Although we associate the Third Reich above all with suffering, pain and fear, pleasure played a central role in its social and cultural dynamics. This book explores the relationship between the rationing of pleasures as a means of political stabilization and the pressure on the Nazi regime to cater to popular cultural expectations.

Although we associate the Third Reich above all with suffering, pain and fear, pleasure played a central role in its social and cultural dynamics. This book explores the relationship between the rationing of pleasures as a means of political stabilization and the pressure on the Nazi regime to cater to popular cultural expectations.

This book is the first systematic study of the relations between German high society and the Nazis. It uses unpublished archival material, private diaries and diplomatic documents to take us into the hidden areas of power where privileges, tax breaks, and stolen property were exchanged.
Fabrice D'Almeida begins by examining high society in the Weimar period, dominated by the old imperial aristocracy and a new republican aristocracy of government officials and wealthy businessmen. It was in this group that Hitler made his social debut in the early 1920s through the mediation of conservative friends and artists, including the family of the composer Richard Wagner. By the end of the 1920s, he enjoyed wide support among socialites, who played a significant role in his access to power in 1933. Their adherence to the Nazi regime, and the favors they received in return, continued and even grew until defeat loomed on the horizon.
D'Almeida shows how members of German high society sought to outdo each other in showing zealous support for Hitler, how the old elites starting with the Kaiser's sons partied alongside parvenus, and how actors, aristocrats, SS technocrats, and diplomats came together to form a strange imperial court. Women also played a role in this theatre of power; they were persuaded that they had gained in dignity what they had lost in civil rights.
There emerges a fascinating and disturbing picture of a group that allowed nothing - not war, the plundering of Europe, nor the extermination of peoples - to alter their cynical enjoyment of pleasures: hunting, regattas, the opera, balls, dinners and tennis. More than a study of a class or a chronicle, this book liftsthe veil that has concealed a society that used secrecy to protect itself.
High Society in the Third Reich makes an important and unique contribution to the current reevaluation of the extent to which German society, including German high society, was responsible for Hitler's accession to power and the crimes that were committed by his regime.

This book is the first systematic study of the relations between German high society and the Nazis. It uses unpublished archival material, private diaries and diplomatic documents to take us into the hidden areas of power where privileges, tax breaks, and stolen property were exchanged.
Fabrice D'Almeida begins by examining high society in the Weimar period, dominated by the old imperial aristocracy and a new republican aristocracy of government officials and wealthy businessmen. It was in this group that Hitler made his social debut in the early 1920s through the mediation of conservative friends and artists, including the family of the composer Richard Wagner. By the end of the 1920s, he enjoyed wide support among socialites, who played a significant role in his access to power in 1933. Their adherence to the Nazi regime, and the favors they received in return, continued and even grew until defeat loomed on the horizon.
D'Almeida shows how members of German high society sought to outdo each other in showing zealous support for Hitler, how the old elitesstarting with the Kaiser's sonspartied alongside parvenus, and how actors, aristocrats, SS technocrats, and diplomats came together to form a strange imperial court. Women also played a role in this theater of power; they were persuaded that they had gained in dignity what they had lost in civil rights.
There emerges a fascinating and disturbing picture of a group that allowed nothingnot war, the plundering of Europe, nor the extermination of peoplesto alter their cynical enjoyment of pleasures: hunting, regattas, the opera, balls, dinners, tennis More than a study of a class or a chronicle, this book lifts the veil thathas concealed a society that used secrecy to protect itself.
Hitler's High Society makes an important and unique contribution to the current reevaluation of the extent to which German society, including German high society, was responsible for Hitler's accession to power and the crimes that were committed by his regime.