark; Equiano and Defoe; Ernest Gaines and Oyono.

Is the woman writer free to follow her own creative impulse and write about what she pleases? Reflects the emergence of accomplished works by African women writers. North America: Africa World Press

North America: Africa World Press

North America: Africa World Press

North America: Africa World Press