The Cantos of Ezra Pound is one of the great landmarks in twentieth-century poetry. This Fourth Collected edition of 1987 includes two previously uncollected cantos, and some passages from other cantos, omitted from earlier printings, restored to the text. The additional cantos, numbered LXXII and LXXIII, were written by Ezra Pound in Italian, during the collapse of Italy at the end of the war.. They belong in the sequence between the John Adams and the Pisan cantos.

You Know How a Cat

will bring a mouse it has

caught and lay it at your

feet so each morning I

bring you a poem that

I've written when I woke

up in the night as my tribute

to your beauty &

a promise of my love.

-James Laughlin

Across the ages, cats have provided their adopted humans with companionship, affection, mystery, and innumerable metaphors. Cats raise a mirror up to their beholders; cats endlessly captivate and hypnotise, frustrate and delight. To poets, in particular, these enigmatic creatures are the most delightful and beguiling of muses, as they purr, prowl, hunt, play, meow, and nap, often oblivious to their so-called masters. Cat Poems offers a litter of odes to our beloved felines by some of the greatest poets of all time.

Opposing the Money Lenders - The Struggle to Abolish Interest Slavery is a collection of writings from some of the most determined fighters against usury and the Central Banking system during the 20th Century. Those included are Arthur Nelson Field, John A. Lee, John Hargrave, Ezra Pound, Father Charles Coughlin, and Gottfried Feder, who fought and inspired mass movements that struggled to liberate their nations from the forces of what one - Gottfried Feder - aptly called "Mammonism."

The subject of the supply of our money, and who controls it, is the greatest social issue that confronts humanity today. It is the "Hidden Hand" behind history. Without dealing with the problems of banking and usury, without a people having control over its own means of credit and exchange, there can be no genuine nationhood, and no real freedom, whether personal or national.

Almost every individual, family, nation, indeed most of the world, is today in thrall to the money lenders. Despite advances in mechanisation and technology, people are working longer hours, and are more enslaved to the economic treadmill than were their ancestors in Medieval times. At the same time, despite mass education, people today understand the economic and financial system far less than their parents and grandparents. Opposing the Money Lenders examines our parasitic financial system and the means by which it might be replaced.

Poetic visionary Ezra Pound catalyzed American literature's modernist revolution. From the swirling center of poetic change he excited the powerful energies of Eliot, Joyce, and William Carlos Williams and championed the Imagism and Vorticism movements. This volume, the most comprehensive collection of his poetry and translations ever assembled, gathers all his verse except "The Cantos." In addition to the famous poems that transformed modern literature, it features dozens of rare and out-of-print pieces, such as the handmade first collection "Hilda's Book" (1905-1907), late translations of Horace, rare sheet music translations, and works from a 1917 "lost" manuscript.
Pound's influential "Cathay" (1915), "Lustra" (1917), and "Hugh Selwyn Mauberley" (1920)-as surely as his later masterly Confucian odes and Sophoclean dramas-followed the poet's own directive to "make it new," opening fresh formal pathways into ancient traditions. Through these works and others representing more than 30 different volumes and dozens of pieces that Pound never collected, "Poems and Translations" reveals the breadth of his daring invention and resonant music: lyrics echoing the Troubadors and Browning, chiseled 1920s free verse, and dazzling translations that led Eliot to call Pound "the inventor of Chinese poetry for our time."
An extensive chronology offers guidance to Pound's tumultuous life. Detailed endnotes of unprecedented range and depth clarify Pound's fascinatingly recondite allusions.

Even before establishing New Directions, James Laughlin had encountered and studied with one of the greatest poets of this century: Ezra Pound. These selected letters capture the spirit of their growing relationship from pupil-teacher to publisher-author. In his idiosyncratic prose, Pound's correspondence summons up both the man as he was actually known and the literary figure. Literature, music, friends, and politics fill his pages. And even when Laughlin's and Pound's politics totally diverged during World War II, Pound's respect for Laughlin remained intact. Also of great interest are the years spent by Pound at St. Elizabeths and his observations while there. These letters give insight into the state of Pound's mind and the supposition of his insanity. Ezra Pound and James Laughlin: Selected Letters is a modernist source book - essential reading for anyone interested in tracing the real development of twentieth-century literature.

If the invention of literary modernism is usually attributed to Joyce, Eliot and Pound, it was Pound's personality and position in the artistic world that enabled the experiment to transform itself into an international movement. In 1926 Pound brought together the body of his shorter poems into a definitive collection which would illustrate the hallmarks of the new style. This collection, where Pound presented himself in a variety of characters or 'masks', was called Personae. In 1926, Personae's publication gave solidity to a movement; today the work stands as one of the classic texts of the twentieth century.

This selection provides an excellent introduction to Ezra Pound's poetry for the general reader, and for the student of contemporary literature. It takes the place of the pioneer edition edited by T. S. Eliot which was published in 1928. A representative group of early poems is included; Hugh Selwyn Mauberley, Cathay and Homage to Sextus Propertius are printed complete; and there is a selection from the Cantos up to and including Drafts & Fragments (1969).