The Brothers Karamazov was Fyodor Dostoevsky's last and greatest work, telling the tales the three brothers and their father, Fyodor it is, among many other things, a tale of patricide -- a love-hate struggle with profound psychological and spiritual implications. It is a search for faith, for God -- driven by intense, uncontrollable emotions of rage and revenge, the Karamozov brothers become involved in the brutal murder of their despicable father. Exploring the secret depths of humanity's struggles and sins, Dostoevsky unfolds a grand epic which attempts to venture into mankind's darkest heart, and grasp the true meaning of existence.

A thrilling study of guilt and power, the Penguin Classics edition of Fyodor Dostoyevsky's Crime and Punishment is translated with an introduction and notes by David McDuff. Raskolnikov, a destitute and desperate former student, wanders through the slums of St Petersburg and commits a random murder without remorse or regret. He imagines himself to be a great man, a Napoleon: acting for a higher purpose beyond conventional moral law. But as he embarks on a dangerous game of cat and mouse with Porfiry, a suspicious detective, Raskolnikov is pursued by the growing voice of his conscience and finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden prostitute, can offer the chance of redemption. As the ensuing investigation and trial reveal the true identity of the murderer, Dostoyevsky's dark masterpiece evokes a world where the lines between innocence and corruption, good and evil, blur and everyone's faith in humanity is tested.

Published in 1864, Notes from Underground is considered the author's first masterpiece - the book in which he "became" Dostoevsky - and is seen as the source of all his later works. Richard Pevear and Larissa Volokhonsky, whose acclaimed translations of The Brothers Karamazov and Crime and Punishment have become the standard versions in English, now give us a superb new rendering of this early classic. Presented as the fictional apology and confession of the underground man - formerly a minor official of mid-nineteenth-century Russia, whom Dostoevsky leaves nameless, as one critic wrote, "because 'I' is all of us" - the novel is divided into two parts: the first, a half-desperate, half-mocking political critique; the second, a powerful, at times absurdly comical account of the man's breakaway from society and descent "underground". The book's extraordinary style - brilliantly violating literary conventions in ways never before attempted - shocked its first readers and still shocks many Russians today. This magnificent new translation captures for the first time all the stunning idiosyncrasy of the original.

"My intention is to portray a truly beautiful soul." -- Dostoevsky

Despite the harsh circumstances besetting his own life -- object poverty, incessant gambling, the death of his firstborn child -- Dostoevsky produced a second masterpiece, The Idiot, just two years after completing Crime and Punishment. In it, a saintly man, Prince Myshkin, is thrust into the heart of a society more concerned with wealth, power and sexual conquest than with the ideals of Christianity. Myshkin soon finds himself at the center of a violent love triangle in which a notorious woman and a beautiful young girl become rivals for his affections. Extortion, scandal and murder follow, testing Myshkin's moral feelings as Dostoevsky searches through the wreckage left by human misery to find "man in man." The Idiot is a quintessentially Russian novel, one that penetrates the complex psyche of the Russian people. "They call me a psychologist," wrote Dostoevsky. "That is not true. I'm only a realist in the higher sense; that is, I portray all the depths of the human soul."

"I am a sick man . . .  I am a spiteful man," the irascible voice of a nameless narrator cries out.  And so, from underground, emerge the passionate confessions of a suffering man; the brutal self-examination of a tormented soul; the bristling scorn and iconoclasm of alienated individual who has become one of the greatest antiheroes in all literature. Notes From Underground, published in 1864, marks a tuming point in Dostoevsky's writing:  it announces the moral political, and social ideas he will treat on a monumental scale in Crime And Punishment, The Idiot, and The Brothers Karamazov

In an age before psychology was a modern scientific field, Fyodor Dostoyevsky (November 11, 1821 - February 9, 1881) was a Russian writer of realist fiction and essays that explored the depths of the human psyche. Known for acclaimed novels Crime and Punishment, The Idiot and The Brothers Karamazov, Dostoyevsky's work discusses the human mind in a world full of political and social upheaval in 19th century Russia, becoming the forerunner of existentialism.

His most famous work was Crime and Punishment, first published in the literary journal The Russian Messenger in twelve monthly installments during 1866.

Dostoyevsky wrote the great novel after five years of exile in a labor camp in Siberia, forced there by the Tsar. Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Romanovich Raskolnikov, an impoverished ex-student in St. Petersburg who theorizes that he can perform good deeds to counterbalance his crime, justifying his actions by referencing Napoleon Bonaparte. The novel is considered one of the greatest novels ever written.

Includes The Gentle Maiden and The Landlady

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Pomona Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Pomona Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

1923. Dostoevsky, Russian novelist, is considered one of the most outstanding and influential writers of modern literature. Two of the stories, The Gambler, which concerns a young man who frequents the fashionable spas and casinos of Germany; and Poor People consisting of a series of love-letters exchanged between two poor folk whose lives are spent amid the slums of St. Petersburg each ends with a hint of tragedy. The third story included in this volume is The Landlady. See other titles by this author available from Kessinger Publishing.

THE BROTHERS KARAMAZOV was Fyodor Dostoevsky's last and greatest work, telling the tales the three brothers and their father, Fyodor it is, among many other things, a tale of patricide -- a love-hate struggle with profound psychological and spiritual implications. It is a search for faith, for God -- driven by intense, uncontrollable emotions of rage and revenge, the Karamozov brothers become involved in the brutal murder of their despicable father. Exploring the secret depths of humanity's struggles and sins, Dostoevsky unfolds a grand epic which attempts to venture into mankind's darkest heart, and grasp the true meaning of existence.

In June 1862 Fyodor Dostoevsky left Petersburg on his first excursion to Western Europe. Ostensibly making the trip to consult Western specialists about his epilepsy, Dostoevsky also wished to see firsthand the source of the Western ideas he believed were corrupting Russia. Over the course of his journey he visited a number of major cities, including Berlin, Paris, London, Florence, Milan, and Vienna. He recorded his impressions of everything he saw, and published them as "Winter Notes on Summer Impressions" in the February 1863 issue of Vremya (Time), the periodical he edited.

This book contains the Russian text of Dostoevsky's "Dream of a Ridiculous Man," with an English language introduction and notes on the text.

This indispensable text can justly be regarded as the forerunner to the great flowering of Dostoevsky's novels which was to follow. This book contains the Russian text of Dostoevsky's "Notes from Underground," with an English language introduction and notes.

Dostoevsky's autobiographical novel combines aspects of two obsessions: the love of a rejecting woman and the fever of gambling.