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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
SERS for Point-of-care and Clinical Applications focuses on the use
of Surface-Enhanced Raman Spectroscopy (also known as
Surface-Enhanced Raman Scattering) techniques in clinical and
point-of-care settings. Sections provide an overview of SERS
biomedical applications, providing in-depth information about
point-of-care and clinical applications of SERS using specific
examples from current literature. These applications are not always
immediately evident to newcomers in the field, as Raman and SERS
are often introduced as analytical methods for chemical analysis.
This book offers a concise introduction to the biomedical
applications of SERS for graduate students, scientists and
researchers in all related fields.
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The Ghebers of Hebron, an Introduction to the Gheborim in the Lands of the Sethim, the Moloch Worship, the Jews as Brahmans, the Shepherds of Canaan, the Amorites, Kheta, and Azarielites, the Sun-temples on the High Places, the Pyramid and Temple Of... (Hardcover)
S F (Samuel Fales) 1825-1905 Dunlap
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R1,326
Discovery Miles 13 260
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Ships in 10 - 15 working days
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Meet the Harcourts of Chevy Chase, Maryland. A respectable
middle-class, middle-aged, mixed-race couple, Harold and Forsythia
have four eminently marriageable daughters--or so their mother
believes. Forsythia named her girls after Windsor royals in the
hopes that one day each would find her true prince. But princes are
far from the mind of their second-born daughter, Elizabeth (AKA
Bliss), who, in the aftermath of a messy divorce, has moved back
home and thrown herself into earning her PhD.
All that changes when a Bachelorette-style reality television show
called The Virgin takes Bliss's younger sister Diana as its star.
Though she fights it at first, Bliss can't help but be drawn into
the romantic drama that ensues, forcing her to reconsider
everything she thought she knew about love, her family, and
herself.
Fresh and engaging, Imperfect Bliss is a wickedly funny take on the
ways that courtship and love have changed--even as they've stayed
the same.
Haliburton Fales 2d, former President of the New York State Bar
Association and senior partner in the law firm White & Case,
has been centrally, until recently, involved during his
professional life of the past half century in the on-going changes
that have swept through American Law. These changes, no less
profound than parallel and similar changes in American society at
large, are described in this engaging account of the joys of trying
cases.
Fales takes the reader behind closed doors at the firm, into
judges' chambers, and to government and industry-sponsored
roundtables of the 1980's and 90's. From this, a larger story
emerges, namely that of the development of corporate law as seen by
an American trial lawyer, an evolution from an enterprise primarily
local into one that is immensely powerful, broadly diversified, and
increasingly global.
PREFACE THE purpose of this book is to give such instruction in
dressmaking in the broadest meaning of the term- as to make a
text-book for both teacher and student in colleges and schools
above the elementary where sewing or dressmaking is taught. The
Introduction considers the fundamental meaning of dressmaking. It
traces the development of the art of dressmaking from its simple
beginnings to its present elaborate expression from the time when
clothing was represented by painting and tattooing to the present
day, when numerous coverings conform to the various require- ments
of custom, use, and fashion. Part I presents the development of
costume from the standpoint of history and design. This material is
neces- sarily given in an abbreviated form and serves merely as a
suggestive outline for further study and research. Part II
considers Textiles, the materials which are used in dressmaking,
and discusses the economic value of vari- ous fibres and fabrics.
The general processes of textile manufacture are given to serve as
a basis for consideration of the cost and wearing qualities of any
fabric. A few suggestions are included for physical tests for
fabrics such tests as do not require a knowledge of chemistry and
are possible in the schoolroom or at home. Part III treats of
design and technique in patternmaking and dressmaking. It presents
various methottsT for cutting, fitting, and finishing a garment to
meet the demands of art and of convention as affected by fashion-.
A knowledge of all fundamental stitches and seams is pre- supposed
and no instruction in elementary sewing cluded. Directions are
given, however, for any sewing is in- which pertains strictly to
dressmaking. In Part II, Textiles, the author is greatly indebted
to the generous co-operation of Mr. Edgar H. Barker, chief of the
Departments of Woolen and Worsted Yarns of the Lowell Textile
School, not only for his valuable con- structive criticism, but
also for many opportunities for technical verification which his
wide experience and vital interest in the subject have made
possible. In Part III, Dressmaking, Miss Ruth Wilmot, of Teachers
College, has rendered helpful criticism and general suggestions in
the chapters dealing with the technique of dressmaking and the
problem of design. To Miss Bessie White, of Teachers College, the
author is also gratefully indebted for the outline of the chapter
on Embroidery. For advice in the plan, scope, and organization of
ma- terial the author wishes to express her thanks to Doctor
Frederick Henry Sykes, president of the Connecticut College for
Women, at whose suggestion the book was first undertaken and whose
kindly interest has continued throughout Lastly, she wishes to
record her thanks to Miss Edna its construction. Dingwall, through
whose untiring and sympathetic as- sistance the labor of the
completion of the book has been appreciably lightened. INTRODUCTION
. CHAPTER CONTENTS PAGE vii PART ONE THE HISTORIC DEVELOPMENT OF
COSTUME I. COSTUME i PART TWO TEXTILES II. TEXTILE MANUFACTURE 48
III. TEXTILE ECONOMICS 120 PART THREE DRESSMAKING IV. GENERAL
SUGGESTIONS AND INSTRUCTIONS . . . 155 V. DRAFTING AND
PATTERN-MAKING 172 VI. THE USE OF COMMERCIAL PATTERNS 239 VII.
PATTERN-DESIGNING AND DRAPING 250 VIII. WAISTS .313 IX. SKIRTS 373
X...
Visual Communication: An Information Theory Approach presents an
entirely new look at the assessment and optimization of visual
communication channels, such as are employed for telephotography
and television. The electro-optical design of image gathering and
display devices, and the digital processing for image coding and
restoration, have remained independent disciplines which follow
distinctly separate traditions; yet the performance of visual
communication channels cannot be optimized just by cascading
image-gathering devices, image-coding processors, and
image-restoration algorithms as the three obligatory, but
independent, elements of a modern system. Instead, to produce the
best possible picture at the lowest data rate', it is necessary to
jointly optimize image gathering, coding, and restoration. Although
the mathematical development in Visual Communication: An
Information Theory Approach is firmly rooted in familiar concepts
of communication theory, it leads to formulations that are
significantly different from those that are found in the
traditional literature on either rate distortion theory or digital
image processing. For example, the Wiener filter, which is perhaps
the most common image restoration algorithm in the traditional
digital image processing literature, fails to fully account for the
constraints of image gathering and display. As demonstrated in the
book, digitally restored images improve in sharpness and clarity
when these constraints are properly accounted for. Visual
Communication: An Information Theory Approach is unique in its
extension of modern communication theory to the end-to-end
assessment of visual communication. from scene to observer. As
such, itties together the traditional textbook literature on
electro-optical design and digital image processing. This book
serves as an invaluable reference for image processing and
electro-optical system design professionals and may be used as a
text for advanced courses on the subject.
This study is a new look at the question of how God can act upon
the world, and whether the world can affect God, examining
contemporary work on the metaphysics of causation and laws of
nature, and current work in the theory of knowledge and mysticism.
It has been traditional to address such questions by appealing to
God's omnipotence and omniscience, but this book claims that this
is useless unless it can be shown how these two powers "work."
Instead of treating the familiar problems associated with
omnipotence and omniscience, this book asks directly whether, and
how, causal interactions between God and His world could occur:
both between God and the physical world (miracles) and between God
and other minds (mystical experience), as well as between the world
and God (divine perception). Fales examines current thinking (which
is diverse) about the very nature of causation, laws of nature, and
agency.
This study is a new look at the question of how God can act upon
the world, and whether the world can affect God, examining
contemporary work on the metaphysics of causation and laws of
nature, and current work in the theory of knowledge and mysticism.
It has been traditional to address such questions by appealing to
God's omnipotence and omniscience, but this book claims that this
is useless unless it can be shown how these two powers "work."
Instead of treating the familiar problems associated with
omnipotence and omniscience, this book asks directly whether, and
how, causal interactions between God and His world could occur:
both between God and the physical world (miracles) and between God
and other minds (mystical experience), as well as between the world
and God (divine perception). Fales examines current thinking (which
is diverse) about the very nature of causation, laws of nature, and
agency.
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