This book has two parts. The first part is chiefly concerned with critically establishing the universally necessary order of the various steps of transcendental phenomenological method; the second part provides specific cases of phenomenological analysis that illustrate and test the method established in the first part. More than this, and perhaps even more important in the long run, the phenomeno logical analyses reported in the second part purport a foundation for drawing phenomenological-philosophical conclusions about prob lems of space perception, "other minds," and time perception. The non-analytical, that is, the literary, sources of this book are many. Principal among them are the writings of Husserl (which will be accorded a special methodological function) as well as the writings of his students of the Gottingen and Freiburg years. Of the latter especially important are the writings and, when memory serves, the lectures of Dorion Cairns and Aron Gurwitsch. Of the former especially significant are the writings of Heinrich Hofmann, Wilhelm Schapp, and Hedwig COlilrad-Martius."

The articles collected in the present volume were written during a period of more than 30 years, the ?rst having been published in 1929, the last in 1961. They are arranged here in a systematic, not a chronological, order, starting from a few articles mainly concerned with psychological m- ters and then passing on to phenomenology in the proper sense. Within the latter group, the sequence is from articles dealing with more g- eral questions of principle to those in which rather special questions are discussed. The articles are reprinted or translated unchanged except for "phenomenology of Thematics and of the Pure Ego," in which a certain number of pages have been omitted because the author has long since come to consider them erroneous. Almost all of the articles are in the service of Husserlian phenomen- ogy, which they are intended to advance and to develop further rather than merely expound. When the author made his ?rst acquaintance with Husserl's philosophy about 40 years ago, he was overwhelmed by the spirit of uncompromising integrity and radical philosophical respon- bility, by the total devotedness which made the man disappear behind his work. Soon the young beginner came to realize the fruitfulness both of what Husserl had actually accomplished and of what he had initiated, the promise of further fruitful work.

Intended for scholars in the fields of philosophy, history of science and music, this book examines the legacy of the historical coincidence of the emergence of science and opera in the early modern period. But instead of regarding them as finished products or examining their genesis, or `common ground', or `parallel' ideas, opera and science are explored by a phenomenology of the formulations of consciousness (Gurwitsch) as compossible tasks to be accomplished in common (Schutz) which share an ideal possibility or `essence' (Husserl). Although the ideas of Galileo and Monteverdi form the parameters of the domain of phenomenological clarification, the scope of discussion extends from Classical ideas of science and music down to the beginning of the nineteenth century, but always with reference to the experience of sharing the sociality of a common world from which they are drawn (Plessner) and to which those ideas have given shape, meaning and even substance. At the same time, this approach provides a non-historicist alternative to understanding the arts and science of the modern period by critically clarifying the idea of whether their compossibility can rest on any other formulation of consciousness.

the Logische Untersuchungen, l phenomenology has been conceived as a substratum of empirical psychology, as a sphere comprising "imma nental" descriptions of psychical mental processes, a sphere compris ing descriptions that - so the immanence in question is understood - are strictly confined within the bounds of internal experience. It 2 would seem that my protest against this conception has been oflittle avail; and the added explanations, which sharply pinpointed at least some chief points of difference, either have not been understood or have been heedlessly pushed aside. Thus the replies directed against my criticism of psychological method are also quite negative because they miss the straightforward sense of my presentation. My criticism of psychological method did not at all deny the value of modern psychology, did not at all disparage the experimental work done by eminent men. Rather it laid bare certain, in the literal sense, radical defects of method upon the removal of which, in my opinion, must depend an elevation of psychology to a higher scientific level and an extraordinary amplification ofits field of work. Later an occasion will be found to say a few words about the unnecessary defences of psychology against my supposed "attacks."

Under the title of "Phenomenology: Continuation and Crit icism," the group of essays in this volume are presented in honor of Dorion Cairns on his 70th birthday. The contributors comprise friends, colleagues and former students of Dorion Cairns who, each in his own way, share the interest of Dorion Cairns in Husserlian phenomenology. That interest itself may be best defined by these words of Edmund Husserl: "Philosophy - wis dom (sagesse) - is the philosopher's quite personal affair. It must arise as his wisdom, as his self-acquired knowledge tending toward universality, a knowledge for which he can answer from the beginning . . . " 1 It is our belief that only in the light of these words can phenomenology and phenomenological philosophy be continued, but always reflexively, critically. For over forty years Dorion Cairns has, through his teaching and writing, selflessly worked to bring the idea expressed by Husserl's words into self conscious exercise. In so doing he has, to the benefit of those who share his interest, confirmed Husserl's judgement of him that he is "among the rare ones who have penetrated into the deepest sense of my phenomenology, . . . who had the energy and persist ence not to desist until he had arrived at real understanding."

The articles collected in the present volume were written during a period of more than 30 years, the ?rst having been published in 1929, the last in 1961. They are arranged here in a systematic, not a chronological, order, starting from a few articles mainly concerned with psychological m- ters and then passing on to phenomenology in the proper sense. Within the latter group, the sequence is from articles dealing with more g- eral questions of principle to those in which rather special questions are discussed. The articles are reprinted or translated unchanged except for "phenomenology of Thematics and of the Pure Ego," in which a certain number of pages have been omitted because the author has long since come to consider them erroneous. Almost all of the articles are in the service of Husserlian phenomen- ogy, which they are intended to advance and to develop further rather than merely expound. When the author made his ?rst acquaintance with Husserl's philosophy about 40 years ago, he was overwhelmed by the spirit of uncompromising integrity and radical philosophical respon- bility, by the total devotedness which made the man disappear behind his work. Soon the young beginner came to realize the fruitfulness both of what Husserl had actually accomplished and of what he had initiated, the promise of further fruitful work.

Under the title of "Phenomenology: Continuation and Crit icism," the group of essays in this volume are presented in honor of Dorion Cairns on his 70th birthday. The contributors comprise friends, colleagues and former students of Dorion Cairns who, each in his own way, share the interest of Dorion Cairns in Husserlian phenomenology. That interest itself may be best defined by these words of Edmund Husserl: "Philosophy - wis dom (sagesse) - is the philosopher's quite personal affair. It must arise as his wisdom, as his self-acquired knowledge tending toward universality, a knowledge for which he can answer from the beginning . . . " 1 It is our belief that only in the light of these words can phenomenology and phenomenological philosophy be continued, but always reflexively, critically. For over forty years Dorion Cairns has, through his teaching and writing, selflessly worked to bring the idea expressed by Husserl's words into self conscious exercise. In so doing he has, to the benefit of those who share his interest, confirmed Husserl's judgement of him that he is "among the rare ones who have penetrated into the deepest sense of my phenomenology, . . . who had the energy and persist ence not to desist until he had arrived at real understanding."

This book has two parts. The first part is chiefly concerned with critically establishing the universally necessary order of the various steps of transcendental phenomenological method; the second part provides specific cases of phenomenological analysis that illustrate and test the method established in the first part. More than this, and perhaps even more important in the long run, the phenomeno logical analyses reported in the second part purport a foundation for drawing phenomenological-philosophical conclusions about prob lems of space perception, "other minds," and time perception. The non-analytical, that is, the literary, sources of this book are many. Principal among them are the writings of Husserl (which will be accorded a special methodological function) as well as the writings of his students of the Gottingen and Freiburg years. Of the latter especially important are the writings and, when memory serves, the lectures of Dorion Cairns and Aron Gurwitsch. Of the former especially significant are the writings of Heinrich Hofmann, Wilhelm Schapp, and Hedwig COlilrad-Martius."

Following the thematic divisions of the first three volumes of Alfred Schutz's Collected Papers into The Problem of Social Reality, Studies in Social Theory and Phenomenological Philosophy, this fourth volume contains drafts of unfinished writings, drafts of published writings, translations of essays previously published in German, and some largely unpublished correspondence. The drafts of published writings contain important material omitted from the published versions, and the unfinished writings offer important insights into Schutz's otherwise unpublished ideas about economic and political theory as well as the theory of law and the state. In addition, a large group contains Schutz's reflections on problems in phenomenological philosophy, including music, which both supplement and add new dimensions to his published thought. All together, the writings in this volume cover Schutz's last 15 years in Europe as well as manuscripts written after his arrival in the USA in 1939. Audience: Students and scholars of phenomenology, social theory and the human sciences in general.

Following the thematic divisions of the first three volumes of Alfred Schutz's Collected Papers into The Problem of Social Reality, Studies in Social Theory and Phenomenological Philosophy, this fourth volume contains drafts of unfinished writings, drafts of published writings, translations of essays previously published in German, and some largely unpublished correspondence. The drafts of published writings contain important material omitted from the published versions, and the unfinished writings offer important insights into Schutz's otherwise unpublished ideas about economic and political theory as well as the theory of law and the state. In addition, a large group contains Schutz's reflections on problems in phenomenological philosophy, including music, which both supplement and add new dimensions to his published thought. All together, the writings in this volume cover Schutz's last 15 years in Europe as well as manuscripts written after his arrival in the USA in 1939. Audience: Students and scholars of phenomenology, social theory and the human sciences in general.

the Logische Untersuchungen, l phenomenology has been conceived as a substratum of empirical psychology, as a sphere comprising "imma nental" descriptions of psychical mental processes, a sphere compris ing descriptions that - so the immanence in question is understood - are strictly confined within the bounds of internal experience. It 2 would seem that my protest against this conception has been oflittle avail; and the added explanations, which sharply pinpointed at least some chief points of difference, either have not been understood or have been heedlessly pushed aside. Thus the replies directed against my criticism of psychological method are also quite negative because they miss the straightforward sense of my presentation. My criticism of psychological method did not at all deny the value of modern psychology, did not at all disparage the experimental work done by eminent men. Rather it laid bare certain, in the literal sense, radical defects of method upon the removal of which, in my opinion, must depend an elevation of psychology to a higher scientific level and an extraordinary amplification ofits field of work. Later an occasion will be found to say a few words about the unnecessary defences of psychology against my supposed "attacks."

Kunstwissenschaft und Journalismus Ausgewahlte Beitrage von Franz Zelger im Feuilleton der -Neuen Zurcher Zeitung- Seit den 1970er Jahren ist die Kunstgeschichte als akademische Disziplin im Sinn einer kritischen Wissenschaft in der weltweit gelesenen deutschsprachigen Tages- und Wochenpresse gegenwartig. Dafur haben ungezahlte Kunsthistorikerinnen und Kunsthistoriker gesorgt, indem sie in drei pradestinierten Qualitatszeitungen, in der -Neuen Zurcher Zeitung-, in der -Frankfurter Allgemeinen Zeitung- und in der -ZEIT-, das Feuilleton als Forum fur wissenschaftliche Berichte, Essays, Rezensionen und Debatten nutzten. Franz Zelger hat sich von 1969 bis 2008 als Konservator, Ausstellungsmacher, Wissenschaftler und Hochschullehrer kontinuierlich am kritischen Ausstellungs- und Wissenschaftsdiskurs im Feuilleton der -Neuen Zurcher Zeitung- beteiligt. Insgesamt sind dort von ihm gut 130 Artikel erschienen: Ausstellungs- und Buchrezensionen, thematische Essays sowie Portrats von Kunstlerinnen und Kunstlern, Berufskollegen und Institutionen. Diese langjahrige Tatigkeit ist ein bedeutender Bestandteil von Zelgers Wirken und zugleich Schlussel zu seinem Selbstverstandnis als Kunsthistoriker. Anhand von 42 ausgewahlten Texten kann das im Doppelband 15/16 der -Zurich Studies in the History of Art- nachvollzogen und uberpruft werden."