In the spirit of grindhouse, two female bounty hunters raised in a kung fu orphanage must navigate dangerous jobs on the streets of L.A. Money Talks! Val and Cassie are two women trying to make it in L.A...but instead of attending an elite university or acting studio, they are graduates of a kung fu orphanage who now make their living as Freelancers - solving unsolvable problems for a price. In a city where loyalty only runs as deep as one's bank account, Val and Cassie take the most dangerous gigs, and learn what sacrifices are necessary to make Hollywood dreams come true. Red-hot newcomers Eric Esquivel and Joshua Covey deliver a smash hit series full of raucous nights, beautiful dreamers, and heartbreak in-between trips to the newest food trucks. This volume features a bonus story by FREELANCERS creators Matt Gagnon (DAY MEN) and Felipe Smith (ALL-NEW GHOST RIDER)!

"Narrative and Culture" draws together fourteen essays in which leading scholars discuss narrative texts and practices in a variety of media and genres, subjecting them to sustained cultural analysis. The essays cross national borders and historical periods as often and as easily as they traverse disciplinary boundaries, and they examine canonical fiction as well as postmodern media--photography, film, television. The primary subject of these pieces, notes Janice Carlisle, is "the relation between the telling of tales and the engagement of their tellers and listeners in the practices of specific societies."
Contributors: Nina Auerbach, Thomas B. Byers, Jay Clayton, Marcel Cornis-Pope, Mary Lou Emery, Colleen Kennedy, Vera Mark, Caroline McCracken-Flesher, Paul Morrison, Ingeborg Majer O'Sickey, John Carlos Rowe, Daniel R. Schwarz, Carol Siegel, Felipe Smith

Global Circuits of Blackness is a sophisticated analysis of the interlocking diasporic connections between Africa, Europe, the Caribbean, and the Americas. A diverse and gifted group of scholars delve into the contradictions of diasporic identity by examining at close range the encounters of different forms of blackness converging on the global scene. Contributors examine the many ways blacks have been misrecognized in a variety of contexts. They also explore how, as a direct result of transnational networking and processes of friction, blacks have deployed diasporic consciousness to interpellate forms of white supremacy that have naturalized black inferiority, inhumanity, and abjection. Various essays document the antagonism between African Americans and Africans regarding heritage tourism in West Africa, discuss the interaction between different forms of blackness in Toronto's Caribana Festival, probe the impact of the Civil Rights movement in America on diasporic communities elsewhere, and assess the anxiety about HIV and AIDS within black communities. The volume demonstrates that diaspora is a floating revelation of black consciousness that brings together, in a single space, dimensions of difference in forms and content of representations, practices, and meanings of blackness. Diaspora imposes considerable flexibility in what would otherwise be place-bound fixities. Contributors are Marlon M. Bailey, Jung Ran Forte, Reena N. Goldthree, Percy C. Hintzen, Lyndon Phillip, Andrea Queeley, Jean Muteba Rahier, Stephane Robolin, and Felipe Smith.