Theodore “Theo” Decker was 13 years old when his mother was killed in a bombing at the Metropolitan Museum of Art. The tragedy changes the course of his life, sending him on a stirring odyssey of grief and guilt, reinvention and redemption, and even love.

Through it all, he holds on to one tangible piece of hope from that terrible day... a painting of a tiny bird chained to its perch. The Goldfinch.

Based on the Pulitzer Prize-winning novel of the same name by Donna Tartt.

For fans of Knives Out comes a spellbinding thriller from the author of the #1 New York Times bestseller The Woman in the Window.

“I’ll be dead in three months. Come tell my story.”

So writes Sebastian Trapp, reclusive mystery novelist, to his longtime correspondent Nicky Hunter, an expert in detective fiction. With mere months to live, Trapp invites Nicky to his spectacular San Francisco mansion to help draft his life story . . . while living alongside his beautiful second wife, Diana; his wayward nephew, Freddy; and his protective daughter, Madeleine. Soon Nicky finds herself caught in an irresistible case of real-life “detective-fever.”

“You and I might even solve an old mystery or two.”

Twenty years earlier—on New Year’s Eve 1999—Sebastian’s first wife and teenage son vanished from different locations, never to be seen again. Did the perfect crime writer commit the perfect crime? And why has he emerged from seclusion, two decades later, to allow a stranger to dig into his past?

“Life is hard. After all, it kills you.”

As Nicky attempts to weave together the strands of Sebastian’s life, she becomes obsessed with discovering the truth . . . while Madeleine begins to question what her beloved father might actually know about that long-ago night. And when a corpse appears in the family’s koi pond, both women are shocked to find that the past isn’t gone—it’s just waiting.

Does a consumer who bought a shirt made in another nation bear any moral responsibility when the women who sewed that shirt die in a factory fire or in the collapse of the building? Many have asserted, without explanation, that because markets cause harms to distant others, consumers bear moral responsibility for those harms. But traditional moral analysis of individual decisions is unable to sustain this argument. Distant Harms, Distant Markets presents a careful analysis of moral complicity in markets, employing resources from sociology, Christian history, feminism, legal theory, and Catholic moral theology today. Because of its individualistic methods, mainstream economics as a discipline is not equipped to understand the causality entailed in the long chains of social relationships that make up the market. Critical realist sociology, however, has addressed the character and functioning of social structures, an analysis that can helpfully be applied to the market. The True Wealth of Nations research project of the Institute for Advanced Catholic Studies brought together an international group of sociologists, economists, moral theologians, and others to describe these causal relationships and articulate how Catholic social thought can use these insights to more fully address issues of economic ethics in the twenty-first century. The result was this interdisciplinary volume of essays, which explores the causal and moral responsibilities that consumers bear for the harms that markets cause to distant others.

Niels Bohr: Collected Works, Volume 13: Cumulative Subject Index documents aspects of Niels Bohr's varied life and work in the form of a cumulative subject index, with emphasis on his scientific contributions in the field of physics. The general organization of the material is thematic rather than strictly chronological, allowing for the presentation of each paper (or group of papers) along with other relevant material such as drafts, notes, letters, and other items. The book is illustrated with rare photos and includes explanatory notes as well as a bibliography. The bibliography is restricted to the versions of Bohr's publications reproduced in this volume and encompasses a wide range of topics in physics, from the determination of the surface tension of water by the method of jet vibration to the electron theory of metals and of thermoelectric phenomena; the theory of the decrease of velocity of moving electrified particles on passing through matter; the constitution of atoms and molecules; and the spectra of helium and hydrogen. Bohr's other papers focus on the effect of electric and magnetic fields on spectral lines; the quantum theory of radiation and the structure of the atom; the polarization of radiation in the quantum theory; and collisions between atomic systems and free electrical particles. This monograph will be useful to students, practitioners, and researchers interested in Bohr's life and work in general and in quantum mechanics in particular.

Tucked away in the northwestern frontier, Portland offered all the best vices: opium dreams, gambling, cheap prostitutes, and drunken brawling. In its early days, Portland was a "combination rough-and-ready logging camp and gritty, hard-punching deep-water port town," and as a young city (established in the late 1840s) it developed an international reputation for lawlessness and violence. In the early 1900s, the British and French governments filed formal complaints about Portland to the US state department, and Congressional testimony from the time cites Portland as the worst place in the world for crimping. Today, tours of the alleged Shanghai Tunnels offer Portland visitors a taste of that seedy past.

The Arbitration Institute of the Stockholm Chamber of Commerce has become an important forum for international commercial arbitration, with parties from more than 30 countries, especially Western European countries and increasingly Russia, other Eastern European Countries, and China. The author offers practitioners several background chapters on commercial arbitration in Sweden and a detailed analysis of each section of the Swedish Arbitration Act (SAA).
This is a ready-reference handbook analyzing Swedish arbitration- the SAA, the Rules, and cases-and also includes references and commentary with respect to international commercial arbitration in general. The author's intention is to help practitioners "in search of rapid guidance regarding the interpretation of a particular provision or who wish to solve a practical problem."
"This Third Edition of Commercial Arbitration in Sweden provides us all with a valuable and up-to-date understanding of the Swedish system in operation, and a comprehensive commentary on the SCC Rules, both new and existing. World business has the means, through this work, to see why Sweden and Stockholm are good choices for their international arbitrations."-- ? Phillip Capper, Head of International Arbitration, Lovells; Nash Professor of Engineering Law, King's College, University of London; former Chairman of the Faculty of Law, University of Oxford

This book is a study of writing processes of six modernist authors: Hopkins, Yeats, Conrad, Forster, Joyce, and Woolf, from the 'golden age of manuscripts'. Finn Fordham examines how these processes relate to selfhood and subjectivity, both of which are generally considered to have come under an intense examination and reformulation during the modernist period. The study addresses several questions: what are the relations between writing and subjectivity? To what extent is a 'self' considered as a completed product like a book? Or how are selves, if considered as things 'in process' or 'constructs', reflections of the processes of writing? How do the experiences of writing inform thematic concerns within texts about identity?
There are three theoretical and methodological chapters (about 'genetic' criticism, about critical studies of selfhood within modernism, and the 'effacement' of manuscripts in philosophies of the subject). There then follow chapters on each of the six authors, with a different topic on each - compression, selection, doubling, hollowing out, multiplying and class. The study comprises much new material from archives, and many fresh ideas stemming from the combination of different critical approaches: genetic, psychological, political criticism and close reading. Readers of its contents described it as 'excellent', 'a very creative study', 'original, timely and extremely suggestive'.

Feature drama starring Minnie Driver as a schoolteacher intent on staging a rock opera version of 'The Tempest'. It is the summer of 1976, and Viv May (Driver) is an enthusiastic young drama teacher at a Swansea secondary school. With her diaphanous dresses and progressive attitudes, former actress Viv has her enemies amongst the school's more conservative staff, and has set her sights on creating a high-octane fusion of Shakespeare and David Bowie for this year's school performance. Between rehearsals her adolescent students pass the hot summer days lounging around the lido, fighting and falling in love, as their future beyond the safe confines of school life looms ahead of them.

Abundance Feast excels at throwing parties, assembling fashionable outfits, and being polite. Prophecies have always been for her sister, Merri, heir of House Feast. Besides, Bun doesn't know magic like her sister. So she's not prepared to be part of the Eternal Three, let alone trapped in the demon realm with Merri, Rue, Wort, and Sage.

Wort Erebos grew up in the woods with his father and little sister. Their life was magical in its own way, but their focus was on survival. In Demonspace, Wort discovers the Erebos family has a long heritage that his father has kept secret...but why? And at what cost? And how can Wort trust the very people who lied to him?

Merri and Rue are anxious to return home to their guardian duties in Fauret, but the pathway between realms is damaged. The only hope of returning is by gaining access to the ancient library at Tenebrun, the magical boarding school for the elite of this world. Merri and Rue spent their lives training for their guardianship duel. How will Bun and Wort survive these Tenebrun trials?

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Children's adventure sequel to the Disney 'Buddies' series spin-off movie 'The Search for Santa Paws' (2010). New puppies Noble (voice of Aidan Gemme), Hope (Tatiana Gudegast), Jingle (Marlowe Peyton) and Charity (G. Hannelius), known as the Santa Pups, sneak into Mrs. Claus (Cheryl Ladd)'s sled when she is leaving for Pineville. While there, Mrs. Claus and the pups discover that the festive spirit is fading and they must work together to save Christmas.