Computerized databases provide a powerful everyday tool for data handling by scientists and engineers. However, the unique nature of many technical tasks requires a specialized approach to make use of the many powerful commercial database tools now available. Using these tools has proved difficult because database technology is often shrouded in layers of jargon.
An essential guide for scientists and engineers who use computers to avoid drowning in a flood of data, Database Systems in Science and Engineering dispels the myths associated with database design and breaks the barriers to successful databases. Using the language of scientists and engineers, this book explains concepts and problems, offers practical steps and solutions, and provides new ideas for better data handling. The first part of the book presents an overview of technical databases using examples taken from real applications and the current state of technical databases. The second part covers the computer implementation of technical databases, including examples and the necessary computer science theory to form a sound background. The authors confront the many difficulties that arise in the design and implementation of a realistic database and offer solutions to these challenges.
Before beginning any database project, scientists and engineers should read this book to understand how to make every database project successful through careful planning, good design, and efficient use of database tools.

First Published in 1979. Routledge is an imprint of Taylor & Francis, an informa company.

In an age which is supposedly experiencing a sexual revolution, a volume of thoughtful essays on eros is not only not out of place but perhaps is a positive contribution to the understanding of contempor ary man. It was the conviction of the editors that the scientific view of sexuality, as promoted in such valuable studies as those conducted by Masters and Johnson, needed considerable supplement and per spective. The perspective is here furnished by writers from both Europe and America, authors from various fields, such as philosophy, psychology, and even musicology, all of whom are united, in that their approach to the problem of eros is phenomenologically oriented. At first it might well seem strange that musicology would have much to say about eros. It is true, musicology has been the "science" of music, at least in intent. Yet in a larger view of the discipline, philo sophical and aesthetic problems are also important to it, and this particularly if we agree with Enzo Paci, that our very culture depends on eros. Surely musical culture, as pointed out by Kierkegaard, is the embodiment of what western civilization has known as sensuality; and Mozart's Don Giovanni is its incarnation. On the surface it is easier for us to grasp the work of the philosopher in this area; and, of course, one expects the psychologist to deal with sexuality more explicitly than anyone else."