"Something is murdering my men."
Thus reads the message received from a Nazi commander stationed in a small castle high in the remote Transylvanian Alps. Invisible and silent, the enemy selects one victim per night, leaving the bloodless and mutilated corpses behind to terrify its future victims.
When an elite SS extermination squad is dispatched to solve the problem, the men find something that's both powerful and terrifying. Panicked, the Nazis bring in a local expert on folklore--who just happens to be Jewish--to shed some light on the mysterious happenings. And unbeknownst to anyone, there is another visitor on his way--a man who awoke from a nightmare and immediately set out to meet his destiny.
The battle has begun: On one side, the ultimate evil created by man, and on the other...the unthinkable, unstoppable, unknowing terror that man has inevitably awakened

A team of experts in each of the ten major Pulp genres, from action Pulps to spicy Pulps and more, chart for the first time the complete history of Pulp magazines-the stories and their writers, the graphics and their artists, and, of course, the publishers, their market, and readers. Each chapter in the book, which is illustrated with more than 400 examples of the best Pulp graphics (many from the Editors' collections-among the world's largest) is organized in a clear and accessible way, starting with an introductory overview of the genre, followed by a selection of the best covers and interior graphics, organized chronologically through the chapter. All images are fully captioned (many are in essence "nutshell" histories in themselves). Two special features in each chapter focus on topics of particular interest (such as extended profiles of Daisy Bacon, Pulp author and editor of Love Story, the hugely successful romance Pulp, and of Harry Steeger, co-founder of Popular Publications in 1930 and originator of the "Shudder Pulp" genre). With an overall Introduction on "The Birth of the Pulps" by Doug Ellis, and with two additional chapters focusing on the great Pulp writers and the great Pulp artists, The Art of the Pulps covers every aspect of this fascinating genre; it is the first definitive visual history of the Pulps.

"Paul Wilson and Tracy Carbone have penned a winner. The suspense is razor sharp and the characters masterfully drawn. Paul Wilson is at the top of the game, and Tracy Carbone is a welcome addition to the genre. You'll love The Proteus Cure." - Michael Palmer, NY Times best selling author of Political Suicide In medical ethics, the line between right and wrong is often blurred. Who is to decide what is for the good of humanity? Changing the world. One person at a time... That is the mission statement of Tethys Hospital, run by Dr. Bill Gilchrist and his deformed sister, Abra. VG723, their revolutionary stem-cell-based therapy, appears to be capable of doing just that for the cancer patients who come to Tethys. VG723 is often their last hope. But if they match the protocol, they're virtually guaranteed a cure. Dr. Sheila Takamura, a young, dedicated oncologist, is proud to be involved in the clinical trials. Once the FDA approves it for widespread use, VG723 will revolutionize cancer therapy. That is why she's alarmed when former patients return with bizarre syndromes. Yes, they're cancer free, but they're experiencing dramatic changes in their hair and skin and general appearance. When she investigates a possible link to the protocol, those patients start dying. As the body count grows, Sheila finds her own life in danger. She comes to suspect there might be a literal meaning behind the Tethys motto - but can she learn the truth in time to save herself and millions of others? "Wilson is one of the masters of the medical thriller." - Larry King

After vowing never to return, Kara Wade is back in New York City. She's come to claim the body of her twin sister Kelly, and to find out how she died. No secret as to the cause of death--a nearly nude, twelve-story plunge from a room in the Plaza Hotel--but Kara is determined to learn what led to that plunge.
Enlisting the help of an old lover, now an NYPD detective, Kara delves into her sister's life. Startling and bizarre facts begin to surface. Instead of answers, Kara finds more questions. Who was the stranger Kelly became during the months prior to her death? What was behind the perverse, decadent lifestyle she came to embrace so passionately?
Kelly's psychiatrist hints at a terrible secret in her past. But Kara shares that past with her twin. Is the sinister influence that drove Kelly into her bizarre double life about to overtake Kara as well? "Sibs "is F. Paul Wilson's most daring, most erotic, most deeply terrifying novel.

LIFE CAME OUT OF AFRICA... But now it's death's turn... It spreads like a plague but it's not a disease. Medical science is helpless against the deadly autoimmune reaction caused by the bite of the swarming African flies. Billions are dead, more are dying. Across the world, governments are falling, civilization is crumbling, and everywhere those still alive fear the death carried in the skies. Some say the flies are a freak mutation, others say they're man made, but as hope of beating them fades, most turn to the only comfort left and see the plague as God's will. He sent a deadly deluge the last time He was upset with mankind. This time He has darkened the sky with deadly flies. And perhaps that is true, for so many of the afflicted speak with their dying breaths of seeing God coming for them. But not everyone dies. A very few seem immune. They call themselves mungus and preach acceptance of the plague, encouraging people to allow themselves to be bitten by the flies of the Lord so that they may join Him in the afterlife. Nigel, an investigative reporter, searches the apocalyptic landscape of plague-ravaged England in search of Bandora, a kidnapped African boy. On a quest for personal redemption as well as the truth, his search takes him away from the troubles he can no longer face at home, and into the world of the head mungu, a man who speaks truth in riddles and has no fear of the African flies. A Necessary End is about apocalypse, about love, about the fragile bonds that hold marriages and civilizations together. But mostly it's about truth - how we find it, how we embrace or reject it, and how we must face the truths within ourselves.