In this book one of the world's leading Hellenists brings together his many contributions over four decades to our understanding of major genres of Greek literature, above all the Greek novel, but also Attic Comedy, fifth-century historiography, and Hellenistic and Imperial Greek poetry. Many are already essential reading, such as the chapter on the figure of Lycidas in Theocritus' Idyll 7, or two chapters on the ancient readership of Greek novels. Discussions of Imperial Greek poetry published three decades ago opened up a world almost entirely neglected by scholars. Several chapters address literary and linguistic issues in Longus' novel Daphnis and Chloe, complementing the author's commentary published in 2019; two contribute to a better understanding of the enigmatic Aethiopica of Heliodorus; and many explore important questions arising from examination of the form of the Greek novel as a whole. This is the second of a planned three-volume collection.

In this book one of the world's leading Hellenists brings together his many contributions over four decades to our understanding of early Greek literature, above all of elegiac poetry and its relation to fifth-century prose historiography, but also of early Greek epic, iambic, melic and epigrammatic poetry. Many chapters have become seminal, e.g. that which first proposed the importance of now-lost long narrative elegies, and others exploring their performance contexts when papyri published in 1992 and 2005 yielded fragments of such long poems by Simonides and Archilochus. Another chapter argues against the widespread view that Sappho composed and performed chiefly for audiences of young girls, suggesting instead that she was a virtuoso singer and lyre-player, entertaining men in the elite symposia whose verbal and musical components are explored in several other chapters of the book. Two more volumes of collected papers will follow devoted to later Greek literature and culture.

This is the first volume of collected papers to be devoted to the work of Philostratus, the great essayist, biographer and historian of Greek culture in the Roman world, and the most scintillating writer of Greek prose in the third century AD. The papers cover his remarkable range, from hagiographic fiction to historical dialogue, from pictorial description to love letters, and from prescriptions for gymnastics to the lives of the Sophists. The quality of his writing and the concerns within his purview - religion, aesthetics, athletics and education - make Philostratus's writings among the most important documents for understanding Greek culture in the Roman world, and guide us in exploring the maturity of Hellenic cultural identity in the context of the rise of Christianity. Few studies have been devoted to this neglected figure, and this collection will therefore be of great value to scholars and students of imperial Greek literature and art.

Longus' Daphnis and Chloe is arguably our finest surviving Greek novel. Written under the Roman Empire and engaging with romantic, pastoral and rhetorical themes, the story and characterisation have captured the imaginations of artists over the centuries. Despite a growing interest in ancient novels over the past half-century, this is the first full commentary to address Longus' linguistic texture and its implications for his literary aspirations, as well as his narrative skills and intertextuality with earlier Greek writers. The commentary provides a detailed analysis of Longus' Greek and its relation to other Greek prose and poetry of the second century AD and earlier, and emphasises the construction and style of the original text, drawing out key points for clarification and discussion. A wide-ranging introduction ensures that this book will be an indispensable guide for teachers and students of all levels who are looking to engage with Longus' writing.

This is the first volume of collected papers to be devoted to the work of Philostratus, the great essayist, biographer and historian of Greek culture in the Roman world, and the most scintillating writer of Greek prose in the third century AD. The papers cover his remarkable range, from hagiographic fiction to historical dialogue, from pictorial description to love letters, and from prescriptions for gymnastics to the lives of the Sophists. The quality of his writing and the concerns within his purview - religion, aesthetics, athletics and education - make Philostratus's writings among the most important documents for understanding Greek culture in the Roman world, and guide us in exploring the maturity of Hellenic cultural identity in the context of the rise of Christianity. Few studies have been devoted to this neglected figure, and this collection will therefore be of great value to scholars and students of imperial Greek literature and art.

Longus' Daphnis and Chloe is arguably our finest surviving Greek novel. Written under the Roman Empire and engaging with romantic, pastoral and rhetorical themes, the story and characterisation have captured the imaginations of artists over the centuries. Despite a growing interest in ancient novels over the past half-century, this is the first full commentary to address Longus' linguistic texture and its implications for his literary aspirations, as well as his narrative skills and intertextuality with earlier Greek writers. The commentary provides a detailed analysis of Longus' Greek and its relation to other Greek prose and poetry of the second century AD and earlier, and emphasises the construction and style of the original text, drawing out key points for clarification and discussion. A wide-ranging introduction ensures that this book will be an indispensable guide for teachers and students of all levels who are looking to engage with Longus' writing.

Recently the importance for Herodotus' work of contemporary medical and sophistic thought and techniques of argument has been widely recognised, as long had been his dependence on and difference from earlier geographical and ethnographic writing. This volume focuses on the place of these interests in his investigatory techniques and sets them alongside his many narrative skills, from superficially traditonal battle narrative and reworking of Greek or non-Greek traditions that border on myth to the structuring of narrative by highlighting the life of objects, and addresses such fundamental issues as how he chooses between competing explanations and how far he valued truth. The book tackles many of the basic issues that confront any attempt to understand Herodotus' work.