Are we either good or bad, and do we really know the difference? Why do we want what we cannot have, and even to be what we're not? Can we desire others without wanting to possess them? Can we open to others and not risk possession ourselves? And where, in these cases, do we draw the line? Ewan Fernie argues that the demonic tradition in literature offers a key to our most agonised and intimate experiences. The Demonic ranges across the breadth of Western culture, engaging with writers as central and various as Luther, Shakespeare, Hegel, Dostoevsky, Melville and Mann. A powerful foreword by Jonathan Dollimore brings out its implications as an intellectual and stylistic breakthrough into new ways of writing criticism. Fernie unfolds an intense and personal vision, not just of Western modernity, but of identity, morality and sex. As much as it's concerned with the great works, this is a book about life.

"There are more things in heaven and earth, Horatio, than are dreamt of in secular materialism, theology, or contemporary theory. That at least is what the present collection sets out so suggestively to show."
John D. Caputo (from the foreword)
"Readers will find here an engagement with both Shakespeare and spirituality which is intelligent, original, and challengingly optimistic, one which surely succeeds in its wish to "reinvigorate and strengthen politically progressive materialist criticism."
Jonathan Dollimore (from the afterword)
"Spiritual Shakespeares" is the first book to explore the scope for reading Shakespeare spiritually in the light of contemporary theory and current world events. Ewan Fernie has brought together an exciting cast of critics in order to respond to the "religious turn" in recent literary theory and to the spiritualized politics of terrorism and the "War on Terror."
Opening a genuinely new perspective within Shakespeare Studies, the volumesuggests that experiencing the spiritual intensities of the plays could lead us back to dramatic intensity as such. It tests spirituality from a political perspective, as well as subjecting politics to an unusual spiritual critique. Amongst its controversial and provocative arguments is the idea that a consideration of spirituality might point the way forward for materialist criticism.
"Spiritual" "Shakespeares "reaches across and beyond literary studies to offer challenging, powerful contributions from Philippa Berry, John D. Caputo, Jonathan Dollimore, Ewan Fernie, Lisa Freinkel, Lowell Gallagher, John J. Joughin, Richard Kearney, David Ruiter and Kiernan Ryan.

"There are more things in heaven and earth, Horatio, than are dreamt of in secular materialism, theology, or contemporary theory. That at least is what the present collection sets out so suggestively to show."
John D. Caputo (from the foreword)
"Readers will find here an engagement with both Shakespeare and spirituality which is intelligent, original, and challengingly optimistic, one which surely succeeds in its wish to "reinvigorate and strengthen politically progressive materialist criticism."
Jonathan Dollimore (from the afterword)
"Spiritual Shakespeares" is the first book to explore the scope for reading Shakespeare spiritually in the light of contemporary theory and current world events. Ewan Fernie has brought together an exciting cast of critics in order to respond to the "religious turn" in recent literary theory and to the spiritualized politics of terrorism and the "War on Terror."
Opening a genuinely new perspective within Shakespeare Studies, the volumesuggests that experiencing the spiritual intensities of the plays could lead us back to dramatic intensity as such. It tests spirituality from a political perspective, as well as subjecting politics to an unusual spiritual critique. Amongst its controversial and provocative arguments is the idea that a consideration of spirituality might point the way forward for materialist criticism.
"Spiritual" "Shakespeares "reaches across and beyond literary studies to offer challenging, powerful contributions from Philippa Berry, John D. Caputo, Jonathan Dollimore, Ewan Fernie, Lisa Freinkel, Lowell Gallagher, John J. Joughin, Richard Kearney, David Ruiter and Kiernan Ryan.

One of the most intense and painful of our human passions, shame is typically seen in contemporary culture as a disability or a disease to be cured. Shakespeare's ultimately positive portrayal of the emotion challenges this view. Drawing on philosophers and theorists of shame, Shame in Shakespeare analyses the shame and humiliation suffered by the tragic hero, providing not only a new approach to Shakespeare but a committed and provocative argument for reclaiming shame.
The volume provides:
· an account of previous traditions of shame and of the Renaissance context
· a thematic map of the rich manifestations of both masculine and feminine shame in Shakespeare
· detailed readings of Hamlet, Othello, and King Lear
· an analysis of the limitations of Roman shame in Antony and Cleopatra and Coriolanus
· a polemical discussion of the fortunes of shame in modern literature after Shakespeare.
The book presents a Shakespearean vision of shame as the way to the world outside the self. It establishes the continued vitality and relevance of Shakespeare and offers a fresh and exciting way of seeing his tragedies.

One of the most intense and painful of our human passions, shame is typically seen in contemporary culture as a disability or a disease to be cured. Shakespeare's ultimately positive portrayal of the emotion challenges this view. Drawing on philosophers and theorists of shame, Shame in Shakespeare analyzes the shame and humiliation suffered by the tragic hero, providing not only a new approach to Shakespeare but a committed and provocative argument for reclaiming shame.
The volume provides:
· an account of previous traditions of shame and of the Renaissance context
· a thematic map of the rich manifestations of both masculine and feminine shame in Shakespeare
· detailed readings of Hamlet, Othello, and King Lear
· an analysis of the limitations of Roman shame in Antony and Cleopatra and Coriolanus
· a polemical discussion of the fortunes of shame in modern literature after Shakespeare.
The book presents a Shakespearean vision of shame as the way to the world outside the self. It establishes the continued vitality and relevance of Shakespeare and offers a fresh and exciting way of seeing his tragedies.

Are we either good or bad, and do we really know the difference? Why do we want what we cannot have, and even to be what we're not? Can we desire others without wanting to possess them? Can we open to others and not risk possession ourselves? And where, in these cases, do we draw the line? Ewan Fernie argues that the demonic tradition in literature offers a key to our most agonised and intimate experiences. The Demonic ranges across the breadth of Western culture, engaging with writers as central and various as Luther, Shakespeare, Hegel, Dostoevsky, Melville and Mann. A powerful foreword by Jonathan Dollimore brings out its implications as an intellectual and stylistic breakthrough into new ways of writing criticism. Fernie unfolds an intense and personal vision, not just of Western modernity, but of identity, morality and sex. As much as it's concerned with the great works, this is a book about life.

Bringing together scholars from diverse disciplines and countries, Thomas Mann and Shakespeare is the first book-length study to explore the always fascinating, if sometimes disturbing, connections between Shakespeare and Mann. It establishes startling resonances between the central works of these two authors, pairing, for instance, Der Zauberberg with The Tempest, Der Tod in Venedig with The Merchant of Venice, Tonio Kroeger with Othello and Love's Labour's Lost with Doktor Faustus. Showing how the conjunction of Shakespeare and Mann affords new, alternative perspectives on fundamental issues such as modernity, irony, art, desire, authorship and religion, Thomas Mann and Shakespeare challenges the increasingly walled-in specialism of literary topics and periodization and demonstrates the scope for new ways of reading in literary studies.

Do poetry and criticism matter in today's world? How can the poetry of the past help us tackle the changing nature of religious faith and national identity? This book explores the creation of Redcrosse, a new poetic liturgy for St George's Day and a unique collaborative work written by the critic Ewan Fernie, the theologian Andrew Shanks and the major contemporary poets Jo Shapcott, Michael Symmons Roberts and Andrew Motion. Leading writers - including John Milbank, Salley Vickers and Sarah Apetrei, together with authors of Redcrosse itself - reflect on the creation of the liturgy and its central inspiration, Edmund Spenser's epic Renaissance poem, The Faerie Queene, as well as on its two premieres in St George's Chapel, Windsor and Manchester Cathedral, and its sometimes controversial public reception. Including the full text of Redcrosse, the volume triumphantly shows that a new poetic work really can address some of the most pressing concerns of our time.

New Places: Shakespeare and Civic Creativity documents and analyses the different ways in which a range of innovative projects take Shakespeare out into the world beyond education and the theatre. Mixing critical reflection on the social value of Shakespeare with new creative work in different forms and idioms, the volume triumphantly shows that Shakespeare can make a real contribution to contemporary civic life. Highlights include: Garrick's 1769 Shakespeare ode, its revival in 2016, and a devised performance interpretation of it; the full text of Carol Ann Duffy's A Shakespeare Masque (set to music by Sally Beamish); a new Shakespearean libretto inspired by Wagner; an exploration of the civic potential of new Shakespeare opera and ballet; a fresh Shakespeare-inspired poetic liturgy, including commissions by major British poets; a production of The Merchant of Venice marking the 500th anniversary of the Venetian Jewish Ghetto; and a remaking of Pericles as a response to the global migrant crisis.

New Places: Shakespeare and Civic Creativity documents and analyses the different ways in which a range of innovative projects take Shakespeare out into the world beyond education and the theatre. Mixing critical reflection on the social value of Shakespeare with new creative work in different forms and idioms, the volume triumphantly shows that Shakespeare can make a real contribution to contemporary civic life. Highlights include: Garrick's 1769 Shakespeare ode, its revival in 2016, and a devised performance interpretation of it; the full text of Carol Ann Duffy's A Shakespeare Masque (set to music by Sally Beamish); a new Shakespearean libretto inspired by Wagner; an exploration of the civic potential of new Shakespeare opera and ballet; a fresh Shakespeare-inspired poetic liturgy, including commissions by major British poets; a production of The Merchant of Venice marking the 500th anniversary of the Venetian Jewish Ghetto; and a remaking of Pericles as a response to the global migrant crisis.

Shakespeare for Freedom presents a powerful, plausible and political argument for Shakespeare's meaning and value. It ranges across the breadth of the Shakespeare phenomenon, offering a new interpretation not just of the characters and plays, but also of the part they have played in theatre, criticism, civic culture and politics. Its story includes a glimpse of 'Freetown' in Romeo and Juliet, which comes to life in the 1769 Stratford Jubilee; the Shakespearean careers of the Leicester Chartist, Cooper, and the Hungarian hero, Kossuth; Hegel's recognition of Shakespearean freedom as the modern breakthrough; its fatal effects in America; the disgust it inspired in Tolstoy; its rehabilitation by Ted Hughes, and its obscure centrality in the 2012 Olympics. Ultimately, it issues a positive Shakespearean prognosis for freedom as a vital (in both senses), unending struggle. Shakespeare for Freedom shows why Shakespeare has mattered for four hundred years, and why he still matters today.

The last two decades have transformed the field of Renaissance studies, and Reconceiving the Renaissance: A Critical Reader maps this difficult terrain. Attending to the breadth of fresh approaches, the volume offers a theoretical overview of current thinking about the period.
Collecting in one volume the classic and cutting-edge statements which define early modern scholarship as it is now practiced, this book is a one-stop indispensable resource for undergraduates and beginning postgraduates alike. Through a rich array of arguments by the world's leading experts, the Renaissance emerges wonderfully invigorated, while the suggestive shorter extracts, boxed questions and engaged editorial introductions give students the wherewithal and encouragement to do some reconceiving themselves.