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Zeng Fanzhi (Hardcover)
Zeng Fanzhi, Fabrice Hergott; Edited by David Anfam
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R1,569
Discovery Miles 15 690
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Ships in 10 - 15 working days
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The Palais de Tokyo, built for the 1937 International Exhibition of
Arts and Technology, is an icon of French Art Deco architecture.
Located prominently on the northern bank of the Seine near the
Eiffel Tower, the vast complex today is a hotspot of modern and
contemporary art in the French capital. Opened as part of the 1937
International Exhibition, the Musee d'Art moderne de la Ville de
Paris (MAM) has always had its home in the eastern wing of Palais
de Tokyo. After a major refurbishment directed by Paris-based h2o
architectes, it was re-inaugurated in October 2019. This book
documents the creation of the new MAM. Alongside brief essays and a
conversation with h2o architectes founding partners Jean-Jacques
Hubert and Antoine Santiard, it features plans and visualisations
as well as historic photographs. The construction process is
illustrated through a photo essay by artist Laetitia Badaut
Haussmann and reportages by photographer Myr Muratet and
architect-photographer Stephane Chalmeau. Text in English and
French.
This catalogue presents over 800 artworks from the collection of
Germany's most internationally renowned art dealer, Michael Werner,
part of which belong to his donation to the Musee dart moderne de
la Ville de Paris. This is a collection that stands out for its
commitment to trends defying accepted art canons and, especially,
to the work of the painter-sculptor ranging freely and impartially
through the fields of painting, sculpture and drawing. Rather than
focusing on avant-garde movements, the exhibition takes an
idiosyncratic look at the art of the 20th century and offers a
novel reading of the modern and the contemporary. Thirty-nine
artists are represented in twenty chapters, where they are
juxtaposed with quotations by contemporary critics. Texts by Pierre
Rosenberg, Eric Darragon and Fabrice Hergott focus on the
collector, while essays by Pamela Kort, Wolfgang Kersten and Ulrich
Leben explore the historical context of the collection. The
appendix lists the works in the collection, all the Michael Werner
Gallery shows from 1963, and a bibliography of its numerous
publications.
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