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Renoir - Rococo Revival (Hardcover)
Alexander Eiling; Assisted by Juliane Betz, Fabienne Ruppen; Text written by Michela Bassu; Designed by Studio Tonique
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Like hardly any other artist, Pierre-Auguste Renoir has shaped our
understanding of the atmospheric figure paintings of Impressionism.
His painting La fin du dejeuner, which has been in the Stadel
Museum in Frankfurt since 1910, is now the starting point for a
far-reaching examination of an important source of inspiration that
accompanied him throughout his life: the Rococo. Considered
frivolous and immoral after the French Revolution, this style of
painting experienced a renaissance in the 19th century and was
widely celebrated during Renoir's lifetime. Published on the
occasion of the Stadel Museum's major exhibition, this
comprehensive volume explores Renoir's multifaceted connection to
tradition through illuminating juxtapositions of his art with
18th-century works and contemporaries.
Published in association with Luxembourg + Co. on the occasion of
their 2019 exhibition Reconstructing Cezanne, this catalogue
features in-depth analyses of Cezanne's works on paper by Fabienne
Ruppen, based on DNA examination of the papers he used for his
watercolours and drawings, as well as extensive commentary on new
horizons in Cezanne scholarship by expert Walter Feilchenfeldt,
co-author of the artist's online catalogue raisonne. At the core of
this exploration are two watercolours that Cezanne produced from a
large sheet of paper, which he divided into two sections for the
purpose of capturing different landscapes: the Courtauld Gallery's
renowned La Montagne Sainte-Victoire, from 1885-87, and a Paysage
Provencal in private ownership. Reconstructing Cezanne reunites
these two works for the first time. This publication follows the
decision of the Societe Paul Cezanne and the family of the artist
to spell the artist's name without an acute accent.
What happens when we discover objects that are no longer in a
familiar context? Do new worlds open up? In his works-whether
sculptures, objects, films, or sound installations-Vittorio Santoro
explores these kinds of constellations, which he describes as
"sculptural situations." His repertoire of media also includes the
written word and language. Each work begins with an idea, a
"phenomenon in the world" that occupies his mind. This is the first
extensive monograph of the artist's work, and it accompanies the
eponymous exhibition at the Kunstmuseum Lucerne. Besides new works
and photographs of installations he has had in various galleries
and museums in the past fifteen years, this book also contains new
essays on Santoro's video installations and public art
interventions, as well as on the material qualities and
architectural approach of his art. Multi-lingual edition: German,
English, French
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