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This book has two parts. The first part is chiefly concerned with
critically establishing the universally necessary order of the
various steps of transcendental phenomenological method; the second
part provides specific cases of phenomenological analysis that
illustrate and test the method established in the first part. More
than this, and perhaps even more important in the long run, the
phenomeno logical analyses reported in the second part purport a
foundation for drawing phenomenological-philosophical conclusions
about prob lems of space perception, "other minds," and time
perception. The non-analytical, that is, the literary, sources of
this book are many. Principal among them are the writings of
Husserl (which will be accorded a special methodological function)
as well as the writings of his students of the Gottingen and
Freiburg years. Of the latter especially important are the writings
and, when memory serves, the lectures of Dorion Cairns and Aron
Gurwitsch. Of the former especially significant are the writings of
Heinrich Hofmann, Wilhelm Schapp, and Hedwig COlilrad-Martius."
The articles collected in the present volume were written during a
period of more than 30 years, the ?rst having been published in
1929, the last in 1961. They are arranged here in a systematic, not
a chronological, order, starting from a few articles mainly
concerned with psychological m- ters and then passing on to
phenomenology in the proper sense. Within the latter group, the
sequence is from articles dealing with more g- eral questions of
principle to those in which rather special questions are discussed.
The articles are reprinted or translated unchanged except for
"phenomenology of Thematics and of the Pure Ego," in which a
certain number of pages have been omitted because the author has
long since come to consider them erroneous. Almost all of the
articles are in the service of Husserlian phenomen- ogy, which they
are intended to advance and to develop further rather than merely
expound. When the author made his ?rst acquaintance with Husserl's
philosophy about 40 years ago, he was overwhelmed by the spirit of
uncompromising integrity and radical philosophical respon- bility,
by the total devotedness which made the man disappear behind his
work. Soon the young beginner came to realize the fruitfulness both
of what Husserl had actually accomplished and of what he had
initiated, the promise of further fruitful work.
Following the thematic divisions of the first three volumes of
Alfred Schutz's Collected Papers into The Problem of Social
Reality, Studies in Social Theory and Phenomenological Philosophy,
this fourth volume contains drafts of unfinished writings, drafts
of published writings, translations of essays previously published
in German, and some largely unpublished correspondence. The drafts
of published writings contain important material omitted from the
published versions, and the unfinished writings offer important
insights into Schutz's otherwise unpublished ideas about economic
and political theory as well as the theory of law and the state. In
addition, a large group contains Schutz's reflections on problems
in phenomenological philosophy, including music, which both
supplement and add new dimensions to his published thought. All
together, the writings in this volume cover Schutz's last 15 years
in Europe as well as manuscripts written after his arrival in the
USA in 1939. Audience: Students and scholars of phenomenology,
social theory and the human sciences in general.
Intended for scholars in the fields of philosophy, history of
science and music, this book examines the legacy of the historical
coincidence of the emergence of science and opera in the early
modern period. But instead of regarding them as finished products
or examining their genesis, or `common ground', or `parallel'
ideas, opera and science are explored by a phenomenology of the
formulations of consciousness (Gurwitsch) as compossible tasks to
be accomplished in common (Schutz) which share an ideal possibility
or `essence' (Husserl). Although the ideas of Galileo and
Monteverdi form the parameters of the domain of phenomenological
clarification, the scope of discussion extends from Classical ideas
of science and music down to the beginning of the nineteenth
century, but always with reference to the experience of sharing the
sociality of a common world from which they are drawn (Plessner)
and to which those ideas have given shape, meaning and even
substance. At the same time, this approach provides a
non-historicist alternative to understanding the arts and science
of the modern period by critically clarifying the idea of whether
their compossibility can rest on any other formulation of
consciousness.
the Logische Untersuchungen, l phenomenology has been conceived as
a substratum of empirical psychology, as a sphere comprising "imma
nental" descriptions of psychical mental processes, a sphere
compris ing descriptions that - so the immanence in question is
understood - are strictly confined within the bounds of internal
experience. It 2 would seem that my protest against this conception
has been oflittle avail; and the added explanations, which sharply
pinpointed at least some chief points of difference, either have
not been understood or have been heedlessly pushed aside. Thus the
replies directed against my criticism of psychological method are
also quite negative because they miss the straightforward sense of
my presentation. My criticism of psychological method did not at
all deny the value of modern psychology, did not at all disparage
the experimental work done by eminent men. Rather it laid bare
certain, in the literal sense, radical defects of method upon the
removal of which, in my opinion, must depend an elevation of
psychology to a higher scientific level and an extraordinary
amplification ofits field of work. Later an occasion will be found
to say a few words about the unnecessary defences of psychology
against my supposed "attacks."
Under the title of "Phenomenology: Continuation and Crit icism,"
the group of essays in this volume are presented in honor of Dorion
Cairns on his 70th birthday. The contributors comprise friends,
colleagues and former students of Dorion Cairns who, each in his
own way, share the interest of Dorion Cairns in Husserlian
phenomenology. That interest itself may be best defined by these
words of Edmund Husserl: "Philosophy - wis dom (sagesse) - is the
philosopher's quite personal affair. It must arise as his wisdom,
as his self-acquired knowledge tending toward universality, a
knowledge for which he can answer from the beginning . . . " 1 It
is our belief that only in the light of these words can
phenomenology and phenomenological philosophy be continued, but
always reflexively, critically. For over forty years Dorion Cairns
has, through his teaching and writing, selflessly worked to bring
the idea expressed by Husserl's words into self conscious exercise.
In so doing he has, to the benefit of those who share his interest,
confirmed Husserl's judgement of him that he is "among the rare
ones who have penetrated into the deepest sense of my
phenomenology, . . . who had the energy and persist ence not to
desist until he had arrived at real understanding."
The articles collected in the present volume were written during a
period of more than 30 years, the ?rst having been published in
1929, the last in 1961. They are arranged here in a systematic, not
a chronological, order, starting from a few articles mainly
concerned with psychological m- ters and then passing on to
phenomenology in the proper sense. Within the latter group, the
sequence is from articles dealing with more g- eral questions of
principle to those in which rather special questions are discussed.
The articles are reprinted or translated unchanged except for
"phenomenology of Thematics and of the Pure Ego," in which a
certain number of pages have been omitted because the author has
long since come to consider them erroneous. Almost all of the
articles are in the service of Husserlian phenomen- ogy, which they
are intended to advance and to develop further rather than merely
expound. When the author made his ?rst acquaintance with Husserl's
philosophy about 40 years ago, he was overwhelmed by the spirit of
uncompromising integrity and radical philosophical respon- bility,
by the total devotedness which made the man disappear behind his
work. Soon the young beginner came to realize the fruitfulness both
of what Husserl had actually accomplished and of what he had
initiated, the promise of further fruitful work.
Under the title of "Phenomenology: Continuation and Crit icism,"
the group of essays in this volume are presented in honor of Dorion
Cairns on his 70th birthday. The contributors comprise friends,
colleagues and former students of Dorion Cairns who, each in his
own way, share the interest of Dorion Cairns in Husserlian
phenomenology. That interest itself may be best defined by these
words of Edmund Husserl: "Philosophy - wis dom (sagesse) - is the
philosopher's quite personal affair. It must arise as his wisdom,
as his self-acquired knowledge tending toward universality, a
knowledge for which he can answer from the beginning . . . " 1 It
is our belief that only in the light of these words can
phenomenology and phenomenological philosophy be continued, but
always reflexively, critically. For over forty years Dorion Cairns
has, through his teaching and writing, selflessly worked to bring
the idea expressed by Husserl's words into self conscious exercise.
In so doing he has, to the benefit of those who share his interest,
confirmed Husserl's judgement of him that he is "among the rare
ones who have penetrated into the deepest sense of my
phenomenology, . . . who had the energy and persist ence not to
desist until he had arrived at real understanding."
This book has two parts. The first part is chiefly concerned with
critically establishing the universally necessary order of the
various steps of transcendental phenomenological method; the second
part provides specific cases of phenomenological analysis that
illustrate and test the method established in the first part. More
than this, and perhaps even more important in the long run, the
phenomeno logical analyses reported in the second part purport a
foundation for drawing phenomenological-philosophical conclusions
about prob lems of space perception, "other minds," and time
perception. The non-analytical, that is, the literary, sources of
this book are many. Principal among them are the writings of
Husserl (which will be accorded a special methodological function)
as well as the writings of his students of the Gottingen and
Freiburg years. Of the latter especially important are the writings
and, when memory serves, the lectures of Dorion Cairns and Aron
Gurwitsch. Of the former especially significant are the writings of
Heinrich Hofmann, Wilhelm Schapp, and Hedwig COlilrad-Martius."
Following the thematic divisions of the first three volumes of
Alfred Schutz's Collected Papers into The Problem of Social
Reality, Studies in Social Theory and Phenomenological Philosophy,
this fourth volume contains drafts of unfinished writings, drafts
of published writings, translations of essays previously published
in German, and some largely unpublished correspondence. The drafts
of published writings contain important material omitted from the
published versions, and the unfinished writings offer important
insights into Schutz's otherwise unpublished ideas about economic
and political theory as well as the theory of law and the state. In
addition, a large group contains Schutz's reflections on problems
in phenomenological philosophy, including music, which both
supplement and add new dimensions to his published thought. All
together, the writings in this volume cover Schutz's last 15 years
in Europe as well as manuscripts written after his arrival in the
USA in 1939. Audience: Students and scholars of phenomenology,
social theory and the human sciences in general.
the Logische Untersuchungen, l phenomenology has been conceived as
a substratum of empirical psychology, as a sphere comprising "imma
nental" descriptions of psychical mental processes, a sphere
compris ing descriptions that - so the immanence in question is
understood - are strictly confined within the bounds of internal
experience. It 2 would seem that my protest against this conception
has been oflittle avail; and the added explanations, which sharply
pinpointed at least some chief points of difference, either have
not been understood or have been heedlessly pushed aside. Thus the
replies directed against my criticism of psychological method are
also quite negative because they miss the straightforward sense of
my presentation. My criticism of psychological method did not at
all deny the value of modern psychology, did not at all disparage
the experimental work done by eminent men. Rather it laid bare
certain, in the literal sense, radical defects of method upon the
removal of which, in my opinion, must depend an elevation of
psychology to a higher scientific level and an extraordinary
amplification ofits field of work. Later an occasion will be found
to say a few words about the unnecessary defences of psychology
against my supposed "attacks."
Kunstwissenschaft und Journalismus Ausgewahlte Beitrage von Franz
Zelger im Feuilleton der -Neuen Zurcher Zeitung- Seit den 1970er
Jahren ist die Kunstgeschichte als akademische Disziplin im Sinn
einer kritischen Wissenschaft in der weltweit gelesenen
deutschsprachigen Tages- und Wochenpresse gegenwartig. Dafur haben
ungezahlte Kunsthistorikerinnen und Kunsthistoriker gesorgt, indem
sie in drei pradestinierten Qualitatszeitungen, in der -Neuen
Zurcher Zeitung-, in der -Frankfurter Allgemeinen Zeitung- und in
der -ZEIT-, das Feuilleton als Forum fur wissenschaftliche
Berichte, Essays, Rezensionen und Debatten nutzten. Franz Zelger
hat sich von 1969 bis 2008 als Konservator, Ausstellungsmacher,
Wissenschaftler und Hochschullehrer kontinuierlich am kritischen
Ausstellungs- und Wissenschaftsdiskurs im Feuilleton der -Neuen
Zurcher Zeitung- beteiligt. Insgesamt sind dort von ihm gut 130
Artikel erschienen: Ausstellungs- und Buchrezensionen, thematische
Essays sowie Portrats von Kunstlerinnen und Kunstlern,
Berufskollegen und Institutionen. Diese langjahrige Tatigkeit ist
ein bedeutender Bestandteil von Zelgers Wirken und zugleich
Schlussel zu seinem Selbstverstandnis als Kunsthistoriker. Anhand
von 42 ausgewahlten Texten kann das im Doppelband 15/16 der -Zurich
Studies in the History of Art- nachvollzogen und uberpruft werden."
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