Railroads, telegraphs, lithographs, photographs, and mass periodicals-the major technological advances of the 19th century seemed to diminish the space separating people from one another, creating new and apparently closer, albeit highly mediated, social relationships. Nowhere was this phenomenon more evident than in the relationship between celebrity and fan, leader and follower, the famous and the unknown. By mid-century, heroes and celebrities constituted a new and powerful social force, as innovations in print and visual media made it possible for ordinary people to identify with the famous; to feel they knew the hero, leader, or "star"; to imagine that public figures belonged to their private lives. This volume examines the origins and nature of modern mass media and the culture of celebrity and fame they helped to create. Crossing disciplines and national boundaries, the book focuses on arts celebrities (Sarah Bernhardt, Byron and Liszt); charismatic political figures (Napoleon and Wilhelm II); famous explorers (Stanley and Brazza); and celebrated fictional characters (Cyrano de Bergerac).

"This is a persuasive and timely collection. Celebrity and charisma are very much on the current research agenda. This volume deals with these issues in a serious, insightful manner, making an original contribution to what is now a rising field of study." . Philip Nord, Princeton University

Railroads, telegraphs, lithographs, photographs, and mass periodicals-the major technological advances of the 19th century seemed to diminish the space separating people from one another, creating new and apparently closer, albeit highly mediated, social relationships. Nowhere was this phenomenon more evident than in the relationship between celebrity and fan, leader and follower, the famous and the unknown. By mid-century, heroes and celebrities constituted a new and powerful social force, as innovations in print and visual media made it possible for ordinary people to identify with the famous; to feel they knew the hero, leader, or "star"; to imagine that public figures belonged to their private lives. This volume examines the origins and nature of modern mass media and the culture of celebrity and fame they helped to create. Crossing disciplines and national boundaries, the book focuses on arts celebrities (Sarah Bernhardt, Byron and Liszt); charismatic political figures (Napoleon and Wilhelm II); famous explorers (Stanley and Brazza); and celebrated fictional characters (Cyrano de Bergerac).

Edward Berenson is Professor of History and French Studies and Director of the Institute of French Studies at New York University. His numerous publications include The Trial of Madame Caillaux (University of California Press 1992) and Heroes of Empire: Five Charismatic Men and Europe's Quest for Africa, (University of California Press 2010).

Eva Giloi is Assistant Professor in the History Department at Rutgers University, Newark. Her book Monarchy, Myth, and Material Culture in Germany 1750-1950 is forthcoming from Cambridge University Press in 2010.

This innovative book illuminates popular attitudes toward political authority and monarchy in eighteenth- and nineteenth-century Prussia and twentieth-century Germany. In a fascinating study of how subjects incorporated the material culture of monarchy into their daily lives, Eva Giloi provides insights into German mentalities toward sovereign power. She examines how ordinary people collected and consumed relics and other royal memorabilia, and used these objects to articulate, validate, appropriate, or reject the state's political myths. The book reveals that the social practices that guided the circulation of material culture - under what circumstances it was acceptable to buy and sell the queen's underwear, for instance - expose popular assumptions about the Crown that were often left unspoken. The book sets loyalism in the everyday context of consumerism and commodification, changes in visual culture and technology, and the emergence of mass media and celebrity culture, to uncover a self-possessed, assertive German middle class.

Staging Authority: Presentation and Power in Nineteenth-Century Europe is a comprehensive handbook on how the presentation, embodiment, and performance of authority changed in the long nineteenth century. It focuses on the diversification of authority: what new forms and expressions of authority arose in that critical century, how traditional authority figures responded and adapted to those changes, and how the public increasingly participated in constructing and validating authority. It pays particular attention to how spaces were transformed to offer new possibilities for the presentation of authority, and how the mediatization of presence affected traditional authority. The handbook's fourteen chapters draw on innovative methodologies in cultural history and the aligned fields of the history of emotions, urban geography, persona studies, gender studies, media studies, and sound studies.

This innovative book illuminates popular attitudes toward political authority and monarchy in eighteenth- and nineteenth-century Prussia and twentieth-century Germany. In a fascinating study of how subjects incorporated the material culture of monarchy into their daily lives, Eva Giloi provides insights into German mentalities toward sovereign power. She examines how ordinary people collected and consumed relics and other royal memorabilia, and used these objects to articulate, validate, appropriate, or reject the state's political myths. The book reveals that the social practices that guided the circulation of material culture - under what circumstances it was acceptable to buy and sell the queen's underwear, for instance - expose popular assumptions about the Crown that were often left unspoken. The book sets loyalism in the everyday context of consumerism and commodification, changes in visual culture and technology, and the emergence of mass media and celebrity culture, to uncover a self-possessed, assertive German middle class.