Roger Avery's adaptation of Bret Easton Ellis' dark and controversial novel about a group of amoral, and wealthy, East Coast college students. Sean (James Van der Beek) lusts after the unapproachable Lauren (Shannyn Sossaman); Lauren is seeing Victor (Kip Pardue), a handsome and egotistical ladies' man; Victor is also secretly seeing Lauren's room-mate Lara (Jessica Biel); Lauren's ex, Paul (Ian Somerhalder), has become smitten by Sean; and affable Rupert (Clifton Collins Jr) has become the campus drug dealer, readily supplying his classmates with cocaine. Soon their lives move into a more serious gear as Sean finds himself dealing drugs in order to pay debts and encouraging Paul to become one of his customers.

A huge glass tower block, touted as the tallest building in the world, bursts into flame on its opening night. An all-star cast includes Steve McQueen as Michael O'Hallorhan, the fire chief determined to get the blaze under control, while Paul Newman stars as embarrassed architect Doug Roberts, trapped inside with fellow guests Fred Astaire, Richard Chamberlain and Robert Wagner. 'The Towering Inferno' became the biggest of the Seventies cycle of disaster movies, which began four years earlier with 'Airport'.

A huge glass tower block, touted as the tallest building in the world, bursts into flame on its opening night.

An all-star cast includes Steve McQueen as Michael O'Hallorhan, the fire chief determined to get the blaze under control, while Paul Newman stars as embarrassed architect Doug Roberts, trapped inside with fellow guests Fred Astaire, Richard Chamberlain and Robert Wagner.

The Towering Inferno became the biggest of the Seventies cycle of disaster movies, which began four years earlier with 'Airport'.

Stacy Keach and Faye Dunaway star in this western depicting the legendary gunfight at the O.K. Corral. Doc Holliday (Keach) travels with Kate Elder (Dunaway), whose services he won in a poker game, to the town of Tombstone in Cochise County to visit his old friend Wyatt Earp (Harris Yulin). Upon arrival, they find the election campaign in full swing with Sheriff Wyatt standing as a candidate. But the powerful gang of cowboys in the Clanton family strongly object to his bid and the two warring factions decide to meet at the O.K. Corral to settle their differences in a shoot-out to the death.

Adventure starring Helen Slater. On a desperate mission to save Planet Earth, Supergirl (Slater), must retrieve a missing life-giving power source to save her home city from total destruction. Startled by her own amazing Superpowers, Supergirl traces the lost Omegahedron only to discover that it has fallen into the hands of the rapacious Selena (Faye Dunaway) who unleashes untold horrors to thwart her young adversary.

One of the seminal American films of the 1970s, Roman Polanski's detective yarn sees murder and scandal emerge from the drought of 1930s Southern California. Private eye Jake Gittes (Jack Nicholson) is hired to follow water commissioner Hollis Mulwray (Darrell Zwerling), only to see him turn up dead at the bottom of a reservoir. Realising he has been used, Gittes confronts Mulwray's widow, Evelyn (Faye Dunaway), a woman who seems to have plenty of secrets of her own, not least her ambiguous relationship with her father, Noah Cross (John Huston).

Three classic films from acclaimed director, Roman Polanski. In 'Rosemary's Baby' (1968), Mia Farrow stars as Rosemary, a young wife whose husband (John Cassavetes), an actor, falls in with a group of Satanists. When Rosemary becomes pregnant, she begins to suspect that she may be carrying the child of the Devil. In 'The Tenant' (1976), when Trelkovsky (Polanski) rents a decrepit, barren flat he discovers that the flat's previous occupant, a young girl, had leaped to her death from its window. Intrigued, he begins to obsess about the girl and convinces himself that the other tenants of the building are trying to drive him to self-murder as well. But has Trelkovsky really only inherited the girl's suicidal urges? Finally, in 'Chinatown' (1974), private eye Jake Gittes (Jack Nicholson) is hired to follow water commissioner Hollis Mulwray (Darrell Zwerling), only to see him turn up dead at the bottom of a reservoir. Realising he has been used, Gittes confronts Mulwray's widow Evelyn (Faye Dunway), a woman who seems to have plenty of secrets of her own, not least her ambiguous relationship with her father Noah Cross (John Huston).

""Real movie stars bring to the screen a presence that's overwhelming. Faye is the last of that breed."" That assessment, by one of her closest friends, is perhaps the clue to understanding the distinctive quality that has made Faye Dunaway such a great and enduring star -- for in an era of intimacy and accessibility, she has remained aloof, a figure of mystery, larger than life. In "Looking for Gatsby" -- a title which perfectly conveys the haunting pursuit of romance that has always been a part of her life -- Faye Dunaway has written a truly remarkable book. As she probes relentlessly for the truth about herself, she fearlessly confronts her demons, trying to set the record straight about her life, her loves, her work, searching for the events that shaped her, that gave her the drive -- and the blazing need -- to escape from a childhood of poverty and turmoil and to succeed so completely as an actress.

Faye Dunaway writes about her earliest years with fierce pride and a total lack of self-pity, whether about the strong women who shaped her character (her mother and her maternal grandmother), or her father who was never really a father to her (one manifestation of the "Gatsby" for which she has always searched). Acting was not just a way out -- it was a passion, the one thing she knew she had to do. She captures brilliantly her hard times in pursuit of that career, attending college on a patchwork of scholarships, as well as working at a variety of jobs to support herself, studying her profession with a painstaking thoroughness and an eye for detail that was to make her legendary, developing that inner sense of the person and the story that later enabled her to portray larger-than-life characters so convincingly.

Faye Dunaway confronts her reputation for being "difficult" (including struggles with such directors as Otto Preminger and Roman Polanski) and makes us understand not only the fact that she takes her profession seriously, but the way in which perfectionism in Hollywood is usually taken as praiseworthy in men and, unfairly, condemned in women -- even stars.

When she began her acting career, it was in the New York theater. Success came almost immediately, in "Hogan's Goat, " and fame soon after that, when in only her third film she was cast opposite Warren Beatty in "Bonnie and Clyde." Her talent and her enigmatic beauty made her a major international star almost overnight and gave her at last the life she had only dreamed about as a child. But as Faye so openly admits, reality has a way of mocking dreams, and while success and fame came easily, happiness has proven much more elusive. She writes candidly of the men in her life -- costars, lovers, husbands -- and of the problems of competing needs and constant professional demands that frequently destroy relationships in the world of movie stardom. There have been affairs, of course, some of which have been public knowledge, others discussed here for the first time, among them legendary comedian and satirist Lenny Bruce (about whom she writes movingly) and Italian superstar Marcello Mastroianni (with whom she had a long, stormy affair). She writes intimately of two of her marriages, her first to rock icon Peter Wolf, lead singer of the J. Geils Band, and later to renowned photographer Terry O'Neill, with whom she saw her greatest triumph, their son Liam.

Her career has been scarcely less tempestuous, however brilliant. She has appeared in such major successes as "Bonnie and Clyde, Chinatown, The Thomas Crown Affair, Mommie Dearest" and "Network" (for which she won an Academy Award as Best Actress) and experienced great disappointments, such as the failure of her 1993 television series.

With a candor remarkable in so private a star, she takes the reader behind the scenes of her own working life as an actress, including her relationships with -- and professional opinions of -- such actors as Jack Nicholson, Marlon Brando, Robert Redford, Steve McQueen and Warren Beatty, as well as her feud with Bette Davis.

Moving, witty, fiercely honest, unsparing of herself, Faye Dunaway's "Looking for Gatsby" is an extraordinary book, as smart, clear-sighted and full of passion as the woman who wrote it.

In a legendary performance, three-time Academy Award winner Jack Nicholson stars as private eye Jake Gittes.

Hired by a mysterious woman to investigate Hollis Mulwray, the chief engineer of the Los Angeles Department of Water and Power, Gittes' sleuthing brings him into contact with Mulwray's wife (Academy Award winner Faye Dunaway), a stunning socialite with secrets of her own.

As a determined Gittes delves deeper, he soon realises that even the City of Angels has a dark side.

Director Roman Polanski's Chinatown has evolved from an atmospheric film noir mystery into a modern-day classic, with Robert Towne's Academy Award-winning script unforgettably and brilliantly capturing a lost era of deceit, corruption and treachery.

(Includes 8-page colour booklet)

After his parents' death, fish counter Axel Backmar (Johnny Depp) travels to Arizona for the wedding of his car dealer uncle, Leo Sweetie (Jerry Lewis). Feeling responsible for Axel, Leo offers to take him into the family business. While working at the car showroom, Axel meets older woman Elaine (Faye Dunaway) and her stepdaughter, Grace (Lili Taylor). Axel alienates his uncle by beginning an affair with Elaine, who is obsessed with building a functioning aircraft, and he also becomes caught up in the deteriorating relationship between her and Grace.

Double bill featuring two popular comedy movies directed by Richard Lester. 'The Three Musketeers' (1973) is the star-studded adaptation of Alexandre Dumas' classic novel. The Three Musketeers (Oliver Reed, Frank Finlay and Richard Chamberlain) are in the service of the King of Paris when D'Artagnan (Michael York) arrives on the scene, creating a stir by single-handedly defeating two soldiers in a magnificent swordfight. Cardinal Richelieu (Charlton Heston) tries to embarrass the Queen of France, but D'Artagnan and the Three Musketeers come to her rescue. In 'The Four Musketeers' (1974), Milady (Faye Dunaway) is determined to wreak revenge on the Three Musketeers for foiling her plot to discredit the Queen of France. She enrols two accomplices, Cardinal Richelieu and the Count of Rochefort, and the trio of swashbuckling heroes find themselves once again fighting for the good name of the Queen and the life of Constance.