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O, the Brave Music (Paperback)
Dorothy Evelyn Smith; Afterword by Simon Thomas
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R304
R223
Discovery Miles 2 230
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A female narrator looks back on her childhood in a coming-of-age
novel set before the First World War. Ruan is an intelligent and
imaginative child, who gradually comes to understand the nuances of
the adult world around her, as she moves from the Manse, under the
strict rule of her father, a non-conformist minister, to Cobbetts,
her mother's ancestral home, under the tutelage of her Uncle
Alaric, and back to the guardianship of Rosie Day at Bolton House
high up on the moor above the town where she was born. Her young
life is shaped by a series of tragedies, but also the warmth of
enduring friendships, particularly with David, her dearest friend
who shares her love of the wild expanse and colours of the moor.
Options can be limited for those who do not respond to standard
eating disorder treatments. Schema therapy is one of the new
exciting frontiers in the treatment of this clinical population,
offering a much-needed model that integrates both developmental and
deeper level personality factors. Schema Therapy for Eating
Disorders is the first book of its kind, guiding clinicians to
deliver the schema model to those with entrenched or enduring
eating pathology, and in turn encouraging further clinical research
on this approach to treatment. Written by an international team of
leading schema therapy experts, and with a foreword by Wendy Behary
and Jeffrey Young, this book draws on their clinical knowledge and
research experience. Comprehensive and practical, this book
introduces the rapidly growing evidence base for schema therapy,
outlines the application of this model across eating disorder
diagnostic groups, as well as individual and group modalities, and
explores practical considerations, common challenges and the
therapeutic process. The book includes detailed case examples,
which provide a theoretical and practical basis for working with
therapist-client schema chemistry and transference, and outlines
methods of ensuring therapist self-care in the face of difficult
and often long-term work. Innovative and accessible, this fresh
look at the treatment of eating disorders will be an invaluable
resource for clinicians in the field.
Options can be limited for those who do not respond to standard
eating disorder treatments. Schema therapy is one of the new
exciting frontiers in the treatment of this clinical population,
offering a much-needed model that integrates both developmental and
deeper level personality factors. Schema Therapy for Eating
Disorders is the first book of its kind, guiding clinicians to
deliver the schema model to those with entrenched or enduring
eating pathology, and in turn encouraging further clinical research
on this approach to treatment. Written by an international team of
leading schema therapy experts, and with a foreword by Wendy Behary
and Jeffrey Young, this book draws on their clinical knowledge and
research experience. Comprehensive and practical, this book
introduces the rapidly growing evidence base for schema therapy,
outlines the application of this model across eating disorder
diagnostic groups, as well as individual and group modalities, and
explores practical considerations, common challenges and the
therapeutic process. The book includes detailed case examples,
which provide a theoretical and practical basis for working with
therapist-client schema chemistry and transference, and outlines
methods of ensuring therapist self-care in the face of difficult
and often long-term work. Innovative and accessible, this fresh
look at the treatment of eating disorders will be an invaluable
resource for clinicians in the field.
This is a new release of the original 1927 edition.
This is a new release of the original 1951 edition.
Kessinger Publishing is the place to find hundreds of thousands of
rare and hard-to-find books with something of interest for everyone
1927. From the Preface: Many of Shakespeare's plays contain
parallel plots, or main and subplot, or scenes which, with a little
editing, have a clear dramatic interest even when isolated from
their context. It is such plots and scenes which have gone to make
these little plays, which are intended primarily for acting, as
finished productions in the school hall or informal ones in the
schoolroom. But it is hoped that they may serve other purposes.
Often, towards the end of term, when the Shakespeare set book has
been carefully studied, something is wanted to occupy a few odd
lessons. There is not time to embark upon a five-act play, and the
reading of isolated unedited scenes has its obvious disadvantages.
A little play may satisfactorily fill the gap, and add interest to
the one studied in detail. The little plays may, again, serve as an
introduction to the serious study of Shakespeare; they may be used
on Shakespeare nights of the literary and dramatic society; and
they should prove helpful in classes where the study of English
literature presents difficulties. Contents: The Students of Navarre
(from Love's Labour's Lost); The Shepherds' Festival (from The
Winter's Tale); Dear Lady Disdain (from Much Ado About Nothing);
The Feast of Capulet (from Romeo and Juliet); A Day at Ephesus
(from The Comedy of Errors); Great Caesar's Death (from Julius
Caesar); and The Queen and the Cardinal (from Henry VIII). See
other titles by this author available from Kessinger Publishing.
1927. From the Preface: Many of Shakespeare's plays contain
parallel plots, or main and subplot, or scenes which, with a little
editing, have a clear dramatic interest even when isolated from
their context. It is such plots and scenes which have gone to make
these little plays, which are intended primarily for acting, as
finished productions in the school hall or informal ones in the
schoolroom. But it is hoped that they may serve other purposes.
Often, towards the end of term, when the Shakespeare set book has
been carefully studied, something is wanted to occupy a few odd
lessons. There is not time to embark upon a five-act play, and the
reading of isolated unedited scenes has its obvious disadvantages.
A little play may satisfactorily fill the gap, and add interest to
the one studied in detail. The little plays may, again, serve as an
introduction to the serious study of Shakespeare; they may be used
on Shakespeare nights of the literary and dramatic society; and
they should prove helpful in classes where the study of English
literature presents difficulties. Contents: The Students of Navarre
(from Love's Labour's Lost); The Shepherds' Festival (from The
Winter's Tale); Dear Lady Disdain (from Much Ado About Nothing);
The Feast of Capulet (from Romeo and Juliet); A Day at Ephesus
(from The Comedy of Errors); Great Caesar's Death (from Julius
Caesar); and The Queen and the Cardinal (from Henry VIII). See
other titles by this author available from Kessinger Publishing.
Kessinger Publishing is the place to find hundreds of thousands of
rare and hard-to-find books with something of interest for
everyone!
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