If fashion is an expression of individuality, why do we all dress alike? Can modernity be described as the experience of 'feeling modern' and, if so, what part does fashion play? Answering these intriguing questions and many more, this pioneering book shows how the concepts of fashion and modernity are intimately linked. It argues that capitalism and identity construction as social processes both have symbiotic relationships with the fashion system. Technology, the body, nationality and gender are informed and shaped by modernity, and vice versa. Drawing on key modernist texts as well as fashion theory and practice, this book seeks broadly to cover the history of fashion and modernity, a topic that has been surprisingly overlooked. Tackling themes including court masques in seventeenth-century London, Paris couturiers and forensic laboratories in twentieth-century Washington, the authors show how fashion throughout history has been a cornerstone in the construction of a modern self.

Metal matrix composites are making tangible inroads into the "real" world of engineering. They are used in engineering components such as brake rotors, aircraft parts, combustion engines, and heat sinks for electronic systems. Yet, outside a relatively limited circle of specialists, these materials are mostly unknown. Designers do not as a rule think of using these materials, in part because access to information is difficult as these materials have not really entered engineering handbooks. Metal Matrix Composites in Industry is thus useful to engineers who wish to gain introductory knowledge of these materials and who want to know where "to find" them. Additionally, it provides researchers and academics with a survey of current industrial activity in this area of technology.

In 74 chapters, Gastrointestinal Oncology brings together a diverse group of specialists to provide the most authoritative, up-to-date and encyclopedic volume currently available on the subject. The first part of this text introduces a series of concepts and topics taht are important to gastrointestinal malignancies in general. These topics include epidemiologic principles, prevention, screening, familial GI cancers, developmental and molecular biology, pathobiology, general therapeutic principles, emerging therapies, and palliative care. The second part of the book covers each of the specific cancers affecting the human gastrointestinal tract. These chapters are introduced by state of the art discussions outlining our current understanding of the pathobiology and molecular biology relevant to each cancer. Subsequent sections describe the multidisciplinary management of specific clinical situations. By organizing the treatment-related chapters around clinical scenarios, the reader will readily find the information necessary to effectively manage the complex clinical situations encountered by patients with gastrointestinal malignancies.

Metal matrix composites are making tangible inroads into the "real" world of engineering. They are used in engineering components such as brake rotors, aircraft parts, combustion engines, and heat sinks for electronic systems. Yet, outside a relatively limited circle of specialists, these materials are mostly unknown. Designers do not as a rule think of using these materials, in part because access to information is difficult as these materials have not really entered engineering handbooks. Metal Matrix Composites in Industry is thus useful to engineers who wish to gain introductory knowledge of these materials and who want to know where "to find" them. Additionally, it provides researchers and academics with a survey of current industrial activity in this area of technology.

Richard Jordan and Anthony Perkins star in this made-for-TV adaptation of Victor Hugo's classic novel. Jean Valjean (Jordan) is imprisoned for stealing a loaf of bread for his sister's starving family. Soon afterwards he escapes and is presumed dead by all except police inspector Javert (Perkins), who pursues him relentlessly throughout his lifetime. In later years, when Valjean becomes involved in the French Revolution through his adopted daughter Cosette (Caroline Langrise)'s love for insurrectionist leader Marius (Christopher Guard), his quest for redemption comes to a heady climax.

Great progress has been made since the first description of the acute respiratory distress syndrome by the Denver group in 1967 (Lancet). Although we introduced the term 'adult respiratory distress syndrome' in our second and more detailed description of the syndrome (ehest, 1971), this was probably amistake for the simple reason that children also suffer the same syndrome fo11owing acute lung insults. Today, the syndrome of acute respiratory distress in adults (ARDS) is recognized as a worldwide problem, but the prevalence of disease varies in different parts of the world. A huge amount of research has focused on the mechanisms of acute lung injury and yet the exact sequence of events and media tors in inflammatory cascade, which result in acute respiratory failure from ARDS, is not known but many possibilities exist. The definition of ARDS has been gradua11y modified in recent years and investigators around the world are now co11aborating in order to establish more uniform concepts in identification, risk factors and mechanisms of lung injury, which someday will result in improved approaches to management. Already, at least some centers are showing improved outcomes in ARDS, achieving an approximate 60% survival rate. In the past, most large series documented only about a 40% survivability taking a11 causes of ARDS. This apparent progress is likely attributable to more meticulous and disciplined care than any specific pharmacologic attack on the basic mechanism resulting in ARDS.

How technologies can get it wrong in sports, and what the consequences are-referees undermined, fans heartbroken, and the illusion of perfect accuracy maintained. Good call or bad call, referees and umpires have always had the final say in sports. Bad calls are more visible: plays are televised backward and forward and in slow motion. New technologies-the Hawk-Eye system used in tennis and cricket, for example, and the goal-line technology used in English football-introduced to correct bad calls sometimes get it right and sometimes get it wrong, but always undermine the authority of referees and umpires. Bad Call looks at the technologies used to make refereeing decisions in sports, analyzes them in action, and explains the consequences. Used well, technologies can help referees reach the right decision and deliver justice for fans: a fair match in which the best team wins. Used poorly, however, decision-making technologies pass off statements of probability as perfect accuracy and perpetuate a mythology of infallibility. The authors re-analyze three seasons of play in English Premier League football, and discover that goal line technology was irrelevant; so many crucial wrong decisions were made that different teams should have won the Premiership, advanced to the Champions League, and been relegated. Simple video replay could have prevented most of these bad calls. (Major League baseball learned this lesson, introducing expanded replay after a bad call cost Detroit Tigers pitcher Armando Galarraga a perfect game.) What matters in sports is not computer-generated projections of ball position but what is seen by the human eye-reconciling what the sports fan sees and what the game official sees.

Matthew Warchus directs this British drama inspired by real events during the 1984 miners' strike. When activist Mark Ashton (Ben Schnetzer) garners support at a Gay Pride rally in London for his plan to raise funds in support of the striking miners, he encounters a surprising impediment to his plan: most mining communities refuse to take money from gay and lesbian groups. However, one Welsh village, Dulais, seem grateful for the support. Mark and his friends hire a minibus and visit the villagers to consolidate the relationship. Though the villagers don't completely accept their visitors straight away, the community, which includes Hefina (Imelda Staunton), Dai (Paddy Considine) and Cliff (Bill Nighy), gradually warm to Mark and his friends as they realise the common causes that bind them.