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While Fernando Ortiz's contribution to our understanding of Cuba
and Latin America more generally has been widely recognized since
the 1940s, recently there has been renewed interest in this scholar
and activist who made lasting contributions to a staggering array
of fields. This book is the first work in English to reassess
Ortiz's vast intellectual universe. Essays in this volume analyze
and celebrate his contribution to scholarship in Cuban history, the
social sciences notably anthropology and law, religion and national
identity, literature, and music. Presenting Ortiz's seminal
thinking, including his profoundly influential concept of
'transculturation', Cuban Counterpoints explores the bold new
perspectives that he brought to bear on Cuban society. Much of his
most challenging and provocative thinking which embraced
simultaneity, conflict, inherent contradiction and hybridity has
remarkable relevance for current debates about Latin America's
complex and evolving societies."
Articles on the historical, social and political realities of
postcolonialism as expressed in contemporary writing. Contemporary
postcolonial studies represent a controversial area of debate. This
collection seeks a more pragmatic approach to the subject, taking
into account its historical, social and political realities, rather
than ignoring aconsideration of material conditions. The
contributors look at the oppositional power held and exercised by
anti-colonial movements, a neglected topic; address the literary
strategies devised by metropolitan writers to contain the
insecurities of empire, given that unrest and opposition were
integral to British imperialism; contest the charges of nativism
and essentialism made by postcolonial critics against liberation
writings; and investigate the voicesof both inhabitants of
post-independence nation states, and those scattered by colonialism
itself. Dr LAURA CHRISMAN teaches at Sussex University; BENITA
PARRY is Honorary Professor at Warwick University. Contributors:
Vilashini Cooppan, Fernando Coronil, Gautam Premnath, Ato Quayson,
Tim Watson, Lawrence Phillips, Sukhdev Sandhu
In 1935, after the death of dictator General Juan Vicente Gomez,
Venezuela consolidated its position as the world's major oil
exporter and began to establish what today is South America's
longest-lasting democratic regime. Endowed with the power of state
oil wealth, successive presidents appeared as transcendent figures
who could magically transform Venezuela into a modern nation.
During the 1974-78 oil boom, dazzling development projects promised
finally to effect this transformation. Yet now the state must
struggle to appease its foreign creditors, counter a declining
economy, and contain a discontented citizenry. In critical dialogue
with contemporary social theory, Fernando Coronil examines key
transformations in Venezuela's polity, culture, and economy,
recasting theories of development and highlighting the relevance of
these processes for other postcolonial nations. The result is a
timely and compelling historical ethnography of political power at
the cutting edge of interdisciplinary reflections on modernity and
the state.
In The Fernando Coronil Reader Venezuelan anthropologist Fernando
Coronil challenges us to rethink our approaches to key contemporary
epistemological, political, and ethical questions. Consisting of
work written between 1991 and 2011, this posthumously published
collection includes Coronil's landmark essays "Beyond
Occidentalism" and "The Future in Question" as well as two chapters
from his unfinished book manuscript, "Crude Matters." Taken
together, the essays highlight his deep concern with the Global
South, Latin American state formation, theories of nature, empire,
and postcolonialism, and anthrohistory as an intellectual and
ethical approach. Presenting a cross section of Coronil's oeuvre,
this volume cements his legacy as one of the most innovative
critical social thinkers of his generation.
In The Fernando Coronil Reader Venezuelan anthropologist Fernando
Coronil challenges us to rethink our approaches to key contemporary
epistemological, political, and ethical questions. Consisting of
work written between 1991 and 2011, this posthumously published
collection includes Coronil's landmark essays "Beyond
Occidentalism" and "The Future in Question" as well as two chapters
from his unfinished book manuscript, "Crude Matters." Taken
together, the essays highlight his deep concern with the Global
South, Latin American state formation, theories of nature, empire,
and postcolonialism, and anthrohistory as an intellectual and
ethical approach. Presenting a cross section of Coronil's oeuvre,
this volume cements his legacy as one of the most innovative
critical social thinkers of his generation.
Is Venezuela's Bolivarian revolution under Hugo Chavez truly
revolutionary? Most books and articles tend to view the Chavez
government in an either-or fashion. Some see the president as the
shining knight of twenty-first-century socialism, while others see
him as an avenging Stalinist strongman. Despite passion on both
sides, the Chavez government does not fall easily into a seamless
fable of emancipatory or authoritarian history, as these essays
make clear. A range of distinguished authors consider the nature of
social change in contemporary Venezuela and explore a number of
themes that help elucidate the sources of the nation's political
polarization. The chapters range from Fernando Coronil's
"Bolivarian Revolution," which examines the relationship between
the state's social body (its population) and its natural body (its
oil reserves), to an insightful look at women's rights by Cathy A.
Rakowski and Gioconda Espina. This volume shows that, while the
future of the national process is unclear, the principles
elaborated by the Chavez government are helping articulate a new
Latin American left.
In the words of guest editor Fernando Coronil, this special issue
of the Hispanic American Historical Review on photography
contributes "an expanding discussion across disciplinary boundaries
of the role of visuality in social life." Helping to overcome the
split between image and word in Western theory, the essays pinpoint
the need to recognize the "play of all senses in the construction
of reality." Turning photos and collections of photos into
historical documents, the four authors read images as texts to be
analyzed in the context of their production and circulation. Each
essay looks at the role of a particular photographic genre in the
making of modern Latin American identities. Articles cover the
adaptation in late-nineteenth-century Oaxaca of European type
photography as a tool of imperialist enterprise and science, state
consolidation, and consumer culture; the use of portrait
photography by the K'iche Mayans of Quetzaltenango; and the family
album-made up of snapshots, postcards, and other memorabilia-as a
historical document. Contributors. Greg Grandin, Daniel James,
Mirta Zaida Lobato, Deborah Poole
In 1935, after the death of dictator General Juan Vicente Gomez,
Venezuela consolidated its position as the world's major oil
exporter and began to establish what today is South America's
longest-lasting democratic regime. Endowed with the power of state
oil wealth, successive presidents appeared as transcendent figures
who could magically transform Venezuela into a modern nation.
During the 1974-78 oil boom, dazzling development projects promised
finally to effect this transformation. Yet now the state must
struggle to appease its foreign creditors, counter a declining
economy, and contain a discontented citizenry. In critical dialogue
with contemporary social theory, Fernando Coronil examines key
transformations in Venezuela's polity, culture, and economy,
recasting theories of development and highlighting the relevance of
these processes for other postcolonial nations. The result is a
timely and compelling historical ethnography of political power at
the cutting edge of interdisciplinary reflections on modernity and
the state.
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